Warren Edgar Lamm Nude Paintings

This painting is made by Dutch artist/painter David van der Linden. Painted with oilpaint on canvas. David van der Linden studied at the Academ...

The figures appear intertwined yet autonomous, evoking themes of identity, intimacy, and performance without narrative closure. The Narrative: A Celebration of Intimacy and Fluidit...

David van der Linden 'Don't let the sun blast your shadow'' 100 x 100 cm Oil on canvas framed in a black wooden frame (included in price) 115x115 cm David van der Linden is a Dutch...

Depiction of a male nude in diffuse architectural scenery. Signed lower right (Paul) Anton Kaulbach (1864 Hannover - 1930 Berlin). Oil on canvas, in gold-patinated frame. Image size:...

Oil painting on board, unframed, abstracted, figurative, expressionist, energetic brushwork

Joseph Glasco (American, 1925-1996) Standing Man, 1955 India ink and gouache on textured paper Signed, dated and titled verso 10 x 8 inches 16.75 x 13.5 inches, framed Joseph Glasco...

We are presenting a rare opportunity to acquire one of Leroy Neiman's best and most compelling paintings. It is a statement piece. A combination of enticing subject matter with a mon...

"female Nude" oil on canvas by Otto Scholderer (1834-1902)" Franz Otto Scholderer (1834 - 1902) was a German painter. His work is rooted in Romanticism, with influences from Impres...

Fabulous original French oil painting, depicting this "Femme de petite vertue", seated within an interior smkoing a cigarette. Beside her on the table, sits a bowl of strawberries an...

This piece is an abstract composition done with mixed media, oil and acrylic paints on linen. The artist explores an incredible world filled with color and expressive brush strokes. ...

Joseph Glasco (American, 1925-1996) Seated Male, 1969 Ink on paper Signed and dated lower right 25 x 19.5 inches 27.5 x 22 inches, framed Joseph Glasco was born in Paul’s Valley, Okl...

An original oil on canvas painting from the estate of George North Morris from the artist's "Lovers" series. This piece comes in its original wood frame presentation. George North Morris - painter, writer, teacher Born May 13, 1915 in East Liberty, PA Died Oct. 1, 1996 in Hudson, NY Studio locations over the years: varied from Hyannis (MA), Providence (RI), Oglethorp (GA), Montpelier (VT), Yonkers & Westchester Co. (NY) to the later years in Germantown (NY). Subject matter consisted mainly of seascapes and landscapes but in the 60's and 70's he experienced his abstract era. The later years, in fact most of his life was spent in New England and N.Y. state. Most of his more valuable paintings where along the Hudson River and Westchester County. His most frequent methods were oils and water colors, and in the 1940' his artistic expression was through the use of clay. Most of his pottery was made from local Cape Cod (Barnstable) clay which he and his family dug, washed and prepared. He wrote a part of the foreward, called "The Tradition", for a book "A Century and a Half of American Art 1825-1975". Published in 1975 by the "National Academy of Design". He was also an art critic and reporter for the Worcester Telegram and the Provincetown New Beacon. He was a person that felt time was by far better spent talking about and hearing ideas and thoughts. The following are some of his. George Morris's life was that of art and art critic as well as educator. "It was the two summers, 1938 and 1939" recalled Morris, "that I really learned how to paint". Though much of his work showed a strong Edward Hopper influence, at the same time it took many roads. It was, over the years, much too varied to categorize. He started with collage, moved to abstraction, and then to a period during the late 1960s and '70s when he completed what he called his "Lovers Series" - erotic paintings filled with large orchestrated flat color - that show him moving away from abstraction. Upon becoming bored with the concept of abstract painting, he looked for new challenges in pastels, acrylics and water colors, painting once again what he called "the world as it is recognizable by others". George firmly believed that all the best artists are good hucksters, too. Solo exhibitions as a painter were as follows: Columbia-Greene Community College - 1985 Barrett House - 1985 Smith Gallery - 1980, '81, '82 Swansborough Gallery, Wellfleet - 1983 Hopper House, Nyack, NY - 1981 Hudson River Museum, Yonkers Shepherd Gallery...