Wayne Salge Art

Koji Takei works reference synthetic cubism in the most literal of senses. In cubist artworks, the objects are broken up, analyzed and re-assembled in abstracted form. These pieces...

Beautifully cast deco Austrian bronze titled: “Indian Brave on Charging Horse.” Sitz on a marble plinth. The figure has a cold painted buckskin colored shirt and pant. Signed on base...

Pablo Picasso A.R. 172 Bird With Worm 1952 6” round Edition of 500 White earthenware clay, oxidized paraffin decoration, white enamel. Ramie 172 is a Madoura...

Pablo Picasso A.R. 417 Pase de Cape 1959 16.5” round Edition of 100 White earthenware clay. Ramie 417 is a Madoura ceramic that one rarely sees come on the m...

"Femme de luxe" (Bronze) by Erte Type: Sculpture Media: Patina on Bronze Dimensions: 13 3/4" High Year Produced: 1986 Edition Size: 500 Numbered, 35 AP Edition Number: 13/500 In Exce...

Cubist abstract mixed-media sculpture titled 'Horse and Rider' was created using various materials including wood, papier-mache, and paint by Bill Low (Scotl...

Numbered and limited to 12 copies ( 8 + 4 P.A) Artwork signed Authenticity: Sold with certificate of Authenticity Invoice from the gallery Sculpture: bronze, metal, bronze patina ...

Satyr and Baby is a bronze statue created by the artist Aurelio Mistruzzi.  Edition of the 1980s. Engraved signature on the marble base. 31x32.5 cm. Good conditions

"Fascination" Art Deco Bronze Recast After Louis Icart, Dancing Woman on Marble Base Inspired by the iconic etchings of Louis Icart (1888–1950), this exquisite bronze sculpture title...

Ted Egri (American, 1913-2010) Bronze sculpture Rabbi Signed Egri and numbered 4/30 on side. Dimensions: 12"L x 8.5"H x 6.75" D Born in New York city in 1913 to a Hungarian Jewish emigre family (both of his parents were born in Hungary), Egri was first exposed to music later dropping that for art. He studied with Howard Giles at the Master Institute of the Roerich Museum in New York where he was introduced to Oriental arts, Chinese and Japanese art forms, and later with Hans Hofmann. He worked for the Federal Arts Project, the WPA, making mural paintings and silkscreen prints as well as easel painting. Once WWII began, Egri signed up to serve as a map maker for the Navy, and was witness to some of the fiercest battles in the Pacific. As an artist, he painted many important depictions of his wartime experiences and these works have all be donated to the U.S. Naval Museum. Already a practicing painter and instructor at the Kansas City Art Institute, Ted Egri came to Taos, New Mexico with his wife Kit in 1950 to continue his study of painting at Ribak's Taos Valley Art School on the GI Bill. Louis Ribak quickly introduced Egri to Eulalia Emetaz, the owner of La Galleria Escondida, who gave him his first one-person show in 1951. A prolific and versatile artist, as well as arts organizer and advocate, Egri's contributions to underserved African American, Native American, Hispanic and women were honored by two Taos mayors, with no less than two Ted Egri days during his 50-year art career in Taos. Egri remained in Taos. He became widely known for his sculpture, influenced by cubism and painting, with his style ranging from abstract to realistic. Egri had incredible draftsmanship - charcoal, pencil, pastel, watercolor, oils, mixed media, pen and ink, acrylic, gouache Over time his work gradually shifted from its focus on human struggle to an exploration of natural elements and the changes that come about as a result of living in a physical environment like Taos. "The impact of the majestic Sangre de Cristo Mountain Range and the vast spaces of the mesas directed me toward space and form. I moved into sculpture," Egri said in a 1987 interview with ARTSPACE magazine. He was included in a show at Stables Gallery along with Emil Bisttram, Louis Catusco, Edward Corbett, Lawrence Calcagno, Keith Crown, Andrew Dasburg, John De...

Cubist style abstract mixed-media sculpture titled 'Blue Tone Tower' was created using various materials including wood, papier-mache, and paint by Bill Low ...

The bronze sculpture "Owl" is an exaggerated rendition of an owl that emphasizes the bird's most prominant characteristics - a big fluffy round body and large unblinking eyes making it a charicature of the bird. It is very touchable and calls for one to pet its rounded back. Tom Brun, the sculptor and zookeeper, is well-known for his wood, stone, marble, ceramics and ivory sculptures. One of them, a large hippopotamus, carved from walnut wood travelled the world in the State Department collection. It is said that Tom would often go into a house and pick up one of his sculptures and say that it was unfriendly – meaning that it had not been handled enough. Morley Driver has said of Brun in a newspaper article from the 1950’s “In Any Animal He Sees Beauty”: No one who has ever seen a Tom Brun hippopotamus will ever again think of it as ugly or ungainly, meaning that the artist not only gives you beauty but teaches you to see it. Tom has said: “Small pieces are like a proverb – a gem of meaning that one can dissect.” They are meant to be picked up, caressed and held. This owl, too, seems destined to be caressed. Brun was born in England in 1913. A few years after the end of World War I his father moved the family in 1919 to Detroit, Michigan. In 1935 at age 23, he officially became a U.S. citizen. He served in the army during World War II for five years and upon discharge and at the age of 36 took advantage of the GI Bill and applied for admission to Society of Arts and Crafts (now known as the College for Creative Studies) where he was gladly accepted. While at Arts and Crafts his instructors and established artists such as Sarkis Sarkisian, John P. Foster, Morris Brose, Richard Koslow, Patricia Burnett, Lloyd and Renee Radell...