Wilhelm Werndl Desks

High Style, Art Deco, Machine Age, Industrial design desk(s) by Norman Bel Geddes for Simmons Furniture Company circa 1930's. The desks feature a bank of three drawers which flank th...

Another good looking campaign style piece for your collection! We are delighted to offer for sale this vintage executive desk hand crafted in the Military Campaign style by Mt. Airy, which is one of the higher quality campaign manufacturers. This well-made desk executed out of oakwood which has a lovely warm patina to it, the cuts of timber are lovely with great proportions from any angle. Supporting a rectangular top with a central drawer flanked on either side by a column cabinet with four drawers each having a top and bottom drawer, two of which are double as a filing drawer in the middle offering plenty of storage space. Solid finished back all standing on a plinth base to make it more stable. The brass inset military handles & brass corner brackets are all original and in brass. Signed "National Mt...

Questa scrivania è il modello "Orix" prodotto da Molteni & C negli anni '70, progettato dai designer italiani Vittorio Parigi e Nani Prina. Si tratta di un pezzo iconico del design ...

Jean Claude Mahey Desk in Lacquered Wood & Brass, Paris, France, 1970s. This is a wonderful desk / table / vanity table in lacquered wood and brass by designer Jean Claude Mahey. A ...

Ernest Igl for Wilhelm Werndl, shelving sideboard, polyurethane, Germany, 1970/71 Ernest Hofmann, also known by his artist name 'Igl', recently gained an international audience for ...

A beautifully conceived room divider with integrated desk from the 1970s, designed by Stewart MacDougall. Crafted in a harmonious blend of birch, warm walnut, vibrant Formica, and sl...

Ernest Igl for Wilhelm Werndl, sideboard, polyurethane, Germany, 1970/71 Ernest Hofmann, also known by his artist name 'Igl', recently gained an international audience for his desig...

Stunning Italian executive desk in a dark Rosewood. Three pull-out drawers flank each side. Lockable drawers with original locks. Solid aluminum frame with unusual, rounded corners o...

Unusual spider legged oval top writing desk with a single inset drawer. Handcrafted and laminated in a walnut veneer with hand shaped removable legs and an inset black glass top. ...

An Italian midcentury L-shaped executive desk by Guido Faleschini by Mariani with a black leather top and very dark blue faux velvet sides and chrome accents. This desk also features a file sorter that slide within a unique recessed channel. A three drawer filing cabinet...

Very nice teak desk, produced in Denmark in the 1970s. The desk can be used as free standing thanks to the finished back side. On the front there are three drawers with the or...

This Boiceau desk bears his stamp, and was entirely veneered in amboyna, an exotic burlwood named for Ambon, the Indonesian island where it was harvested. The naturally squiggling patterning of the veneer provides an overall surface decoration. The top alone has no fewer than 60 small book-matched squares of it – ten across and six deep – creating a kaleidoscopic effect in subtle monochrome. Applied decoration is minimal. It consists of two inlaid pairs of griffins in boxwood and purplewood facing off across braziers on both the front and the back of the desk, and blind-tooled Greek keys trimming white-leather-topped shelves that slide out to either side. These decorations introduce no color, and, in lying flush with the surface, leave the sleek form undisturbed. Boiceau even eliminated drawer pulls, necessitating a lock and key for each drawer. Born in Lausanne in 1881, Boiceau descended from French Huguenots who had settled in Switzerland. Prominent as bankers, lawyers, businessmen, and diplomats, the Boiceaus were a cosmopolitan family. Ernest studied painting in Munich, and then painting and architecture in Paris at the École des Beaux-Arts. In 1900 he embarked on a ten-year European sojourn, painting landscapes and portraits along the way. In 1910 he resettled in Paris, became interested in textiles, and established an embroidery workshop that catered to the stage and haute couture. Among his clients were the Folies Bergères, the Comédie-Française, and the Paris Opéra, and the fashion houses of Worth and Molyneux. He also made embroidered table linens, wall hangings, and upholstery fabrics. In a 1913, at an embroidery exhibition in Paris at the Musée Galliera, he presented a boudoir in collaboration with curtains, upholstery fabrics, and a tapestry, embroidered in modern abstract designs. In 1925 he launched a couture line, and branched out to design finely crafted objects and furniture made in rare woods, like ebony and Tasmanian oak...