Will McBride Nude Photography

Ralph Gibson (American, b.1939), "Untitled", from the Somnambulist, Vintage Gelatin Silver Print, 1970, signed to the verso, ebonized wood frame. Image: 7.25" H x 4.75" W; frame: 17....

‘ Lisa ' By Ian Sanderson, Silver Gelatin print, Fiber based Photography : 1989 A beautiful silver gelatin fibre based print produced in the darkroom directly from the negative. The ...

Hand printed by artist. Signed and edition.

Two nude males lie on a bare wood floor. The angle of the photograph suggests that their bodies have melded into one. The artist uses traditional photography methods shooting the i...

Male nude figure draped over contemporary architectural table. . The artist uses traditional photography methods shooting the image on film. The image is printed using traditional darkroom techniques. The artwork is tastefully framed and matted. This artwork is framed using non reflective museum glass. Framed Dimensions: 17.5 x 14.5 inches Doug Birkenheuer...

Vintage, signed on the Verso.

Kenn Duncan (1928-1986). Portrait of Joe D'Allesandro, ca. 1973. Photographic period print measuring 11 x 14 inches. Measures 12 x 15 inches framed. Studio...

Hand printed by Brett Weston. Verified by Carol Wiliams (Photography West Gallery) Mint Condition No Signature Stamped on verso, signed by C. Williams

This fine art print features actress and model Jane March, posed topless on the rooftop of the Hotel Le Bristol in Paris in 1992. This risqué iconic b...

Willy Ronis (Paris, France, August 14, 1910 - Paris, September 12, 2009) was a French photographer who portrayed post-war Paris and Provence during his lifetime. Ronis' father was a ...

Printed 1993 Platinum-palladium print 1962, printed 1993 DIMENSIONS image: 12 x 21.5 cm. (4 3/4 x 8 7/16 in.) sheet: 27.4 x 35 cm. (10 13/16 x 13 3/4 in.)

When Lawrence Schiller got the assignment from the French magazine Paris Match to photograph Marilyn Monroe on the 20th century Fox set of Something’s Got To Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...