Winslow Homer Prints and Multiples

(after) WINSLOW HOMER (1836 -1910) The Army of the Potomoc - A SHARP-SHOOTER – On Picket Duty, 1862 (Beam 99) Wood engraving as published in Harper’s Weekly November 15, 1862. Ima...

August in the Country-The Seashore Wood engraving, 1859 Signed in the block (see photo) Published in Harper's Weekly, August 27, 1859 Condition: Usual vintage condition with folds, c...

Deer Stalking in the Adirondacks in Winter Wood engraving, 1871 Signed in the block (see photo) Published in: Every Saturday, Jan. 21, 1871 Engraved by G. A. Avery Exhibited: Indianapolis Museum of Art, Nov. 25 to Jan. 26, 1981 and later throughout Indiana on the S.T.E.P. traveling exhibition. (This impression) Reference: Beam 188 Goodrich 54 Provenance: Roman Radecki, Sr., South Bend...

Winslow Homer created the etching entitled “THE LIFE LINE” in 1884. This is an unsigned impression published in 1887 by “C. Klackner, 17 East 17th St., New York.” There is an etched Remarque in the lower right of an anchor between two dials. Signed in the plate, lower left “Homer 1884.” The image size (platemark) is 12.88 x 17.75 inches (32.7 x 45 cm). It is unknown why the majority of “The Life Line” edition is unsigned. This piece is framed in a 1 3/8 molding finished in gold leaf, silk-wrapped rag stock mat, rag stock backing, and finished with TruVue Museum Glass. “During the 1870s, after many disastrous shipwrecks, the public demand for higher safety standards on immigrant steamers was heard. A bolstering of the American Lifesaving Service, with brigade houses along the shore from Maine to Florida, and new lifesaving devices were introduced. One of these was the breeches buoy - a seat that carried people from the ship to shore rapidly. A trained brigade using a small cannon...

Winslow Homer created this etching entitled “MENDING THE TEARS” in 1888. This is a lifetime impression signed by Homer and printed by the famous New York etcher George W. H. Ritchie. This piece is signed in pencil “Winslow Homer, N.A.” in the lower left above the etched remarque of an anchor. Etched above the image (top left) is “Copyright, 1888 by Winslow Homer N.Y.” and (top right) “G. W. H. Ritchie Imp.” Also etched in the plate (lower right) “Winslow Homer Sc.” ). The printed image size 15.25 x 21.5" (38.8 x 54.5 cm) plus margins – printed on Japan paper. This item is in very good condition and framed in 2.25 inch scooped molding finished in gold leaf with a rag stock bevel (mat edge) wrapped in metal leaf and rag stock top mat wrapped in silk. Glazed in TruVue Museum Glass. “Winslow Homer (1836-1910) was one of America's great artists of the 19th century and the sea...

Winslow Homer-Flower Garden and Bungalow, Bermuda-15" x 18.5"-Poster-1947-Realism-Blue, Green-nature, plants, water, clouds

"The Beach at Long Branch" is an original woodcut print by Winslow Homer. His initials are in the sand, drawn by the woman on the right. This woodcut depicts modern people spending a...

Waiting for a Bite is a black and white wood engraving showing three boys on a dead uprooted tree in a swamp fishing in the Adirondecks. It is a very tranquil scene from Harper's Wee...

Signed in the block Provenance: Roman Radecki, South Bend, Indiana Published in: Every Saturday, Jan. 14, 1871 Engraved by G. A. Avery References: Beam 188; Goodrich 5...

Published in Harper's Weekly, August 23, 1873 References: Beam 200 Goodrich 71 Kushner, Gallati & Ferber 33