Włodzimierz Karczmarzyk Art

Gouache of a French cityscape titled "Street in Gordes France" by Sylvia Davis. This piece was originally part of the lending and sales gallery of the Memorial Art Gallery of the Uni...

A delightful rustic scene dating to circa 1800 with the sailor returning to his thankful wife and the domestic idyll of his country cottage. The harbour with sailing ships ferrying c...

Fauve landscape with palm trees and Arab houses. 1 half of the 20th century. Gouache paintings on cardboard. Paintings is signed with monogram. Dimensions with Passepartout 45.5cm x ...

"Planting (Spring Plowing)", a vibrant watercolor and graphite on paper by Thomas Hart Benton, circa 1939-40, embodies the artist's signature Regionalist style. The work depicts a ru...

A fine Italian watercolor and sepia drawing, an allegory of summer. People harvesting, eating and drinking in a hilly landscape, probably by Antonio Grano (c.1669-1718). In the fron...

Charlotte Buell Coman The Meadow Signed lower left; titled on the reverse Watercolor on paper 6 1/4 x 7 inches Provenance Monica Stevens, Springfield, Virginia Charlotte Buell Com...

This 1960s watercolor by William C. Grauer shows a small fishing village (Caribbean or Mediterranean) caught in a bright, wind scrubbed moment. The buildings are simple white rectang...

Treesong (Contemporary, Realist Charcoal Landscape Drawing by Sue Bryan) 18 x 24 x 2 inches Charcoal and acrylic on Primed Arches Paper Mounted on Wood Panel Excellent condition, Ready to hang as is This contemporary charcoal landscape drawing on arches paper was completed in 2021 by Sue Bryan. Born in Ireland, the artist uses landscapes from her childhood as inspiration for her current work primarily consisting of beautifully detailed charcoal drawings of trees and wooded landscapes. The artist captures exquisite detail and luminous light with the mere use of black and white charcoal and carbon pencil. The artist creates this tree through a blend of light and shadow that demonstrates the artist's masterful technique. Dark leaves and winding branches in black charcoal contrast elegantly against a light filled sky. There is sturdy wire installed on the back for easy hanging. Artist Statement: "My work is drawing based. As a native of Ireland, the landscape there has certainly shaped and influenced my own history. Many of my drawings are of places that have a deep personal association for me; an endeavor perhaps to stay connected to my roots. My aim is not only to convey a sense of place and belonging, but also an attempt to capture the ineffable, to evoke a feeling or a memory, to invite the viewer to look beyond and beneath what they see. My process is one of building up tones and textures using a combination of charcoal, carbon and graphite, all of which yield a wonderful range of blacks and grays that vary in density and transparency as much as in tonality. Much of drawing’s appeal to me lies in its very constraint, in its simplification, in the reduction of nature’s macrocosm to the coal-black char of organic matter. For me, the act of drawing is an end in itself." About the work: A native of Ireland, Sue Bryan explores the memories of youth rooted in her homeland's landscape. Employing charcoal on both paper and panel, these moody and misty studies reminds us that the water-locked terrain is not always sunny and green. Exquisite detail found in each tree branch or mass of tall grasses lining the horizon dominates the foreground. Light emulates from the background attempting to penetrate the density of opaque cloud cover. Bryan's small scale drawings convey an intimate and highly personal sense of place and belonging. SELECTED EXHIBITIONS 2019 'A Quiet Respite", Carrie Haddad Gallery, Hudson, NY 2018 'DRAWN',5th Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2018 'On Paper - An Exhibition of Drawings', Florence Academy of Art, NJ 2018 'MONOCHROME', Bo.Lee Gallery, London 2017 'Arboreal', Manifest Gallery, OH 2017 'Hudson Valley Landscapes', Carrie Haddad Gallery, Hudson, NY 2017 'Affordable Art Fair, Battersea, London, October 2017 'A Long Way from Home', Bo.Lee Gallery, London 2017 187th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2017 'Palette', Abend Gallery, Denver, CO 2017 'Summer Exhibit', Carrie Haddad Gallery, Hudson, New York 2017 'Exquisite Abandon : Contemporary Miniature Works', Laguna College of Art & Design 2017 8th Annual Drawing Discourse, University of North Carolina Ashville 2017 'Small is Beautiful', Le Salon Vert, Geneva Switzerland 2016 'Smart Dust', Group Show, Sla307, 307 West 30th Street, New York, NY 2016 'Inside Outside', Carrie Haddad Gallery, Hudson, NY 2016 7th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina Asheville 2016 186th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2016 DRAWN, 3rd Annual International Exhibition of Contemporary Drawing, Manifest Gallery, OH 2016 'Summer Group Invitational', George Billis Gallery, NYC 2015 'Radical Inventions', Carrie Haddad Gallery, Hudson, NY 2015 'Strange Paradise', First Street Gallery's National Juried Exhibition, Juror Steven Harvey 2015 185th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2015 'DRAWN' 2nd Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2015 7th Annual Juried Exhibition, Prince Street Gallery, NYC, Juror Robert Berlind 2015 Bradley International Print & Drawing Exhibition, Heuser Art Center, IL, Juror Beth Grabowski 2015 'Interactive Lines' Small Group Invitational, Cabarrus Arts Council, Condor, NC 2014 ‘Regarding the Sublime’, Small Group Invitational, North Park University, IL 2014 27th Northern National Art Competition, Nicolet College Art Gallery 2014 184th Annual Exhibition, Royal Hibernian Academy, Dublin, Ireland 2014 'DRAWN’ 1st Annual International Exhibition of Contemporary Drawing, Manifest Gallery 2014 POP-UP : On and Off the Wall, Series 2, Invited Artist, First Street Gallery, NYC 2014 5th Drawing Discourse, University of North Carolina, Asheville, Juror Tim Lowly 2013 VISTA [landscape in contemporary art], National Juried Show, Manifest Gallery 2013 Marks, A National Juried Drawing Exhibition, Madelon Powers Art Gallery, East Stroudsburg University, PA 2013 American Art Today : Figures, The Bascom, A Center for Visual Art, Juror Jonathan Stuhlman 2013 First Street Gallery's National Juried Exhibition, Juror Donald Kuspit 2013 4th Annual Drawing Discourse, S Tucker Cooke Gallery, University of North Carolina, Asheville, Juror Susan Hauptman 2012 Fort Wayne Museum of Art Contemporary Realism Biennial, Fort Wayne Museum of Art, Juror Frank Bernarducci 2012 25th Northern National Art Competition, Nicolet College Art Gallery, Juror Sarah McKenzie 2011 Salmagundi Annual Non-Member Open Exhibition, Salmagundi Club, NYC 2011 33rd Bradley International Print & Drawing Exhibition, Juror Robert E Marx

A significant early 20th century landscape watercolor of the paradisical gardens at San Anton Palace in Attard, Malta by Nicholas Krasnoff, 1920 (Russian, 1864-1939). This beautiful piece is a wonderful example of the renowned Russian architect's prized watercolors, created while he was exiled to Malta in the early 1920's. Depicting a lush garden full of blooming, colorful flowers and a stately fountain at the San Anton Palace in Malta, one can see the deft hand and attention to detail rendered by the proficient artist and architect's hand. Signed "N. Krasnoff" lower right. Titled and dated "Malta, St. Antonio 1920". Unframed. Measures 10.25"H x 14.25"W. Right corner has a crease from being bent. Nikolay Petrovich Krasnov, also known as Nicholas Krasnoff or Peter Nicholas Krasnoff, was a Russian Serbian architect and painter. He served as Chief Architect of Yalta, Crimea (1887-1899). From 1922 he lived and worked in the Kingdom of Yugoslavia, and was a key figure in the architectural development of Belgrade. Attending the Moscow School of Painting, Sculpture and Architecture in 1876, aged 12. As a young artist he received patronage from Sergey Tretyakov, brother of the founder of Moscow's Tretyakov Gallery, and entrepreneur Petar Gubonyin. In 1887 Krasnov became Chief Architect in Yalta. At the age of 23, Krasnov had large responsibility for the rapid growth of the city. He expanded the promenade, which by 1913 became the city's main street, before creating a new city plan in 1889 (including a new sewer system, planning regulations, new streets, prevention of unregulated construction, a school and children's hospital, and the construction of the Pushkin Boulevard). Two concrete bridges were built over the river, and the embankment strengthened. Krasnov also ran a private practice in Yalta until 1911. Among his most famous work is the Livadia Palace, later the location of the 1945 Yalta Conference. Designed over 60 buildings in Crimea, blending a modernist style with local traditions. Also of note: Dulber Palace, Koreiz (1895-97), Alexander Nevsky Cathedral, Yalta (1902), Yusupov Palace, Koreiz (1909), Kokkoz Jami Mosque, Sokolyne (1910). In 1913, he presented a collection of illustrations he had produced of his works to the Saint Petersburg Academy of Arts, where he held the title of academician. An opponent of the Russian Revolution, he left Yalta with his family in 1919 for Malta, alongside the Dowager Empress Marie Feodorovna, sister of Queen Alexandra, and over 600 members of the Russian aristocracy. Nikolay was in a group housed in the empty Villa St Ignatius, which had been a Jesuit college and then a hospital during World War I. To earn money, Nikolay painted many scenes of Malta, signing his paintings as N. Krasnoff. He is known as Nicholas Krasnoff in Malta. In May 2016 MaltaPost issued a commemorative set of stamps in his honor. In 1922 Krasnov moved to Belgrade, then part of the Kingdom of Yugoslavia, where he became head of the Department of Monumental Architectural Developments and Monuments. His building designs in Serbia number around 60, and were created under the name Nikola Krasnov, as a mark of respect to his adopted homeland. His key works in Belgrade include: Ministry of Forestry building (now Ministry of Foreign Affairs) (1923) which bears a memorial plaque...

Well-drawn early 19th century French watercolor of a family in a wooded landscape. Framed in an antique water gilded frame, which might be the original to the piece. The quality o...

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...

"Path Forward" (2024) by Mo Myra is a watercolor painting on paper that depicts a snowy pathway going through a calm forest. Mo Myra, born in 1990, is a Connecticut-based artist cel...