Small Gemälde

Manuel Garza (geb. 1940) Lokaler Landschaftskünstler aus Texas Titel: Unbenannte Landschaft, Bergblumen Medium: Öl auf Platte Größe: Leinwand 16" x 20" Gerahmt 20,5" x 24,5...

Gerahmt Größe: 29" x 33" Looking Out to Sea ist eine eindrucksvolle Evokation der schottischen Küste, gemalt mit dem charakteristischen Elan und der kühnen Farbpalette des Künstlers....

5-3276 Acryleindrucker landschaftsmalerei auf geraffter Leinwand

Dieses einzigartige und zarte Kunstwerk wurde in der Originaltechnik des Künstlers auf einer hochwertigen italienischen Leinenleinwand geschaffen. Das lebhafte Ölgemälde in Lila- und...

Ausgestellt in "Benji Stiles: A Human Day" bei Reeves Art + Design. In "A Human Day", einer Einzelausstellung, die dem Werk des zeitgenössischen multidisziplinären Künstlers Benji S...

Titel: Mühlstein Medium: Öl auf Leinwand Größe: 19,5 x 19,5 Zoll Rahmen: Einrahmungsmöglichkeiten vorhanden! Zustand: Das Gemälde scheint in ausgezeichnetem Zustand zu sein. Hi...

Landschaft OIl Pain und Collage auf Leinwand 50x50 2025 "Landschaft" ist ein Originalgemälde und eine Collage auf Baumwolle Leinwand (50x50 cm) von Marilina Marchica, einer zeitg...

Französischer modernistischer Künstler, um 1970 signiertes Öl auf Leinwand Leinwand: 19,5 x 23,5 Zoll Provenienz: Privatsammlung, Frankreich Zustand: sehr guter und gesunder Zustand

Meereslandschaft, Impressionismus Original Ölgemälde, gerahmt Künstlerin: Karen Darbinyan Werk: Original Ölgemälde, Handgemachtes Kunstwerk, Unikat Medium: Öl auf Leinen, Jahr: 2021 ...

Die Gemälde von Jean Krillé sind bekannt für ihre ausdrucksstarke Farbgebung und ihre dynamischen, abstrakten Formen, die in seinen Naturdarstellungen Realismus und Abstraktion mitei...

Vintage Ölgemälde von Schloss Windsor mit Schwänen im See des britischen Künstlers William Burns (1923-2010). Kunst misst 24 x 16 Zoll Öl auf Karton, signiert und datiert '82 De...

Titel: Französischer Impressionist Sonnenaufgang über Saint Malo mit Ruderboot von Fanch Lel Von Fanch Lel Unterschrieben: Ja Größe: 20 x 24 Zoll (Höhe x Breite) Ölgemälde auf Karton...

In dieses lebendige Ölgemälde habe ich meine Begeisterung für die Natur und die Erneuerung gegossen. Pinselstriche erblühen auf der Leinwand und fangen die Essenz eines ruhigen Teich...

Brad Davis' "Progress on Memorial", Öl auf Holzplatte, misst 16 x 20 Zoll, gerahmt 18,50 x 22,50 Zoll, und ist gerahmt und hängefertig. Dieses Gemälde zeigt eine karge, kontemplative...

Stefano ist ein zeitgenössischer Genfer Künstler, der sich zwischen Abstraktion und figurativer Darstellung bewegt. Dieses Stück ist für den Künstler "Samuraï" gedacht. Sie wurde 202...

Aquarell auf Papier Papierformat: 4 x 5 Zoll Gerahmte Größe: 19 x 19,75 Zoll PROVENIENZ Ein Geschenk von Joseph Mallord William Turner an Miss Amelia Hawksworth (später Mrs. Hotha...

Ein wunderbares Porträt einer Frau aus den 1950er Jahren mit schönem blondem Haar und weißem Hemd. Der impressionistische Stil ist sehr attraktiv mit schnellen Pinselstrichen und sch...

Jonathan Pratt britisch, (1835-1911) Spinnen von Wolle Öl auf Leinwand, signiert Bildgröße: 12 Zoll x 17,75 Zoll Größe einschließlich Rahmen: 17,25 Zoll x 23 Zoll Ein ansprechendes...

Die Kruzifixion, 16. Jahrhundert PIETER AERTSEN (1507-1575) Verkauf für $1.300.000 Niederländische Altmeisterdarstellung der Kreuzigung aus dem 16. Jahrhundert, Öl auf Tafel. Ausge...

Richard Andre Amerikaner, 1927-2013 Öl auf Leinwand verso signiert und betitelt 19,5 x 24 Zoll 20 x 25 Zoll, gerahmt Richard Andres wurde 1927 in Buffalo, New York, geboren. Als Abs...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Ausgezeichneter Zustand. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks, Paul Kane, Jody Pinto, Bruce Samuelson, Barbara Sosson, and James Victor. Gloria Etting, Philadelphia The Intimate City (New York: A Studio Book – The Viking Press, 1968), photograph of Gilbert Lewis drawing in the cast hall of the Pennsylvania Academy of the Fine Arts reproduced in the chapter titled, “Art and Collectors,” n.p.. 1974 May 31, 1974, awarded Bachelor of Fine Art degree from the Philadelphia College of Art 1978 Received a Master’s Degree in Creative Arts in Therapy (MCAT) from Hahnemann University, Philadelphia. Gilbert Lewis, The Spontaneous Art Productions of an Institutionalized Geriatric Population: a thesis presented to the faculty of the Graduate School, Hahnemann Medical College, March 30, 1978 Late 1970’s to late 1980s/early-1990s, works as art therapist at Manchester House Nursing Center/Home in Media, Pa. 1977 Summer: studies at the American Projective Drawing Institute’s Annual Summer Institute run by Emanuel F. Hammer, Ph.D. 1981 First solo exhibition at Peale House Galleries (East Gallery) of the Pennsylvania Academy of the Fine Arts, March 5 – 27, 1981 “Since art school I’ve turned from oil to media of gouache and pencil, separately and sometimes together. I’m trying to discover for myself the power of observation without sacrificing the passion of the art materials.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1986 Elizabeth Leonard, Painting Flowers, (New York: Watson-Guptill Publications 1986), reproduced in color, pp. 56, 67, 110, and cover Travels to Italy: Florence, Venice… 1988 Work acquired by Philadelphia Museum of Art: Autumn, 1987, gouache, purchased with Julius Bloch Memorial Fund 1991 October 10, receives A.T.R. from American Art Therapy Association, renewed in 1996 1992 Applies to American Academy in Rome, Philadelphia Regional Visiting Artists Program Around this time he has artwork with American Artist Gallery, Wayne, Pa. 1992 (June) lives at 322 South Street. By May 1994 living at 1804 Catharine Street (until January 2017). 1998 Group exhibition: 135th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 22 – April 26, 1998. Awarded Honorable Mention c. 1999-2007+ teaches at PAFA, certificate and continuing education programs (what years?) 2001 Group exhibition: 138th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 25 – April 29, 2001. Awarded Second Award By 2002 until c. 2014 Works at Blick Art Supply store, Philadelphia 2005 An undated artist statement from this time states: “My inspiration for this series came from the work of the nineteenth-century painter, George Catlin, who painted portraits of the American Indians. My portraits serve to commemorate the “tribe” of contemporary creative youth. Most of the studies were painted from life, originally using transparent and opaque watercolors, and in the past five years the series began to include oil studies on panels. In the watercolor paintings, the forms emerge from multiple layers of color, which have an intensity and a luminosity equal to oil painting on canvas, but demands the additional challenge of maintaining the integrity of the paper’s fragile surface. My oil studies, consisting of many layers of oil glazes over an under-painting, approach a look more like the oil paintings of Catlin that had originally inspired me, but these studies seem to have an additional intense almost icon-like quality.” 2008 Peter Weiermair, editor, Treasures of Gay Art from the Leslie/Lohman Gay Art Foundation, (All Saints Press, 2008). Resting, 1982, gouache on paper, 44 x 30 inches, Founders’ purchase, 2004.1222.0002, reproduced in color p. 50; Swimmer, 1984, gouache on board, 63.75 x 44 inches, gift of George Dudley, 1994.1222.0001, reproduced in color p. 51 2015 Kevin Clarke, The Art of Looking: The Life and Treasures of Collector Charles Leslie, (Berlin: Bruno Gmünder, 2015), Swimmer reproduced in color p. 182 2017 He moves from his home at 18XX Catherine Street, Philadelphia, to the WaterMark. In January 2018 he is moved to Wyncote House, Pa., an Alzheimer’s care facility. Six works acquired by PAFA. Philadelphia, Pa., Pennsylvania Academy of the Fine Arts. Recent Acquisitions, summer 2017. Stephan Salisbury, “PAFA’s 32 New Works,” The Philadelphia Inquirer, Tuesday, July 11, 2017, pp. C-1 and C-6. SOLO EXHIBITIONS 2020 Pennsylvania Academy of the Fine Arts (July 9 - ), Willliam Way Community Center (July 10 - ), and Woodmere Art Museum (July 16 – October 20), Gilbert Lewis 2004 New York, N.Y., Leslie Lohman Foundation, Gilbert Lewis: Becoming Men - • Doug Gruse, “Gilbert Lewis,” Philadelphia Gay News, April 9-15, 2004, pp. 25, 27 and 32; BECOMING MEN: Portrait Paintings by Gilbert Lewis, March 9 – April 17, 2004 127-B Prince Street, (Text from Becoming Men: Portrait Paintings by Gilbert Lewis by Christian Bain, in issue 12 of The ARCHIVE) BECOMING MEN: Portrait Paintings by Gilbert Lewis By Christian Bain Philadelphia artist Gilbert Lewis inspires superlatives. What other artist has been compared to Eakins (whose student was Lewis’ teacher) and Titian in the same Art Matters review, or anywhere else for that matter? Gilbert is also an artist who focuses on the beginning and end of adulthood. During the almost 20 years he worked in a nursing home he painted portraits of elderly patients by day and of young men at night. “One of my motivations in painting has been to celebrate the beginning of adulthood for the young and the final period of life for the old,” Gilbert observes. “What struck me is that both young men and the old are ignored by society. Despite our ostensible focus on youth, young men are in a sort of nether world, no longer teenagers and yet not full adults. They’re in transition with no established identity and no real place in society. “A nursing home is basically an orphanage for elderly adults. It’s a place where people don’t really have their families anymore and visiting relatives and the staff constantly tell them what to do and don’t stop to hear what they have to say. When I was with them doing their portraits we were one on one and we were free to talk about whatever they wanted, with assurance that it would remain confidential. They often told me things even their children didn’t know. “What they had in common with the young men who modeled for me is that they could talk and know that someone was listening. My good fortune was that my young models really appreciated the fact that an adult person was actually there for them and not telling them what to do. I never gave them explicit instructions other than to tell them where to sit or stand. I let them decide how they would do it–I took the queue from each model. “Both the young men and elderly people who sat for me had a sense of trust because I listened to them and didn’t run away. Some of the young models would bring CDs or tapes of their favorite music to play while we sat. “I always painted from live models in gouache, watercolor or oil. The portraits were always completed while the model was still sitting: I only touched up the backgrounds, but never the figures.
“I wish that the exhibition could have colored strings connecting the young men who modeled for me with the models who recommended them and the friends they recommended in turn. It would make a very interesting story.” 1994 Philadelphia, Pa., Rosenfeld Gallery, Gilbert Lewis: watercolors & gouache paintings, April 10 – May 1, 1994, Man in Gray Shirt, 1992, watercolor, 16 x 20 inches, reproduced in color on the postcard. Review: Edward J. Sozanski, “Art. Nudes done dispassionately and romantically, Two very different approaches,” The Philadelphia Inquirer, Friday, April 15, 1994, Study watercolor, reproduced. [Bruce Samuelson ‘s exhibition also reviewed] c. 1990 Educational Testing Services, Gilbert Lewis, ten works (checklist): 1- Left Profile; 2- Dancer (Woodmere Art Museum); 3- Studious; 4- Wrestler (collection of Bill Scott); 5. Untitled Portrait; 6. Man in Red and Blue; 7 Man in Blue Sweater; 8- Student; 9- Young Artist; 10- Man with Intense Gaze 1988 Philadelphia, Pa., Gross McCleaf Gallery, Gilbert Lewis: Paintings and Drawings, October 19 – November 5, 1988. Review:s Victoria Donohoe, “On galleries,” The Philadelphia Inquirer, Saturday, October 29, 1988, p. 5-D.; Jeanne Nugent, “Pennsylvania: Gilbert Lewis,” New Art Examiner, January 1989, pp. 52-53. Study [reclining nude male, arms folded over head], 1988, gouache, 22 x 30 inches, reproduced in black and white; Brenda Reed, “Reviews in Brief,” Art Matters, December 1988/January 1989, p. 2 1987 West Chester, Pa., Mitchell Hall Gallery at West Chester University, Gilbert Lewis: Paintings & Drawings, November 4 – 25, 1987. Hands Together, 1987, gouache on board, 40 x 30 inches, reproduced in color on the invitation. Twenty-one works on the checklist, including #19- Sick Boy (collection of Woodmere Art Museum) 1986 Boston, Mass., Twentieth Century Gallery, Gilbert Lewis, to July 2, 1986; Review: David Bonetti, “On and off the street,” The Boston Phoenix, section three, June 17, 1986 1985 Philadelphia, Pa., Noel Butcher Gallery, through January 30, 1985. Twenty-one works (pricelist/checklist). Review: Tam Mossman, “Lewis: Sex and sensitivity,” Welcomat, January 23, 1985. Works cited in review: Blonde Man [on invitation], Man in Argyle Sweater [both 1984], Man in Black and White Shirt, Boy, Summer Afternoon, Tribute, Gray Robe, Roses, Spring Portrait. Reproduced in the review: Swimmer (Leslie Lohman Foundation); Victoria Donohoe, “Galleries,” The Philadelphia Inquirer, Saturday, January 12, 1985; reviewed by Ann Jarmusch for New Art Examiner???? 1983 Philadelphia, Pa., Noel Butcher Gallery, September 9 - October 5, 1983. Reviews: William Southwell, “Reviews in Brief,” Art Matters, October 1983, p. 2; Victoria Donohoe, “3 painters, 3 distinct viewpoints,” The Philadelphia Inquirer, Sunday, September 25, 1983, p. 17-H; Profile advertisement in Art Now/ Philadelphia: Gallery Guide, September 1983, Seated Figure and Reclining Nude reproduced 1982 Philadelphia, Pa., Butcher & More Gallery 1981 Philadelphia, Pa., Peale House Galleries of the Pennsylvania Academy of the Fine Arts 1976 Philadelphia, Pa., La Terrasse Restaurant, Solo Exhibition GROUP SHOWS: 2020 Lincroft, N.J., Brookdale Community College, Morris Blackburn (1902-1979) and His Legacy: Painter, Printmaker, Writer, Teacher, January 22 – February 21, 2020. 2019 Philadelphia, Pa., Leonard Pearlstein Gallery, Westphal College of Media Arts and Design, Drexel University, Stonewall@50, curated by David Acosta and Janus Ourma, June 28 – July 26, 2019. 2018 Montclair, N.J., Montclair Art Museum, Constructing Identity in America (1766 – 2017), September 1, 2018 – January 5, 2019 2017 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Recent Acquisitions Philadelphia, Pa., Woodmere Art Museum, A More Perfect Union: Power, Sex, and Race in the Representation of Couples, February 4 – May 21, 2017. Reproduced in color in the catalog, pp. 53 and 69. Untitled (8-25-83), gouache, reproduced in color in Woodmere Art Museum Calendar, Winter/Spring 2017, p. 4 Philadelphia, Cerulean Arts Gallery ? Philadelphia, Pa., Gross McCleaf Gallery, Todd’s show 2014 Philadelphia, Cerulean Arts Gallery, Lilies, Figs and Folly: Contemporary Still Life Paintings & Works on Paper. Bill Scott, guest curator, November 26 – December 21, 2014 2007 Serves as juror for William Way Center’s Annual Juried Exhibition. The other two jurors were Robert Goodman and Shelly Spector. 2006 or 2007 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition [Vase of Roses] 2006 Philadelphia, Pa., William Way Center, Annual Juried Show, Douglas Pascall, juror Philadelphia, Pa., William Way Center, Gilbert Lewis: Portraits, a solo exhibition, Fall The artist donates his work, Portrait, to the William Way Center for its art collection. Teaches Drawing Fundamentals: a mixed media drawing class, at the William Way Center. 2005 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2004 Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, awarded Mary Butler Memorial Award Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2003 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2002 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2001
Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition Sewell, N.J., Gloucester County College Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 25 – April 29, 2001, awarded Second Award 2000 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1999 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1998 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 22 – April 26, 1998, awarded Honorable Mention Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition 1996 Camden, Stedman Art Gallery, Rutgers, The State University of New Jersey, Rutgers National: Works On/Of Paper, March 11 – April 27, 1996, Study with Blue, Green reproduced in black and white in the catalog. Leon Golub and Ann Philbin, jurors. Northampton, Mass., Smith College, Drawing Philadelphia, Pa., Philadelphia Art Alliance 1995 Media, Pa., Delaware County Community College Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Philadelphia, Pa., Philadelphia Art Alliance 1994 Philadelphia, Pa., Rosenfeld Gallery, (also in 1993) Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Media, Pa., Delaware County Community College 1993 Haverford, Pa., Main Line Center for the Arts Abington, Pa., Abington Art Center Philadelphia, Pa., Woodmere Art Museum, (also in 1989) Media, Pa., Delaware County Community College 1992 Williamsburg, Va., Muscarelle Museum of Art, American Drawing Biennial, April 11 – May 24, 1992, Jack Beal, juror. Exhibited: Study, watercolor Philadelphia, Pa., Philadelphia Watercolor Club Cheltenham, Pa., Cheltenham Art Center (also in 1989) Philadelphia, Pa., Philadelphia Museum of Art, Pertaining to Philadelphia, [June?] – August 16, 1992, reproduced in black and white in Philadelphia Museum of Art’s June 1992 newsletter of Special Exhibitions & Events; Reviews: Edward J. Sozanski, “On Galleries,” The Philadelphia Inquirer, Thursday, June 4, 1992, p. D5; “Local Artist Exhibits at Philadelphia Museum of Art,” Town Talk, Wednesday, July 29, 1992, p. 24M, Autumn reproduced Williamsburg, Va., Muscarelle Museum of Art Allentown, Pa., Allentown Art Museum, 23rd Juried Show. Review: Peter Schnore, “Reviews in Brief,” Art Matters, February 1992, page 1 Philadelphia, Pa., Woodmere Art Museum, The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, closed January 5, 1992. Reviewed: Peter Schnore, “More Reviews,” Art Matters, December 1991/January 1992, p. 9. “…only Gilbert Lewis approaches the level of Eakins. Lewis continues his ongoing documentation of young men seen with a searing empathy, incredible candor, and no more technical flaws than the average...

"Sarah" 16 x 12 Zoll Öl auf Karton 19 x 15 Zoll im Rahmen Wir freuen uns, Werke im Auftrag von Christopher E. Barrow ABNA zu verkaufen. Christophe ist hauptberuflich Künstler und l...

Arbeiten auf Leinwand Rahmen aus Gips und geformtem und vergoldetem Holz 67 x 59.5 x 6 cm

Meditation 3 – Minimalistisches abstraktes Gemälde – Marc Zimmerman Dieses Meisterwerk ist in der Zimmerman Gallery, Carmel CA, ausgestellt. ÜBER DEN KÜNSTLER Marc Zimmerman ist ei...

Dieses rätselhafte und stimmungsvolle abstrakte Gemälde - signiert unten rechts - zeigt ein markantes typografisches Element mit der Aufschrift "HIJKLYN", eingebettet in eine dicht ...

"Abstraktes Design/One" unterzeichnet von Arlette Martin (Französin, geb. 1924) datiert 76' Gouache/Aquarellmalerei auf Karton, ungerahmt Gemälde: 19 x 20 Zoll Atemberaubendes Ori...

Solo-Kuss von Bolly Frost Acrylgemälde auf Leinwand verso signiert Gemälde: 20 x 18 Zoll Hervorragende Original moderne abstrakte Porträtmalerei von der aufstrebenden zeitgenössi...

Durchdrungen von meiner Sehnsucht nach den ruhigen Grachten, verkörpert dieses Öl auf Leinwand meine Leidenschaft für den Tanz von Licht und Schatten in der Stadt. Die strukturierten...

Öl auf Leinwand von Pino Romanò (1934) aus dem Jahr 1999. Handsigniert. Rückseitig betitelt und datiert. Sehr guter Zustand.

Honfleur von Georges Bordonave (französischer Zeitgenosse) von 1981 Ölgemälde auf Leinwand, ungerahmt Leinwand: 20 x 24 Zoll Zustand: sehr gut Provenienz: aus einer großen Privatsam...

George Dunlop Leslie (1835 - 1921) Antikes englisches realistisches Ölgemälde. Öl auf Leinwand. Unterschrieben. Gerahmt. Es misst 17 x 20 insgesamt und 12 x 15 allein für die Malerei...

"Fantasie mit Blumen" (Serie von über 200 Bildern) Papier 59x42cm Auf dem Papier Acryl, Ölpastell, Filzstift, Tinte, Blattgold, Bleistifte, Silber, Mischtechnik. Blumen sind ein L...

Ein Original-Ölgemälde des amerikanischen Künstlers Rudolph Wedow. Dieses fantastische Gemälde zeigt die Antilopen-Tänzer im San Felipe Pueblo in New Mexico. Sie wurde in den 1940e...

"Der Badende" Eugène Bégarat (Französisch, 1943) Gouache 11 1/2 x 9 1/2 (21 x 19 Rahmen) Zoll Eugène Bégarat wurde 1943 geboren. Im Alter von siebzehn Jahren trat Bégarat in die Sc...

Schöne Radierung des kalifornisch/dänischen Künstlers Roland Petersen (geb. 1926). Dieser Druck misst 15 1/2" H x 19 1/4" W Bildgröße, ist in ausgezeichnetem Zustand und ist ungerahm...

Eine dynamische Landschaft mit einem schönen Sonnenaufgang, der sich in den Gewitterwolken über der ruhigen Küste spiegelt, von Don Hannan, einem Künstler aus Santa Cruz (20. Jahrhun...

Philosoph - Ciro De Rosa Italia 2008 - Öl auf Leinwand cm. 60x50 Blattvergoldeter Holzrahmen auf Anfrage erhältlich Das Gemälde des Malers Ciro De Rosa zeigt einen alten und weisen P...

Boote auf dem Meer, Pointillist School Britische Schule, Mitte, 20. Jahrhundert Der Künstler signierte die untere rechte Ecke und signierte sie verso Ölgemälde auf Karton, ungerahmt ...

Klassische kalifornische Landschaft aus den 1920er Jahren mit einem Weg durch hohe, immergrüne Bäume und den grandiosen Bergen der Sierra im Hintergrund von der aufgeführten Künstler...

Ein schönes signiertes und datiertes 1880 Öl auf Leinwand Porträt eines Terriers sitzt auf einem Stuhl, von Rupert Arthur Dent. Ausgezeichnete Qualitätsarbeit dieses bekannten vikto...

Titel: Felsbrocken Medium: Öl auf Leinwand Größe: 19,5 x 23,5 Zoll Rahmen: Einrahmungsmöglichkeiten vorhanden! Zustand: Das Gemälde scheint in ausgezeichnetem Zustand zu sein. ...

Das Ölgemälde "Dust Storm" von Morgan Cameron (USA) zeigt ein rot-weißes Pferd im Galopp mit wehender Mähne. Dieses Gemälde ist gerahmt und hängefertig. Über den Künstler: Ich b...

Abstraktes expressionistisches Gemälde der Bay Area Hills von Honora Berg Berkeley Abstrakte expressionistische Landschaft aus der San Francisco Bay Area von Honora Berg (Amerikaner...

Arielle Zamora they/them (geb. 1990) ist eine in Portland, Oregon, ansässige Malerin und Grafikerin. Sie malen mit Farbschichten und Fugenmasse, um Linien und Formen zu erforschen. D...

Titel: Impressionistische Hafenszene mit weiß getünchten Gebäuden und Booten vor blauem Himmel Von Fanch Lel Unterschrieben: Ja Größe: 19,25 x 23,75 Zoll (Höhe x Breite) Ölgemälde au...

Dieses Bild wurde im Sommer 2016 im Freien in der Nähe des Simi-Sees in der Schweiz gemalt. Der Hintergrund des Bildes zeigt die Kreuzberge und die Kirche des kleinen Dorfes Gams. Ic...

Der aus Los Angeles stammende Straßenkünstler Gary John wurde während der Kunstmesse Art Basel Miami im Jahr 2013 zum Star der internationalen Kunstszene. Johns spielerisch kühne Arb...

Porträt eines jungen Mannes Französische Rokokoschule, 18. Jahrhundert Öl auf Leinwand, gerahmt Gerahmt: 24 x 20 Zoll Leinwand : 20 x 16 Zoll Provenienz: Privatsammlung, Frankreich Z...

Ernest Lawson Cheyenne Mountain (Sommer in Colorado), ca. 1927-30 Signiert unten in der Mitte Öl auf Leinwand 12 x 16 Zoll Provenienz Frau Bertram H. Catzen Manor Circle Gallery, Pe...

Eine charmante Szene, die einen friedlichen Teil des Flusses in Lifton, Devon, zeigt. Signiert unten rechts. Präsentiert in einem Holzrahmen des 20. Jahrhunderts. An Bord.

Mischtechnik auf Leinwand Wolken über dem Jemez, einzigartiges Gemälde New Mexico Landschaft, Wolken, Berge

Künstler: Eduard Matevosyan Werk: Original Ölgemälde, Handgemachtes Kunstwerk, Unikat Medium: Öl auf Karton Jahr: 2025 Stil: Porträt Kunst, Titel: Frau in Ocker Größe: 20" x 16" x ...

Die Anfang der 1990er Jahre erstmals erprobte Spinntechnik ist zu einem von Hirsts begehrtesten und sofort erkennbaren Stilen geworden und spiegelt sein Interesse an Prozessen, Farbe...

Der graue Kimono, 1901, von William Merritt Chase (1849-1916) Öl auf Leinwand 20 x 16 Zoll ungerahmt (50,8 x 40,64 cm) 28 x 24 1/16 Zoll gerahmt (71,12 x 61.11875 cm) Papier (Alice ...

Ein kleiner Junge hält einen Reifen und einen Stock, ein beliebtes viktorianisches Spielzeug. Er steht vor einer dunstigen Herbstkulisse. Präsentiert in einem verzierten Rahmen. Nich...

Porträt eines Fischers Ein Offsetdruck in limitierter Auflage des preisgekrönten zeitgenössischen Künstlers Michael Budden, der einen großen blauen Reiher in seiner natürlichen Umgeb...

24 x 24" Öl auf Leinwand - Zeitgenössisches figuratives Akt-Ölgemälde. Dieses originelle zeitgenössische Ölgemälde zeigt die zeitlose Schönheit der nackten Figur in kräftigen moder...

Markttag am Dorfplatz unterzeichnet von Fanch Lel (Franzose, geb. 1930) Größe: 18 x 21,5 Zoll Verso beschriftet Ölgemälde auf Leinwand, ungerahmt Zustand: Das Gemälde ist in gutem Zu...