Menschen Porträts

Ein feines Porträt in Öl auf Leinwand aus dem 19. Jahrhundert, das Hauptmann Paul John Henry Butler, 5. Königliche Lancashire-Miliz, in halber Länge, mit Bruststern, darstellt. In ei...

"M.Y. 3" von Mark Bradley Schwartz ist ein Original-Ölgemälde, das eine brünette Frau in kontemplativer Pose darstellt. Der gebürtige Illinoiser begann seine berufliche Laufbahn als...

Ksenja Istomina Mittagsschlaf 60 x 80 cm ( Rahmen ist im Preis inbegriffen, Größe gerahmt in einem schwarzen Rahmen form A der Bilder ist: Öl auf Leinen, gerahmt Nach dem Leben gem...

Emanuel Oberhauser (Österreicher 1854 - 1919) "Nixen, Neptun und Meerwassernymphen" Eine außergewöhnliche Öl auf Leinwand Gemälde gemalt circa 1885. Dieses meisterhaft gemalte Ku...

Versandverfahren Versand in einem gut geschützten Rohr aus Nigeria Dieses Werk ist ein Unikat, kein Druck oder eine andere Art von Kopie. Begleitet von einem Echtheitszertifikat. Üb...

"Mädchen vom Volk der Karen" - dieses Bild wurde durch eine Reise nach Thailand inspiriert. Weit weg von großen Städten, in den Bergen Nordthailands, inmitten dichter Wälder, lebt d...

Künstler/Schule: Französische Schule, Mitte 20. Jahrhundert, undeutlich signiert in der unteren Ecke Titel: Porträt einer nackten Dame Medium: signiertes Ölgemälde auf Leinwand, un...

Dieses moderne psychologische Porträt fängt die Spannung zwischen innerer Widerstandsfähigkeit und äußerem Chaos ein. Eine junge Frau mit silberweißem Haar begegnet dem Betrachter ...

Antonio Tempesta (Florenz 1555 - Rom 1630) Kreis Der heilige Jakobus besiegt die Mauren in der Schlacht Öl auf Leinwand 112 x 102 cm - Gerahmt 125 x 114 cm Im Zentrum des Gem...

Tim Doud (geb. 1971) Casey (Burberry) 2001-02 Öl auf Leinen, 22 x 22 Zoll. Verso Original-Galerie-Etikett. Erstklassiger Zustand. Tim Douds Gemälde und Zeichnungen umfassen zw...

Kolossale Hand - kolossaler Kopf - kolossaler Fuß (Triptychon), 2003 Acryl auf Leinwand (Signiert auf der Vorderseite) 78 7/10 H × 236 1/5 B in (78 7/10 H × 78 7/10 B in jeweils) 200...

Eine Brünette mit Mandelaugen sitzt nachdenklich an einem Fenster. Sie sieht mediterran aus, vielleicht italienisch oder griechisch, und hat ein fesselndes Gesicht, in das man sich v...

Italienische Schule des 17. Jahrhunderts Christus und die kanaanäische Frau Öl auf Leinwand, gerahmt Gerahmt: 30,5 x 35 Zoll in einem antiken vergoldeten Hohlrahmen. Leinwand: 24 x...

Französische Schule des 20. Jahrhunderts, Porträt eines eleganten Mannes, Öl auf Leinwand, monogrammiert und datiert E.B. 1931 unten links. Das Monogramm E.B. findet sich auch auf de...

John Pairman (Schotte, 1788 - 1843) Signiert: J Pairman 1820 (unten, rechts) "Porträt eines Gentleman", 1820 Öl auf Leinwand 22 1/4" x 18 5/8" Untergebracht in einem 2 3/4" Husa...

Hugh Goffinet starrt in der Kleidung eines Soldaten von der Leinwand, ohne einer zu sein. Er ist Reenactor eines afroamerikanischen Freiwilligen im Abraham-Lincoln-Bataillon. Seine I...

Kreis von Michael Coxie (Malines, 1499 - Malines, 1592) Ecce Homo mit Pontius Pilatus Öl auf Platte Flämische Schule 16. bis 17. Jahrhundert 112 x 81 cm - gerahmt 121 x 90 cm. Das ...

Meine Schönheit ist einmalig, meine Farbe ist einmalig, und ich schätze meine Haut, die die Stärke in mir zum Vorschein bringt. Malerei Versand in einem gut geschützten Rohr aus Nig...

Künstler/Schule: 18./19. Jahrhundert Kontinentale Schule, nach Murillo Titel: Trauben essende Figuren Medium: signiertes Ölgemälde auf Metall, gerahmt. Größe: gerahmt: 18 x 16,7...

Octave GALLIAN (1855-1918) "Porträt einer eleganten Frau", Ölgemälde auf Leinwand, signiert und datiert 1895 unten rechts. Prächtiges Porträt einer jungen Frau mit tiefdunklen Augen ...

Daniela Aston Ehepaar #2 50 x 40 cm Öl auf Holz Daniela Astone lebt und arbeitet in Florenz. Jahrelang war sie Lehrerin an der berühmten Kunstakademie in Florenz. Seit 2022 arbeite...

Liegende Frau Di Li Feng, Chinesisch (1958) Datum: ca. 1990 Öl auf Leinwand, signiert unten rechts Größe: 39 x 31 Zoll (99,06 x 78,74 cm) Rahmengröße: 46 x 38 Zoll

Ein reizvolles Porträt aus dem Biedermeier, das den Gastwirt Ludwig Brandt darstellt. Der fesselnde Blick des Dargestellten zieht einen in seinen Bann, während die dekorative Weste u...

"Jamaikanisches Mädchen an der Palme, ca. 1930" von Will Howe Foote (Amerikaner, 1874-1965) Ein phantastisches Porträt einer jungen Jamaikanerin vor dem Hintergrund eines lebhaften ...

Ölgemälde in Mischtechnik auf Leinwand, das eine menschliche Figur darstellt, die mit tierischen Formen verwoben ist. Die Komposition kombiniert leuchtende Farben, abstrakte Formen u...

Dies ist ein interessantes Porträt einer militärischen Person im Zusammenhang mit dem Prinz-Heinrich-Kasernenkomplex in Deutschland nach dem Zweiten Weltkrieg. Offensichtlich gab es ...

Originalkunstwerk von Daria Kusto. Acrylmarker, Tinte auf Kartonpapier. Ungerahmt. Der Versand erfolgt sicher und gut geschützt aus Spanien.

Ein wunderschönes, signiertes belgisches Öl-auf-Karton-Porträt einer Dame aus den 1960er Jahren, die einen blauen Pullover vor einem auffälligen orangefarbenen Hintergrund trägt, von...

Jan van Gelder, italienisiert als Giovanni Vangheldri (Antwerpen 1621 - Modena 1685) Porträt der Herzogin Vittoria Farnese d'Este (Parma, 1618 - Modena, 1649), Ehefrau von Francesc...

Richard Gibbons Mutter und Tochter, 2021 Öl auf Leinwand, Karton 16h x 12w in 40,64h x 30,48w cm RAG090 Richard Gibbons Geboren in Toledo, OH 1972-1973 Stipendium der Amerikanisch...

Jungfrau mit Kind, Atelier von Giovanni Pietro Rizzoli, bekannt als Giampietrino (tätig in Mailand 1495-1550) Nicht unterzeichnet Öl auf Pappelholzplatte, H. 63 cm (24,8 in), B. 49 c...

Eine gewöhnliche Szene einer Frau, die im Regen über einen Bürgersteig geht, wird zu einem kleinen Juwel eines Gemäldes. Das amerikanische Leben wird in diesem Gemälde von Clyde Si...

Dieses Kunstwerk fängt die Schönheit, Stärke und Anmut von Frauen aus den verschiedenen Kulturen Afrikas ein und feiert die Schönheit der afrikanischen Frauen in all ihren Formen. V...

Porträt eines Mannes von Roger Allain (Französisch 1920-1992) signiert und datiert 1941 (ein sehr seltener Zeitraum aufgrund des Zweiten Weltkriegs) Öl auf Leinwand Leinwand: 22 x 18...

"Porträt eines eleganten Mädchens", außergewöhnliches Ölgemälde auf Holzplatte signiert und datiert oben links "A. Robert 1879" für Alexandre Robert. Ein belgischer Maler mit große...

Pierre LaFille, Belgier Ende des 20. Jahrhunderts unterzeichnet Öl auf Leinwand, gerahmt Gerahmt: 42,5 x 35 Zoll Leinwand: 39 x 32 Zoll Provenienz: Privatsammlung, Frankreich Zustand...

Samuel Raven (ca. 1775-1847) Zwei Männer beim Trinken in einem Gasthaus, um 1850 Öl auf Platte (Rondell) Signiert auf der Rückseite Präsentiert in einem Rahmen aus englischer Eiche ...

Weinender Clown Porträt in Öl auf Leinwand Porträt eines traurigen Clowns des Künstlers John Peers (Amerikaner, 1922-2009) aus San Francisco. Das Porträt ist eng auf das Gesicht des...

Pastell auf Papier, auf Leinwand gespannt Je 23 ¼ x 19 ¾ Zoll; 59 x 50 cm Gerahmte Maße, jeweils: 83 x 67,5 cm Beide signiert 'F. Cotes Px 1751' Collections: Captain Penton; Chris...

Ein Gruppenporträt der Familie Southwell auf der Terrasse mit einem Negerpagen und einem Ara. Öl auf Leinwand Signiert und datiert 1731 Größe der Leinwand 25 x 30 ¼ Zoll 63,5 ...

Nach Louis-Stanislas MARIN-LAVIGNE (Paris, 1797 - Paris, 1860) Porträt von Oberst Charles-Louis-Prosper Marquis de Chérisey (1786-1837) in der Uniform des Kommandeurs des 38. Linien...

Französisches Porträt eines männlichen Aktes aus dem 18. Jahrhundert - Jacques-Louis David (1748-1825) Porträt eines männlichen Aktes...

Versandverfahren Versand in einem gut geschützten Rohr aus Nigeria Dieses Werk ist ein Unikat, kein Druck oder eine andere Art von Kopie. Begleitet von einem Echtheitszertifikat. Üb...

Öl auf Papier von Luigi Granetto aus dem Jahr 1998. Handsigniert. Einschließlich eines vom Künstler angefertigten Holzrahmens cm. 45x38.5

Pierre Charles Trémolières (Cholet, 1703 - Paris, 1739) Allegorie der Bildhauerei Öl auf Leinwand 112 x 86 cm In original lackiertem Rahmen 122 x 95 cm Begleitet wird die Arb...

Porträt eines Mannes", Öl auf Leinwand, von Yvonne Guégan (ca. 1970er Jahre). Es handelt sich nicht um ein Porträt des zurückgezogen lebenden Milliardärs Howard Hughes. Leider wissen...

Wir freuen uns, ein fesselndes Porträt anbieten zu können, das wahrscheinlich im späten 18. Jahrhundert gemalt wurde und einem Künstler aus dem Umkreis von Christian Wilhelm Ernst Di...

Französisches Porträt eines Adligen, 17. Jahrhundert, sehr guter Zustand. Mit einem schönen geschnitzten Holzrahmen.

Porträt einer adligen Dame Französisch, ca. 1730-1750 Kreis um Philippe Mercier (französisch, 1689-1760) unsigniert Öl auf Leinwand, gerahmt Gerahmt: 38 x 30 Zoll Leinwand: 36 x 28 ...

Lombardischer Maler des 17. Jahrhunderts Porträt eines Ritters in Rüstung Öl auf Leinwand 81 x 70 cm / Gerahmt 93 x 82 Ein stattlicher Herr in Rüstung, verewigt in autoritärer und ...

Bruce Sargeant (1898-1938)] Männlicher Akt mit Handtuch n.d. Signiert in Rot, u.r. Öl auf Leinwand, aufgezogen auf Masonite 81.875 x 34,25 Zoll Dieses Werk wird von ClampArt in N...

Betsy Podlach (Amerikanerin, geboren 1964) "Self-Portrait mit rosa Hut" 2021 Ölfarbe, Leinwand, Keilrahmen Der Künstler signierte die Rückseite des Gemäldes. Über den Künstler: Bets...

Carlo Ceresa (San Giovanni Bianco 1609 - Bergamo 1679) zuzuschreiben Ganzfiguriges Porträt von Giacomo Pesenti Öl auf Leinwand (206 x 121 cm - im Rahmen 212 x 133 cm.) Dieses faszi...

Gilbert Lewis (b.1945). Influence of Red (male portrait), ca. 1990s. Oil on masonite panel, 16 x 20 inches. Signed upper right. Ausgezeichneter Zustand. Measures 18 x 22 inches in custom gold leaf float frame. Original gallery labels affixed on verso. Provenance: estate of the artist. Artist statement: Figurative art is a vital active process. The image has its own meaning; not storytelling, not just a picture of a face or a flower. Neither is it simply an exercise in the arrangement of shapes or colors. I want to translate my immediate impression into paint to present the image of an outstretched branch of flowers or a face – direct and simple. My art reflects human concerns expressed symbolically, through fantasy and in a more concrete manner in the process of making the representation itself. Art is my response to the image, the end result of an active process of exploration of the limits of the paint on paper within the confines of representation. The painting of a face is not just a face. My feelings are expressed through these images. My paintings speak to anyone in touch with their own humanity; to anyone else my art may be dismissed as “to personal”. Biography: Gilbert Braddy Lewis born September 25, 1945 in Hampton, Va. Son of David Blake Lewis (born in Atlanta, Ga.) and Gladys Louise Braddy [Lewis] (of Sanford, Fl.); brother of David Blake Lewis (Jr.) and Linda Lewis [Hunter]. The family resides at 3 South Linden Street, Hampton, Va. 1953 until 1962 “I studied from the age of seven, in Virginia, with two well-known Tidewater artists, Jean Craig and the late Allan Jones. The teaching methods of carefully observed studies from nature in charcoal or tempra paint, derived, of course, from the original French academic model, conveyed its impact on my early development; however, my eye and consciousness were mostly activated by the reproductions on the studio wall of works by Botticelli, Da Vinci, and Michelangelo.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1963-68 Studies at Pennsylvania Academy of the Fine Arts with Franklin Watkins, Hobson Pittman, Morris Blackburn, and Walter Stuempfig. While a student at PAFA he shares apartment [261 South 21st Street] with PAFA students, Jody Pinto and Barbara Sosson. In 1967 he receives PAFA’s: Bergman Prize in Painting; M. Herbert Syme Prize; and Samuel Cresson Memorial Travelling Scholarship. The latter award enables Lewis to travel to Europe during the summer of 1967 where he visits museums. “In 1967, after having seen the Italian master’s work while on scholarship from the Pennsylvania Academy, I was to realize my great influences and to discover the earlier Sienese masters whose clarity and energy still move me.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1968 Horizontal painting [of an interior with a seated woman and cat by a large window] reproduced in black and white in school catalog for Pennsylvania Academy of the Fine Arts 1968-1969, p. 24. Other students whose works are reproduced include Clayton Anderson, Barkley Hendricks, Paul Kane, Jody Pinto, Bruce Samuelson, Barbara Sosson, and James Victor. Gloria Etting, Philadelphia The Intimate City (New York: A Studio Book – The Viking Press, 1968), photograph of Gilbert Lewis drawing in the cast hall of the Pennsylvania Academy of the Fine Arts reproduced in the chapter titled, “Art and Collectors,” n.p.. 1974 May 31, 1974, awarded Bachelor of Fine Art degree from the Philadelphia College of Art 1978 Received a Master’s Degree in Creative Arts in Therapy (MCAT) from Hahnemann University, Philadelphia. Gilbert Lewis, The Spontaneous Art Productions of an Institutionalized Geriatric Population: a thesis presented to the faculty of the Graduate School, Hahnemann Medical College, March 30, 1978 Late 1970’s to late 1980s/early-1990s, works as art therapist at Manchester House Nursing Center/Home in Media, Pa. 1977 Summer: studies at the American Projective Drawing Institute’s Annual Summer Institute run by Emanuel F. Hammer, Ph.D. 1981 First solo exhibition at Peale House Galleries (East Gallery) of the Pennsylvania Academy of the Fine Arts, March 5 – 27, 1981 “Since art school I’ve turned from oil to media of gouache and pencil, separately and sometimes together. I’m trying to discover for myself the power of observation without sacrificing the passion of the art materials.” Gilbert Lewis in Contemporary Philadelphia Artists: A Juried Exhibition, (Philadelphia Museum of Art 2000), p. 145 1986 Elizabeth Leonard, Painting Flowers, (New York: Watson-Guptill Publications 1986), reproduced in color, pp. 56, 67, 110, and cover Travels to Italy: Florence, Venice… 1988 Work acquired by Philadelphia Museum of Art: Autumn, 1987, gouache, purchased with Julius Bloch Memorial Fund 1991 October 10, receives A.T.R. from American Art Therapy Association, renewed in 1996 1992 Applies to American Academy in Rome, Philadelphia Regional Visiting Artists Program Around this time he has artwork with American Artist Gallery, Wayne, Pa. 1992 (June) lives at 322 South Street. By May 1994 living at 1804 Catharine Street (until January 2017). 1998 Group exhibition: 135th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 22 – April 26, 1998. Awarded Honorable Mention c. 1999-2007+ teaches at PAFA, certificate and continuing education programs (what years?) 2001 Group exhibition: 138th Annual Exhibition of Small Oil Paintings, Philadelphia Sketch Club, Pa., March 25 – April 29, 2001. Awarded Second Award By 2002 until c. 2014 Works at Blick Art Supply store, Philadelphia 2005 An undated artist statement from this time states: “My inspiration for this series came from the work of the nineteenth-century painter, George Catlin, who painted portraits of the American Indians. My portraits serve to commemorate the “tribe” of contemporary creative youth. Most of the studies were painted from life, originally using transparent and opaque watercolors, and in the past five years the series began to include oil studies on panels. In the watercolor paintings, the forms emerge from multiple layers of color, which have an intensity and a luminosity equal to oil painting on canvas, but demands the additional challenge of maintaining the integrity of the paper’s fragile surface. My oil studies, consisting of many layers of oil glazes over an under-painting, approach a look more like the oil paintings of Catlin that had originally inspired me, but these studies seem to have an additional intense almost icon-like quality.” 2008 Peter Weiermair, editor, Treasures of Gay Art from the Leslie/Lohman Gay Art Foundation, (All Saints Press, 2008). Resting, 1982, gouache on paper, 44 x 30 inches, Founders’ purchase, 2004.1222.0002, reproduced in color p. 50; Swimmer, 1984, gouache on board, 63.75 x 44 inches, gift of George Dudley, 1994.1222.0001, reproduced in color p. 51 2015 Kevin Clarke, The Art of Looking: The Life and Treasures of Collector Charles Leslie, (Berlin: Bruno Gmünder, 2015), Swimmer reproduced in color p. 182 2017 He moves from his home at 18XX Catherine Street, Philadelphia, to the WaterMark. In January 2018 he is moved to Wyncote House, Pa., an Alzheimer’s care facility. Six works acquired by PAFA. Philadelphia, Pa., Pennsylvania Academy of the Fine Arts. Recent Acquisitions, summer 2017. Stephan Salisbury, “PAFA’s 32 New Works,” The Philadelphia Inquirer, Tuesday, July 11, 2017, pp. C-1 and C-6. SOLO EXHIBITIONS 2020 Pennsylvania Academy of the Fine Arts (July 9 - ), Willliam Way Community Center (July 10 - ), and Woodmere Art Museum (July 16 – October 20), Gilbert Lewis 2004 New York, N.Y., Leslie Lohman Foundation, Gilbert Lewis: Becoming Men - • Doug Gruse, “Gilbert Lewis,” Philadelphia Gay News, April 9-15, 2004, pp. 25, 27 and 32; BECOMING MEN: Portrait Paintings by Gilbert Lewis, March 9 – April 17, 2004 127-B Prince Street, (Text from Becoming Men: Portrait Paintings by Gilbert Lewis by Christian Bain, in issue 12 of The ARCHIVE) BECOMING MEN: Portrait Paintings by Gilbert Lewis By Christian Bain Philadelphia artist Gilbert Lewis inspires superlatives. What other artist has been compared to Eakins (whose student was Lewis’ teacher) and Titian in the same Art Matters review, or anywhere else for that matter? Gilbert is also an artist who focuses on the beginning and end of adulthood. During the almost 20 years he worked in a nursing home he painted portraits of elderly patients by day and of young men at night. “One of my motivations in painting has been to celebrate the beginning of adulthood for the young and the final period of life for the old,” Gilbert observes. “What struck me is that both young men and the old are ignored by society. Despite our ostensible focus on youth, young men are in a sort of nether world, no longer teenagers and yet not full adults. They’re in transition with no established identity and no real place in society. “A nursing home is basically an orphanage for elderly adults. It’s a place where people don’t really have their families anymore and visiting relatives and the staff constantly tell them what to do and don’t stop to hear what they have to say. When I was with them doing their portraits we were one on one and we were free to talk about whatever they wanted, with assurance that it would remain confidential. They often told me things even their children didn’t know. “What they had in common with the young men who modeled for me is that they could talk and know that someone was listening. My good fortune was that my young models really appreciated the fact that an adult person was actually there for them and not telling them what to do. I never gave them explicit instructions other than to tell them where to sit or stand. I let them decide how they would do it–I took the queue from each model. “Both the young men and elderly people who sat for me had a sense of trust because I listened to them and didn’t run away. Some of the young models would bring CDs or tapes of their favorite music to play while we sat. “I always painted from live models in gouache, watercolor or oil. The portraits were always completed while the model was still sitting: I only touched up the backgrounds, but never the figures.
“I wish that the exhibition could have colored strings connecting the young men who modeled for me with the models who recommended them and the friends they recommended in turn. It would make a very interesting story.” 1994 Philadelphia, Pa., Rosenfeld Gallery, Gilbert Lewis: watercolors & gouache paintings, April 10 – May 1, 1994, Man in Gray Shirt, 1992, watercolor, 16 x 20 inches, reproduced in color on the postcard. Review: Edward J. Sozanski, “Art. Nudes done dispassionately and romantically, Two very different approaches,” The Philadelphia Inquirer, Friday, April 15, 1994, Study watercolor, reproduced. [Bruce Samuelson ‘s exhibition also reviewed] c. 1990 Educational Testing Services, Gilbert Lewis, ten works (checklist): 1- Left Profile; 2- Dancer (Woodmere Art Museum); 3- Studious; 4- Wrestler (collection of Bill Scott); 5. Untitled Portrait; 6. Man in Red and Blue; 7 Man in Blue Sweater; 8- Student; 9- Young Artist; 10- Man with Intense Gaze 1988 Philadelphia, Pa., Gross McCleaf Gallery, Gilbert Lewis: Paintings and Drawings, October 19 – November 5, 1988. Review:s Victoria Donohoe, “On galleries,” The Philadelphia Inquirer, Saturday, October 29, 1988, p. 5-D.; Jeanne Nugent, “Pennsylvania: Gilbert Lewis,” New Art Examiner, January 1989, pp. 52-53. Study [reclining nude male, arms folded over head], 1988, gouache, 22 x 30 inches, reproduced in black and white; Brenda Reed, “Reviews in Brief,” Art Matters, December 1988/January 1989, p. 2 1987 West Chester, Pa., Mitchell Hall Gallery at West Chester University, Gilbert Lewis: Paintings & Drawings, November 4 – 25, 1987. Hands Together, 1987, gouache on board, 40 x 30 inches, reproduced in color on the invitation. Twenty-one works on the checklist, including #19- Sick Boy (collection of Woodmere Art Museum) 1986 Boston, Mass., Twentieth Century Gallery, Gilbert Lewis, to July 2, 1986; Review: David Bonetti, “On and off the street,” The Boston Phoenix, section three, June 17, 1986 1985 Philadelphia, Pa., Noel Butcher Gallery, through January 30, 1985. Twenty-one works (pricelist/checklist). Review: Tam Mossman, “Lewis: Sex and sensitivity,” Welcomat, January 23, 1985. Works cited in review: Blonde Man [on invitation], Man in Argyle Sweater [both 1984], Man in Black and White Shirt, Boy, Summer Afternoon, Tribute, Gray Robe, Roses, Spring Portrait. Reproduced in the review: Swimmer (Leslie Lohman Foundation); Victoria Donohoe, “Galleries,” The Philadelphia Inquirer, Saturday, January 12, 1985; reviewed by Ann Jarmusch for New Art Examiner???? 1983 Philadelphia, Pa., Noel Butcher Gallery, September 9 - October 5, 1983. Reviews: William Southwell, “Reviews in Brief,” Art Matters, October 1983, p. 2; Victoria Donohoe, “3 painters, 3 distinct viewpoints,” The Philadelphia Inquirer, Sunday, September 25, 1983, p. 17-H; Profile advertisement in Art Now/ Philadelphia: Gallery Guide, September 1983, Seated Figure and Reclining Nude reproduced 1982 Philadelphia, Pa., Butcher & More Gallery 1981 Philadelphia, Pa., Peale House Galleries of the Pennsylvania Academy of the Fine Arts 1976 Philadelphia, Pa., La Terrasse Restaurant, Solo Exhibition GROUP SHOWS: 2020 Lincroft, N.J., Brookdale Community College, Morris Blackburn (1902-1979) and His Legacy: Painter, Printmaker, Writer, Teacher, January 22 – February 21, 2020. 2019 Philadelphia, Pa., Leonard Pearlstein Gallery, Westphal College of Media Arts and Design, Drexel University, Stonewall@50, curated by David Acosta and Janus Ourma, June 28 – July 26, 2019. 2018 Montclair, N.J., Montclair Art Museum, Constructing Identity in America (1766 – 2017), September 1, 2018 – January 5, 2019 2017 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Recent Acquisitions Philadelphia, Pa., Woodmere Art Museum, A More Perfect Union: Power, Sex, and Race in the Representation of Couples, February 4 – May 21, 2017. Reproduced in color in the catalog, pp. 53 and 69. Untitled (8-25-83), gouache, reproduced in color in Woodmere Art Museum Calendar, Winter/Spring 2017, p. 4 Philadelphia, Cerulean Arts Gallery ? Philadelphia, Pa., Gross McCleaf Gallery, Todd’s show 2014 Philadelphia, Cerulean Arts Gallery, Lilies, Figs and Folly: Contemporary Still Life Paintings & Works on Paper. Bill Scott, guest curator, November 26 – December 21, 2014 2007 Serves as juror for William Way Center’s Annual Juried Exhibition. The other two jurors were Robert Goodman and Shelly Spector. 2006 or 2007 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition [Vase of Roses] 2006 Philadelphia, Pa., William Way Center, Annual Juried Show, Douglas Pascall, juror Philadelphia, Pa., William Way Center, Gilbert Lewis: Portraits, a solo exhibition, Fall The artist donates his work, Portrait, to the William Way Center for its art collection. Teaches Drawing Fundamentals: a mixed media drawing class, at the William Way Center. 2005 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2004 Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, awarded Mary Butler Memorial Award Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2003 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2002 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition 2001
Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition Sewell, N.J., Gloucester County College Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 25 – April 29, 2001, awarded Second Award 2000 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1999 Philadelphia, Pa., Pennsylvania Academy of the Fine Arts, Annual Faculty Exhibition 1998 Philadelphia, Pa., Philadelphia Sketch Club, Juried Exhibition, March 22 – April 26, 1998, awarded Honorable Mention Moorestown, N.J., Perkins Center for the Arts, Juried Exhibition 1996 Camden, Stedman Art Gallery, Rutgers, The State University of New Jersey, Rutgers National: Works On/Of Paper, March 11 – April 27, 1996, Study with Blue, Green reproduced in black and white in the catalog. Leon Golub and Ann Philbin, jurors. Northampton, Mass., Smith College, Drawing Philadelphia, Pa., Philadelphia Art Alliance 1995 Media, Pa., Delaware County Community College Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Philadelphia, Pa., Philadelphia Art Alliance 1994 Philadelphia, Pa., Rosenfeld Gallery, (also in 1993) Philadelphia, Pa., The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition Media, Pa., Delaware County Community College 1993 Haverford, Pa., Main Line Center for the Arts Abington, Pa., Abington Art Center Philadelphia, Pa., Woodmere Art Museum, (also in 1989) Media, Pa., Delaware County Community College 1992 Williamsburg, Va., Muscarelle Museum of Art, American Drawing Biennial, April 11 – May 24, 1992, Jack Beal, juror. Exhibited: Study, watercolor Philadelphia, Pa., Philadelphia Watercolor Club Cheltenham, Pa., Cheltenham Art Center (also in 1989) Philadelphia, Pa., Philadelphia Museum of Art, Pertaining to Philadelphia, [June?] – August 16, 1992, reproduced in black and white in Philadelphia Museum of Art’s June 1992 newsletter of Special Exhibitions & Events; Reviews: Edward J. Sozanski, “On Galleries,” The Philadelphia Inquirer, Thursday, June 4, 1992, p. D5; “Local Artist Exhibits at Philadelphia Museum of Art,” Town Talk, Wednesday, July 29, 1992, p. 24M, Autumn reproduced Williamsburg, Va., Muscarelle Museum of Art Allentown, Pa., Allentown Art Museum, 23rd Juried Show. Review: Peter Schnore, “Reviews in Brief,” Art Matters, February 1992, page 1 Philadelphia, Pa., Woodmere Art Museum, The Fellowship of the Pennsylvania Academy of the Fine Arts, Annual Juried Exhibition, closed January 5, 1992. Reviewed: Peter Schnore, “More Reviews,” Art Matters, December 1991/January 1992, p. 9. “…only Gilbert Lewis approaches the level of Eakins. Lewis continues his ongoing documentation of young men seen with a searing empathy, incredible candor, and no more technical flaws than the average...

Portrait de jeune femme songeuse, 1881 Huile sur toile Signé et datée en bas à gauche : L. Schlessinger 1881 Dim sans cadre 46/56 Dim avec cadre 66/75 Cadre sculpté et doré Ce portra...

Bartholomäus Spranger (Antwerpen, 1546 - Prag, 1611) Werkstatt Aristoteles und Phyllis Öl auf Leinwand 64 x 54 cm Im Rahmen 79 x 72 cm Das kuriose Thema dieses Gemäldes, da...

Porträt einer adligen Dame Europäische Schule, 18. Jahrhundert Öl auf Leinwand, gerahmt Gerahmt: 37,5 Zoll Leinwand: 30 x 24,5 Zoll Provenienz: Privatsammlung, Frankreich Zustand: se...

Grüne Hose von Jean Marc (Französisch 1949-2019) Gouachefarbe Gemälde: 15,75 x 11,75 Zoll Provenienz: Privatsammlung, Südfrankreich Hervorragendes Originalgemälde des weithin ausge...

Dieses elegante englische Porträt eines Jungen in einem Kavalierskostüm aus dem 19. Jahrhundert, gemalt um 1860, ist ein eindrucksvolles Beispiel für ein viktorianisches Porträt, das...