Casey Godrie Amsterdam 20th Century Icons Props Floor Lamps

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at ...

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at the 20th century’s most illustrious cultural expo. Model No. 002 features a rice-paper shade constructed from a vintage souvenir parasol handed out at the 1962 World's Fair in Seattle. It sits atop a lacquered bamboo column with a hand-painted, rattan-and-leather handle, and a painted coiled-seagrass base. Brass fittings, tan leather accents, and a cloth-covered cord complete the modernist profile. Limited edition of 3. One in stock and ready to ship. Handmade in New York by artist Christopher Tennant...

Black lacquered steel structure. Black and creme umbrella. Chrome plated brass. Incandescent light bulb. Max 300w (LED) E40. Dimensions L.35.8 x W.32.3 x H.77 inch.

Pair of Czech Bauhaus lamps. Original very well preserved condition. New electrification. Period: 1930-1939 Source: Czechia (Czechoslovakia) Material: Chrome-plated steel.

Floor lamp with black steel base and shade and chrome stem, with dimmer to adjust light intensity, model "Colombo 626" design Joe Colombo for Oluce, 1970s. CONDITION: In good, worki...

The World’s Fair Collection is a family of fixtures handmade from sustainably sourced materials and upcycled antique paper parasols given to visitors at the 20th century’s most illustrious cultural expo. Model No. 001 features an oil-paper shade constructed from a vintage souvenir parasol handed out at the Japanese Pavilion during the 1933 World's Fair in Chicago. It sits atop a lacquered bamboo column with rattan wrapping and a painted seagrass base. Brass fittings, leather accents, and a cloth-covered cord complete the modernist profile. Made-to-order by hand in New York by artist Christopher Tennant...

Gio Ponti 'Luna Verticale' Floor Lamp in Nickel for Tato Italia. Originally designed by Italian icon Gio Ponti in 1957, the 'Luna Verticale' floor lamp is an authorized re-edition b...

Gio Ponti 'Luna Orizzontale' Floor Lamp in Satin Brass for Tato Italia. Based on an incredible but never before issued prototype designed by Ponti in 1957 for the Triennale in Milan...

Ignazio Gardella 'Arenzano Terra' Floor Lamp in Bronze and Glass for Tato Italia Ignazio Gardella was one of the leading figures in Italian twentieth-century architecture. A gradua...

Joe Colombo 'Triedro' floor lamp in chrome and white for Stilnovo. Founded in 1946 in Milan, Stilnovo was one of the most innovative lighting companies in Italy during the Mid-centu...

Ignazio Gardella Alzabile Floor Lamp in Chrome and Grey Marble for Tato Italia. Ignazio Gardella was one of the leading figures in Italian twentieth-century architecture. A graduate...

Floor lamp model 399 (from cornalux series) with structure in nickel-plated metal, lacquered metal and cast iron. The lamp bulb is adjustable in height achieved by a bracket that allows the lamp to be slid up and down the lamp stem. This lamp was designed by the Italian duo formed by Angelo Ostuni & Renato Forti and manufactured by O-Luce in 1958. Measurements: H 141 x Ø 24 diameter (base 20cm). Founded in 1945 by Giuseppe Ostuni, Oluce is the oldest Italian design company still operating in the lighting world, a unique production excellence which translates passionate aesthetic and technological research into the potential of light into actual form. Over the years, Oluce has succeeded in building a collection structured like a tale, rich and multifaceted, inhabited by products that transcend fashion to become Italian design icons. Its relationship with the design world begins In 1951, Oluce successfully took part in the IX Triennale, presenting – in the lighting section curated by Achille, Livio and Pier Giacomo Castiglioni – a Luminator designed by Franco Buzzi. As was typical at that time, the company instantly gained visibility on the international panorama thanks to Domus magazine. Major success was then reasserted by Tito Agnoli with nominations at the second edition of the Compasso d’Oro awards, in 1955, for his two lamps (the 363 floor lamp and a special bookshelf model). In 1956 these were followed in rapid succession by two more nominations: one for a remarkable table lamp in polyvinyl slats and another for a pendant lamp (mod. 4461) with double perspex shade. Then, there was the noteworthy 255/387 lamp (known as ”Agnoli”), a spot light supported...