A. Tyner Antiques Collectible Jewelry

A custom made walnut and maple chess set and game table we commissioned. It is solidly made with squares of curly maple and walnut. The table legs and borders are solid walnut. The c...

A set of 6 hand crafted antique cross pendant. Each pendant is different in style and shows Native American design in the style of pendant is mad...

Manufactured by the renowned Thorens Company of Switzerland in the mid-20th century, this delightful music box is comprised of a quality fruitwood case with a glass door that allows ...

Attributed to German jeweler Ernst Gideon Bek (1872-1945) 10K gold beautiful pink floral design enamel locket pendant, with a single pearl in the middle and two black and white pictures of a couple inside. Measure's 1.6 cm round, 2 cm to top of clasp. German Jewelry Designer Ernst Gideon Bek Born on April 18, 1872 in Pforzheim, Ernst Gideon Bek (1872-1945) was best known for making mesh handbags in silver, gold and platinum. Pforzheim in Germany, like Providence in the United States, was the center of jewelry manufacture at the time. Young Ernst had the opportunity to study jewelry and gain good practical experience in well-known local companies and workshops. In particular, at Rothacker, Kinzinger in Pforzheim and Baer in Hanau. A talented jeweler, he was CEO of the Pforzheim jewellery industry at the Chicago World’s Fair at the age of 24. At the age of 25 he founded his own company with branches in Birmingham, Paris, Toronto, New York, and India (1897). Noteworthy, Ernst’s wife, Emily, was the sister of one of the founders of the American jewelry company Binder Bros...

The map titled "ALBANIA, IBERIA, COLCHIS, ARMENIA, MESOPOTAMIA, BABYLONIA, ASSYRIA" portrays the ancient regions that would encompass parts of modern-day Eastern Turkey, Armenia, Aze...

For sale is a unique little Biedermeier coin purse. Its case is made of brass covered in royal blue enamel. The lid displays an oval gold colored frame filled with white enamel with ...

An exceptional and very early Buddhist stone altar equipped with two handgrips for moving it to the spot of the planned sacrifice. Carved by hand from a si...

Fabulous antique American hand engraved and engine turned .900 fine coin silver card case by the prolific New York silversmith and Maker's marks for Albert Coles, New York. Highly ...

A set of four sterling silver crab-form boxes by Buccellati Italian, 20th Century Height 5cm, width 11cm, depth 7cm Crafted by Mabuti in Milan, Italy, and...

Vintage articulated brass crab ashtray. (life-size). Circa 1960. Made in India

Antique, 18th-19th century mounted in solid 22k gold museum-quality Islamic Middle Eastern - Arabian, Arab sword "Saif" in the form of the Indo-Persian saber shamshir in a characteristic Arab style, with 17th - 18th century Indian Mughal blade with late 18th century Arabian Peninsula gold mounting. The sword, wooden scabbard and hilt are enclosed in solid 22k gold. A hilt comprises a grip with camel bone grip scales, enclosed by solid gold straps and wrapped in a solid gold wire at the base, rising to a solid gold cup-pommel, jeweled with faceted ruby stone. Solid silver cross guard with bud-shaped terminals is embellished with solid gold repousse plaques adorned with arabesques design. The wooden scabbard is clad with solid gold mounts formed from several separate elements, made of 22 karats solid gold sheet, it is embossed and engraved with typical Arabic tribal motifs and mounted with two large bulging solid gold suspension mounts (rings missing). The Damascus steel blade of the sword is made in Mughal Indian Empire in late 17th - early 18th century, in characteristic of this period time Indian sword blades made in the style of the European blades by Genoese and Styrian sword smiths. Those blades were imported to India during the late 16th -early 17th century and known in Mughal India by the name Firangi. FEATURES OF THE BLADE: The blade is made of hand-forged welded mechanical Damascus steel with a watered pattern with a slightly visible welded Damascus pattern with horizontal lines known as the Muhammad’s ladder pattern (see the last two photos in the listing). Long, slightly curved, sturdy, blade is cut on both sides with a broad ,full-length fuller and a short, slender fuller along the back edge. The spine near the cross guard is stamped with pseudo-European makers marks comprising series of Latin alphabet letters: Ɪ o Ɪ o Ɪ o Ɪ o Ɪ o Ɪ o Ɪ o. The ricasso of the blade near the cross guard is bounded in reinforcing steel collar since as valuable old Mughal Damascus steel blade was removed from the old hilt and remounted into the newer gold mounted Arab hilt. This procedure of the remounted old expensive blades and reinforcing the ricasso by collar can be seen in the many Turkish Ottoman swords with old blades mounted with 18th-19th century hilts. These exceptional qualities, gold-mounted Arab swords "Saif " are classified as "Royal Sabers" that belonged to Arab kings, sultans, or sheiks, sometimes they were presented to very important persons (other monarchs). In Muslim culture, the offering of the sword is an act of definite friendship, loyalty, trust, and mutual protection between the giver and beneficiary. Most of these royal swords...

A Spanish Silver-Plated Crucifix, 19th Century Provenance: Casa Santapola, S.L., Ronda (Málaga), November 2018. Description: Each crossbar with floral band terminating in f...