Aaron Mapp Dining Room Tables

The table, designed by a group of Swedish designers, Front, has a steam bent beech structure, combining its attractive light appearance with the substance of solid wood. The top is made of an ash panel available in two sizes that make the Arch dining table...

A nice sized medium ebony toned dining table with satin black edge having black pedestals attached to cast aluminum star bases with adjustable foot pads. Retains the labels designed ...

A post modern take on a classic design. Eames Aluminum group dining or conference table with an 80's take. Stunning cork laminate top with almond edge banding makes this table very d...

1 Herman Miller Eames 42" aluminum group table. Charles Eames was born in St. Louis, Missouri in 1907. Ray Kaiser Eames was born in Sacramento, California ...

Gorgeous dining table featuring cast aluminum Herman Miller contract base paired with Italian calacatta marble top. Both pieces date to the mid 20th century. The underside of the mar...

Thonet dining table for 4 people with glass top in very nice original condition.

French Modern Bistro Table with a round pine flat top on a tapered column pedestal base. Dimensions: 36" W x 36" D x 30" H

A table - pure extravagance. The design for this table comes from Adolf Loos and the execution was carried out by Gebrüder Thonet Vienna, Austria. This design object is pure Art Nou...

Bistro dining table in bentwood and cane designed by Michael Thonet. Originally designed in the 1860s and produced by Thonet in the 20th century by multiple factories. Size: chairs: 57x49x96.5 seat height 46 Arm height 67 centimeter table: ø85.5 height 75 centimeter Condition: used. The lacquer has worn out on some places. The stained beech wood has discoloration. Cane in the table top is good. The cane in two seats is damaged. The cane in one back is damaged. One arm has a crack in a curve. Some small wood details are missing. The cane can be repaired or replaced professionally on request. Michael Thonet The development of bentwood for use in furniture is one of history’s most significant innovations in design. A range of renowned mid-century modern designers such as Alvar Aalto, Arne Jacobsen, and Charles and Ray Eames drew heavily on this technological advancement, and the success of their enduring works owes to the efforts of pioneering German-Austrian industrialist and designer Michael Thonet — founder of Thonet and widely considered the father of bentwood furniture. Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century cabinetmaker and master of parquetry Michael Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there, the bentwood look skyrocketed to furniture fame. He experimented with bending birch rods into rounded shapes — forming delicately seductive, curving Art Nouveau creations that were a daring departure from the heavy, hand-carved designs attributed to his contemporaries. The Boppard-born Thonet honed his carpentry skills in his father’s workshop, where he carried out experiments with plywood and modified the Biedermeier chairs that populated the studio. He received an invitation from Austrian Chancellor Prince Metternich to contribute Neo-Rococo interiors to the Liechtenstein City Palace in Vienna. From there, the cabinetmaker gained international recognition, including at London’s Great Exhibition of 1851, which featured works created by members of the Arts and Crafts movement as well as industrial products. Thonet showed a range of furniture at the fair and won the bronze medal for his bentwood chairs. He ​​incorporated his family’s company, the Thonet Brothers — or Gebrüder Thonet — with his sons in 1853. Considered the world’s oldest mass-produced chair, Michael Thonet’s ubiquitous Chair No. 14 demonstrated that his patented bentwood technology made it possible to efficiently produce furniture on an industrial scale. Often called the Coffee House chair — the company’s first substantial order was for a Viennese coffeehouse — the No. 14 remains an icon. Thonet originally designed the chair in 1859, and it is considered the starting point for modern furniture. Composed of just six parts, the chair, with its simple, lightweight design, belies its durability. The No. 14 was followed by the No. 18, or the Bistro chair, in 1867, and the 209, or the Architect’s chair, of which Le Corbusier was a fan. (The influential Swiss-French architect and designer used Thonet furniture in his Pavillon de l’Esprit Nouveau at the 1925 International Exposition of Decorative Arts in Paris.) The business began mass-producing furniture. By the end of the 1850s, there were additional Thonet workshops in Eastern Europe and hundreds of employees. Michael Thonet’s reputation attracted the attention of notable architects including Otto Wagner, Marcel Breuer and Ludwig Mies van der Rohe. Thonet’s patented bentwood technology also yielded an improvement to rocking chairs for his company — in the middle of the 19th century, Michael produced a series of rockers in which the different curved parts were integrated into fluid, sinuous wholes. Thanks to Thonet, the humble rocker acquired something unexpected: style. And bentwood furniture was embraced by a series of design greats — the innovation can be found in the seating that Josef Hoffman designed for Thonet, in the elegant Superleggera chair created by Gio Ponti and Alvar Aalto’s expressive Paimio armchair...

A criss-cross design. The essential shape and volumes provide the distinctive trait of the Austrian manufacturer, giving Rehbeintisch an extremely contemporary look. A feeling of sol...

Postmodern dining table designed by Marius van den Wildenberg for Thonet in the 1980s. This striking piece features a distinctive mix of materials, including tapered chrome legs, a w...

Vintage Eames Herman Miller MCM Aluminum Group 4 Prong Contract Base White Laminate Top Table Handsome vintage Eames for Herman Miller mid-century modern Aluminum Group 4 prong chro...