Alexandrinos Lighting

Pendant lamps by Vistosi, 1950s Colored glass Black metal frame Brass details Measure: height 115 cm diameter shade 13 cm.

Miguel Milá 'Wally Cesta' wall lamp in opal and black for Santa & Cole Founded in 1985 in Barcelona, Santa & Cole produces iconic pieces by such luminarie...

Alain Richard 'A21' desk lamp in Chrome for Disderot. Executed in chromed metal, this newly produced numbered edition with included certificate of authenticity is made in France b...

This fantastic table lamp was designed by Enrico Furio (1909-2010) and produced by Dominici, a Brazilian company of lighting objects created by the Italia...

Ceiling light in white linen fabric and aluminum. Model Celestia. Stamped Flos. Wear due to time and age.  FOR SHIPPING, REQUEST US FOR RECEIVE THE BEST PRICE

Miguel Milá is one of the most renowned Spanish industrial designers. He began his career in the fifties, and is one of the country’s pioneers of the discipline. To the present day, ...

Rare, signed Tizio table or desk lamp from the first production run of silver and red color scheme. Only 3000 lamps were produced and the lamp is numbered 1043. Fully adjustable an...

Ceiling light in white linen fabric and aluminum. Model Celestia. Stamped Flos. Wear due to time and age.  FOR SHIPPING, REQUEST US FOR RECEIVE THE BEST PRICE

Alain Richard 'A21' desk lamp in orange for Disderot. Executed in orange painted metal, this newly produced numbered edition with included certificate of authenticity is made in F...

Set of 2 Murano glass ceiling lamps, 1980s Three lights. Gold metal structure. Intact glass. Good condition. E27 bulbs.

Wally aplique lamp designed by Miguel Mila. Manufactured by Tramo (Spain), circa 1962. Metal structure and plastic shade. In good original condition, with minor wear consistent with age and use, preserving a beautiful patina. Miguel Milá represents like no other person Spanish contemporary design. He belongs to the Pioneer's generation of the 1950s and has seen how many of his pieces of furniture and lamps have become real classics. Miguel Milá was born in a Catalan aristocratic family with strong links with the artistic world (his ancestors assigned the Milá House, also known as La Pedrera, to Gaudí) and started working as an interior designer in the architecture studio of his brother Alfonso Milá and Federico Correa. It was the end of the 1950s, a time of crisis when Spain hardly knew what Industrial Design was. There was practically no industry, everything was generally handmade. This framework marked the way Miguel Milá understood design, being sensitive to the pleasure of touching and closer to traditional techniques. Despite the shortage of objects, means and raw materials of the time, Miguel Milá started designing lamps and furniture, that he soon manufactured in his own company, Tramo. Miguel Milá set up this company with two friends, architects F. Ribas Barangé and E. Pérez Ullibari. This is how Miguel Milá got involved with Industrial Design. Out of Tramo, apocopation of Trabajos molestos (annoying works, that is, all the things little brothers have to do), many projects came out. For instance, he developed the previous versions of the famous TMC and TMM lamps (1958 and 1961), timeless Classic designs that are still selling nowadays. Sometime after, he set up his own Industrial and interior design studio. Miguel Milá participated with the designers and architects of that period in the first meetings in Barcelona to discuss on modernity in architecture, out of which came the question of how to promote design and implant its professional practice. These meetings culminated in the foundation of the ADI-FAD, together with Antoni de Moragas, André Ricard, Bohigas, Cirici Pellicer, Manel Cases and Rafael Marquina. From its beginnings, this association sought to foster Spanish design abroad, and to make a connection between young Spanish professionals and international design. "I am in reality a pre-Industrial designer- has Milá stated. I feel more comfortable with the technical procedures that allow correcting failures, experimenting during the process, and controlling it to the maximum. That is where my preference for noble materials comes from, the preference for materials that know how to age." This is the case, among others, of the wooden Cesta lamps...

sunburst ceiling lamp from the 1950s is crafted from iron with a hand-applied golden copper finish. Its radiant design, featuring iron rays emulating sunbursts, is a hallmark of mid-...