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Rosewood Sideboard by Omann Jun
By Omann Jun Møbelfabrik
Located in San Francisco, CA
A lovely sideboard of rosewood by Omann Jun. Curved front with four sliding doors enclosing adjustable shelve and five lined drawers. Rosewood interior.
M...
Category
Vintage 1960s Danish Mid-Century Modern Sideboards
Materials
Rosewood
Palle Suenson, Two Part Wall Cabinet
By Palle Suenson
Located in San Francisco, CA
Palle Suenson, two part wall cabinet
An extremely rare two part wall hanging cabinet by Danish Architect Palle Suenson in the 1940s. The upper section is...
Category
Vintage 1940s Danish Scandinavian Modern Cabinets
Materials
Mahogany, Teak
Gilbert Rohde, Paldao Sideboard
By Gilbert Rohde
Located in San Francisco, CA
Gilbert Rohde sideboard from the “Paldao” series. Features a pedestal base, pull-out cutting surfaces and four cabinets with carved nobs. In...
Category
Vintage 1940s American Mid-Century Modern Cabinets
Materials
Paldao
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Cleaved shingles of pine is a traditional technique for roofing. Especially selected logs are split into four parts, cleaved into 6mm thin shavings and then placed so tha...
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The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944.
Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle.
In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...
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Located in Asaa, DK
Vintage Danish Rosewood Sideboard by Gunni Omann for Omann Jun's Møbelfabrik, 1960s.
Large and spacious rosewood/palisander high board model no. 19 designed by Gunni Omann for Omann ...
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Scandinavian Design Sideboard in Teak in Omann Jun Style, 1960s
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Vintage Danish Teak Locking Storage Cabinet Credenza by Børge Mogensen
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