Antique Mission Furniture by Joe Nevo Side Chairs
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Antique Early L&JG Stickley Side Chair - W3132
By L.
J.G. Stickley Inc.
Located in Shamokin Dam, PA
Antique Early L&JG Stickley Side Chair
This is a great looking L&JG Stickley Side Chair in excellent condition. There was an older refin...
Category
Early 20th Century American Arts and Crafts Side Chairs
Materials
Leather, Cotton, Upholstery, Oak
Roycroft Side Chair in Very Good Condition cir 910- Stickley era W7738
By Roycroft
Located in Shamokin Dam, PA
This is a beautiful Antique Side Chair made by Roycroft (Roycroft Model 025) in very good condition. It was made in the early 1900s. It has a leather seat and original finish. Stu...
Category
Antique Early 1900s American Arts and Crafts Side Chairs
Materials
Leather, Cotton, Oak
$1,875 Sale Price
25% Off
ROYCROFT Side Chair model #035 special size-not high back, Stickley era. W8115
By Roycroft
Located in Shamokin Dam, PA
This is a great looking antique Roycroft Side Chair #035 from the early 1900s. It's in very good condition with the original finish. The leather seat is attached with brass tacks. ...
Category
Vintage 1910s American Arts and Crafts Side Chairs
Materials
Brass
$1,520 Sale Price
20% Off
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THE BOTANICAL NAME FOR THE MAHOGANY THESE CHAIRS ARE MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION.
Condition:
In excellent condition having been cleaned, polished, and waxed in our workshops. Please see photos for confirmation.
Dimensions in cm:
Height 96 x Width 47 x Depth 49 - Chairs
Dimensions in inches:
Height 3 foot, 2 inches x Width 1 foot, 6 inches x Depth 1 foot, 7 inches - Chairs
Thomas Sheraton
(1751 - 1806) was an English cabinetmaker and one of the leading exponents of Neoclassicism. Sheraton gave his name to a style of furniture characterised by a feminine refinement of late Georgian styles and became the most powerful source of inspiration behind the furniture of the late 18th century. His four-part Cabinet-Maker and Upholsterers’ Drawing Book greatly influenced English and American design.
Sheraton was apprenticed to a cabinetmaker, but he became better known as an inventor, artist, mystic, and religious controversialist. Initially he wrote on theological subjects, describing himself as a “mechanic, one who never had the advantage of collegiate or academical education.” He settled in London c. 1790, and his trade card gave his address as Wardour Street, Soho.
Supporting himself mainly as an author, Sheraton wrote Drawing Book (1791), the first part of which is devoted to somewhat naive, verbose dissertations on perspective, architecture, and geometry and the second part, on which his reputation is certainly based, is filled with plates that are admirable in draftsmanship, form, and proportion.
In 1803 Sheraton, who had been ordained a Baptist minister in 1800, published his Cabinet Dictionary (with plates), containing An Explanation of All Terms Used in the Cabinet, Chair and Upholstery Branches with Dictionary for Varnishing, Polishing and Gilding.
Some of the designs in this work, venturing well into the Regency style, are markedly unconventional. That he was a fashionable cabinetmaker is remarkable, for he was poor, his home of necessity half shop. It cannot be presumed that he was the maker of those examples even closely resembling his plates.
Although Sheraton undoubtedly borrowed from other cabinetmakers, most of the plates in his early publications are supposedly his own designs. The term Sheraton has been recklessly bestowed upon vast quantities of late 18th-century painted and inlaid satinwood furniture...
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