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Samuel Kudish Void #1 Black and White Cross Relief, Tempura on Plywood 1977/1978
Located in Camden, ME
This monumental wall-mounted sculpture, titled Void #1, was created by Samuel Kudish in 1977–1978 in the artist’s Israeli studio, shortly before his relocation to Greenpoint, Brookly...
Category
1970s Minimalist Abstract Sculptures
Materials
Plywood, Tempera
Zoragozo Signed Abstract Acrylic on Layered Panels c. 1970 63 x 63 inches
Located in Camden, ME
This large-scale abstract painting, executed circa 1970 and signed “Zoragozo”, is a dynamic example of postwar abstract expressionist–influenced painting. The standard board is mount...
Category
Late 20th Century Abstract Expressionist Abstract Paintings
Materials
Acrylic, Canvas
James Elkins Signed Sculptural Nude after Tom Wesselmann, Painted Balsa, 1987
Located in Camden, ME
This unique sculptural wall work, dated 1987 and signed James Elkins, is a finely crafted, studio-made interpretation based specifically on Tom Wesselmann’s Monica Nude in Robe and S...
Category
Late 20th Century Pop Art Nude Paintings
Materials
Paint, Acrylic Polymer, Wood
Mid-Century Navajo-Style Yei Dancers Mosaic Panel by I. Henry, California 1960s
Located in Camden, ME
This substantial mid-century mosaic panel depicts a procession of Navajo-style Yei figures—often referred to as Yei Dancers or Rainbow Guardians—executed in mixed media including cer...
Category
1960s Modern Mixed Media
Materials
Glass, Wood, Plywood, Mosaic
Navajo-Style Thunderbird Sand Painting Mosaic Panel, Mixed Media, 1960s CA.
Located in Camden, ME
This powerful mid-century mosaic panel presents a Navajo-style Thunderbird figure rendered in richly textured mixed media, combining ceramic tile, colored glass, and sand. The compos...
Category
1960s Assemblage Mixed Media
Materials
Ceramic, Glass, Wood, Plywood, Glitter, Mosaic
"Untitled" 1963 16 foot Douglas Fir Commission National Bank of Portland Oregon
Located in Camden, ME
This monumental wood sculpture by Leroy Setziol (1915–2005) is a rare and significant early commission, created in 1963 for the National Bank of Portland, Oregon. Measuring an impres...
Category
1960s Abstract Abstract Sculptures
Materials
Wood
Full Scale Painting Homage Georges Seurat Sunday On La Grande Jatte, 2013
Located in Camden, ME
An extraordinary, full-scale painted stage backdrop created for the 2013 Princeton University production of Stephen Sondheim’s Sunday in the Park with George painted by Susan Donner....
Category
2010s Pointillist Landscape Paintings
Materials
Canvas, Acrylic
"Untitled" (Tulips) 1967 Acrylic on Canvas 1967 84" x 72"
Located in Camden, ME
Monumental large-scale floral abstraction by Margaret Milliken, associated with the American Abstract
Expressionist movement. Executed in richly textured acrylic impasto, the canvas ...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
"Untitled" (Cosmos) Acrylic on Canvas 84" x 54" c. 1966
Located in Camden, ME
Untitled (Cosmos), c.1966, is a large-scale acrylic on canvas by American painter Margaret Milliken (1913–1968), whose work embodies the vibrant spirit of the postwar Abstract Expres...
Category
1960s Abstract Expressionist Abstract Paintings
Materials
Canvas, Acrylic
Foghorn Time, 1984 Acrylic on Canvas Commission thru OK Harris
Located in Camden, ME
Painted in 1984, Foghorn Time is a sweeping and immersive abstraction by Tino Zago (Italian-American, b. 1937). for a commission.
Executed in acrylic on canvas, the monumental format...
Category
1980s Abstract Abstract Paintings
Materials
Canvas, Acrylic
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This original sculpture is created in cold-cast aluminum, which interacts beautifully with its environment and reflects light in nuanced ways. Because of the reflective surface of aluminum, the sculpture takes on different appearances depending on the lighting conditions:
In bright lighting, the sculpture appears more vibrant and silver-toned, showcasing its lustrous finish and fluid contours. The high contrast highlights every curve and swirl, giving it a striking, almost glowing presence.
In softer or dimmer light, the tones become more muted and subtle. The sculpture takes on a pewter-like appearance, with deeper shadows and a more understated elegance. This makes it a perfect fit for a variety of settings, adapting to its surroundings and changing mood with the light.
The sculpture’s color and finish are consistent; the perceived changes are purely the result of lighting. The color variations in the photos are a testament to the material’s responsiveness to light.
If you’re placing it in a room with changing daylight or adjustable lighting, you’ll enjoy how it shifts throughout the day, almost like a living piece of art.
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