Arcadia Art Abstract Prints
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Untitled / - The archaism of nature -
Located in Berlin, DE
Jorge Machold (1940 Chemnitz - 2015 Berlin), Untitled, 1973. Color etching, 41.5 x 29.2 cm (plate size), 49.5 cm x 39.5 cm (sheet size), signed lower right in lead “J.[orge] Machold”...
Category
1970s Abstract Abstract Prints
Materials
Paper
Untitled / - Dancing Sculpture -
By Gerlinde Beck
Located in Berlin, DE
Gerlinde Beck (1930 Stuttgart-Cannstatt - 2006 Mühlacker-Großglattbach), Untitled, 1973. Series of four serigraphs, 29.8 cm x 29.8 cm, each signed in lead on the front and numbered on the reverse. Sheet 1-3 no. 74/100, sheet 4 no. 48/100.
- Corners occasionally slightly bumped, minimal crease, otherwise in very good condition
- Dancing Sculpture...
Category
1970s Abstract Geometric Abstract Prints
Materials
Paper
Bible Verve / - Eternal Struggle -
By Marc Chagall
Located in Berlin, DE
Marc Chagall (1887 Peskowatik - 1985 Saint-Paul-de-Vence), Bible Verve, 1956. Color lithograph from Verve ‘Bilder zur Bibel’, Editions de la Revue Verve, No. 33-34, Teriade Paris, 19...
Category
1950s Abstract Abstract Prints
Materials
Paper
Lithograph Derrière le Miroir no. 203 I / - The Battlefield of the Imagination -
By Joan Miró
Located in Berlin, DE
Joan Miro (1893-1983), Color lithograph for Derrière le Miroir No. 203 II, 1973
Joan Miro (1893 Barcelona - 1983 Palma), Color lithograph for Derrière le Miroir No. 203, 1973. Printe...
Category
1970s Abstract Abstract Prints
Materials
Paper
Color lithograph for Derrière le Miroir no. 203 I / - Real Imagination -
By Joan Miró
Located in Berlin, DE
Joan Miro (1893 Barcelona - 1983 Palma), Color lithograph for Derrière le Miroir no. 203 I, 1973. Printed by Arte Adrien Maeght and published by Maeght Editeur, Paris, 38 cm x 56 cm....
Category
1970s Abstract Abstract Prints
Materials
Paper
Gladioli / - The figurativeness of abstraction -
Located in Berlin, DE
Klaus Fußmann (*1938 Velbert), Gladiolen, 1983. Color etching, WVZ 116.5, 14.5 cm x 18.5 cm (depiction), 20 cm x 21 cm (sheet size), signed “Fuß[mann]” in pencil lower right and insc...
Category
1970s Abstract Impressionist Still-life Prints
Materials
Paper
The Mother / - Violated Motherhood -
By Georg Tappert
Located in Berlin, DE
Georg Tappert (1880 Berlin - 1957 Berlin), The Mother, 1918 (1964). Estate print from 1964. Linocut on Japan, 31.5 cm x 20 cm (image), 44.5 cm x 28 cm (sheet size), marked lower left...
Category
1910s Expressionist Figurative Prints
Materials
Paper
Adoration of the Magi / - The Rider of the Sun -
Located in Berlin, DE
Walter Helbig (1878 Falkenstein - 1968 Ascona), Adoration of the Magi, 1918. Hand-colored linocut, 30 cm x 22.5 cm (depiction), 50 cm x 35 cm (sheet size), signed “W.[alter] Helbig” in pencil lower right, inscribed “Adoration of the Magi” lower left and dated “1918”. Below this a handwritten dedication “with heartfelt Christmas greetings”.
- Paper somewhat darkened and with slight creases, thumbtack holes in the corners
- The Rider of the Sun -
The 'apocalypse' of World War I brought about a return to sacred art. Walter Helbig belonged to the circle of the 'Brücke' and the 'Blauer Reiter'. With his reinterpretation of religious themes in an expressionist formal language, Helbig shaped an avant-garde neo-sacred art. This is symbolically expressed in the silhouette of the rider against the sun-like yellow background. It refers to the awakening initiated by the Blue Riding, which is now linked back to the sacred.
The rider and horse "look" at Mary and the Christ Child, who occupy the entire field. Opposite them are the three kings, the eldest of whom kneels before Christ and offers him a gold-filled casket. The expressionist lines give rise to a tower that rises into the "sun", so that the gift has become a Gothic church, expressing the hope that the fallen world will be resurrected in the name of Christ. This dimension of meaning is emphasized by the magical effect of the color scheme.
About the artist
In 1895, Walter Helbig began studying at the Dresden Academy of Art, where he became friends with the future Brücke artist Otto Müller, with whom he lived in Dresden from 1903 to 1905. While studying in Italy from 1897 to 1899, he met Arnold Böcklin and Adolf von Hildebrand. After completing his studies, he first worked for Otto Gussmann, painting churches. From 1905 to 1909 he worked as a freelance painter in Hamburg. In 1909, through the mediation of Otto Müller, Helbig made the acquaintance of artists from the 'Brücke'. In 1910 he exhibited at the founding exhibition of the Berlin 'Neue Sezession'. In the same year, he moved to Switzerland, where, together with Hans Arp and Oscar Lüthy, he founded the 'Moderne Bund' in Weggis, to which Cuno Amiet and Giovanni Giacometti also belonged. At the second exhibition of the 'Moderne Bund' in Zurich in 1911, Henri Matisse and Robert Delaunay were represented alongside artists from the 'Blauer Reiter'. In 1913, Helbig traveled to Paris with Arp and Lüthy. After the dissolution of the 'Moderne Bund', Helbig was represented at the first Dada exhibition in Zurich in 1914. In 1919, he joined the Berlin 'Novembergruppe'. After the devastation of World War I, Helbig turned increasingly to religious themes in his work. In 1924, like many other artists of his time, he moved to Ascona for financial reasons, where he became a naturalized citizen in 1938. There he founded the artists' association "The Great Bear", to which Marianne von Werefkin...
Category
1910s Expressionist Figurative Prints
Materials
Paper
Twelve variations on a dice theme / - The Musical Proportions of the Cube -
Located in Berlin, DE
Hans Rudolf Bosshard (*1929 Balm-Lottstetten), Twelve variations on a dice theme, 1962. Portfolio with inserted cover sheet and twelve woodcuts on thin Japanese paper. Copy no. 2/10,...
Category
1960s Minimalist Abstract Prints
Materials
Paper
Six variations on a circular theme / - The Musical Proportions of the Circle -
Located in Berlin, DE
Hans Rudolf Bosshard (*1929 Balm-Lottstetten), Six variations on a circular theme, 1967. Portfolio with inserted cover sheet and six color woodcuts on thin Japanese paper. Copy no. 6...
Category
1960s Minimalist Abstract Prints
Materials
Paper
Colors / - The Pictures of Concepts -
Located in Berlin, DE
Heinz Gappmayr (1925 Innsbruck - 2010 ibid), Colors, 1993. Linen box with ten aquatint etchings on handmade paper and two text sheets. Published by Dorothea van der Koelen, Mainz. Co...
Category
1990s Minimalist More Art
Materials
Paper
Threatening to defeat me once and for all / - A Christmas Pietà -
Located in Berlin, DE
Johannes Heisig (*1953 Leipzig), "Threatening to defeat me once and for all" - To the Christmas Oratorio by Johann Sebastian Bach. Lithograph on strong yellowish laid paper with wate...
Category
1980s Abstract Expressionist Figurative Prints
Materials
Lithograph
My treasure, my sanctuary / - A Tortured Treasure -
Located in Berlin, DE
Johannes Heisig (*1953 Leipzig), "My treasure, my sanctuary" - To the Christmas Oratorio by Johann Sebastian Bach. Lithograph on strong yellowish laid paper with watermark, 53 x 39.5...
Category
1980s Abstract Expressionist Figurative Prints
Materials
Lithograph
Indistinct Clear - Fluctuating ambivalence -
Located in Berlin, DE
Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Undeutlicher deutlich, 1982. Color etching, e.a. (Epreuve d'artiste) 4/9, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm ...
Category
1980s Abstract Abstract Prints
Materials
Etching
Field - Field research -
Located in Berlin, DE
Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), Field 1983. Color etching, copy 13/65, 22.5 x 28 cm (image), 40 x 45 cm (sheet), 43 x 48 cm (frame), titled, numbered, monogram...
Category
1980s Abstract Abstract Prints
Materials
Etching
Aus dem Totenbuch einer Stadt (IV) - The presence of the submerged -
Located in Berlin, DE
Karl Ludwig Mordstein (1937 Füssen - 2006 Wilszhofen), From the Book of the Dead of a City (IV), 1983. Color etching, copy 16/60, 15.5 x 18.5 cm (imag...
Category
1980s Abstract Abstract Prints
Materials
Etching
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