ARDT gallery Sculptures

"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...

Wall Mounting Waxed Linen Sculpture with Mixed Media, Copper, Iron Mary Giles (1944-2018) received her BS in Art Education from Mankato State University in Minnesota. After receivi...

Luis Miguel Valdes (Cuba, 1949) "Ceramic #14", 2017 Ceramic plate in Uriarte's Talavera 45 x 45 x 4.5 cm. (17.75 x 17.75 x 1.75 in.) Hand-signed by author ___________________________...

Carl Andre Al 4 Blocks aluminum, in 4 parts Each 2 x 7 5/8 x 4 in. (5.1 x 19.4 x 10.2 cm.), overall 2 x 15 1/4 x 8 inches (5.1 x 38.7 x 20.3 cm.) Executed in 2008, this work is accom...

Wall sculpture assemblage by Gertie Lowe, from 1978, is a conceptual abstract with everyday objects. Muted neutral tones are contrasted with vibrant accents. Signed and dated verso...

Judy Chicago Logo Pin and Pendant, 1993 Enameled pin with pendant loop in original presentation box 2 1/2 × 2 1/2 × 1/5 inches Judy Chicago's incised name and date on the verso Comes...

One abstract, geometric table top sculpture in brushed, welded aluminum by Jane Manus, edition of 27. Manus is internationally recognized for her powerful geometric, abstract sculpt...

Luminosité changeante II is a unique medium size contemporary modern sculpture painting relief by French-Dutch artist Olivier Julia. The relief is made f...

Medium: wood, steel, ink As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langua...

Medium: basswood, milk paint, steel As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the vi...

Over the past few years, Jesse Hickman has been making minimal abstract paintings on wood with few constraints. He calls this series Notes, thinking of these pieces as drawn sketches...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...