Artfour Wall Mirrors

Concave tinted glass. Similar to Anish Kapoor sculptures. Thermoformed and mirrored, mounted on a brass structure. Available in blue (as pict...

Dating from the 1940s, this beautiful, cream, stucco mirror in the manner of Serge Roche shows perfectly the three design elements of which he never tired: Mirrors, stucco, and curve...

Brand new mirror surrounded by a fabulous walnut chip carved frame. Good size 48 x 31.5 inches. In very good condition with minimal wear, one blemish on the Gilt liner. Can be hung e...

Baroque-style Northern Italian Hand-Carved Mirror

A fine naturalistically carved oval mirror with bird, branch and stylized animal decoration in the manner of Thomas Johnson. An exceptionally fin...

Evan Cranes "Drip Drop Mirror" is an elegant and minimal wall-mounted mirror with unique shelf storage. It is intended to be a feature piece in the home t...

By Gabriel Viardot. Gabriel Viardot (January 2, 1830 in Paris - March 19, 1904 in Paris) is a Parisian cabinetmaker specializing in the production of furniture freely interpreted "C...

Neal Small Slopes Mirror Wall, faceted wall sculpture, Classic design. These are "The Original" authorized edition This version can be displayed horizontal (image one) or vertically ...

Although Sweden is known for its exquisite Art Deco artisanry in glass and ceramics, its accomplishments in wood inlay furniture -- such as this superb example -- is less appreciated...

Rare French Brutalist mirror from the 1960-1970s. Very unusual sculptural design combining classical elements with expressive 'rawness'. Mirror area is 31 x 17cm or 12 x 7inches.

A George III Giltwood Pier Mirror In the Manner of Thomas Johnson An exceptionally detailed design; the superb carved decoration housing a shaped rectangular plate and undulating mirrored borders; the inner frame closely tied to the outer frame and leading the eye around the mirror. The grandiose masterful carving incorporating C-scrolls, flowering branchwork, stylized icicles, acanthus leaves, and distinctive architectural follies and figures which firmly place this mirror within the canon of Johnson's greatest designs. The confident execution is a great testament to the technical prowess and artistic creativity of one of the greatest carvers and designers of the eighteenth century, circa 1760. Provenance Edward Cecil Guinness, 1st Earl of Iveagh, Farmleigh, Co. Dublin, (1880?-1927); The Earls of Iveagh, Farmleigh, Co. Dublin & Elveden Hall, Suffolk (1927-2018). Thomas Johnson (1723-1799) Thomas Johnson was one of the most skilled carvers and furniture designers in Georgian England. Drawing inspiration from the Fables of Aesop, the rococo, China, and the idealised rustic life, his work is whimsical, exuberant and witty. Chippendale borrowed freely from his work. Johnson was a founder member of the 'Antigallican Society', a group who excoriated the French taste. In addition to its relation to Johnson's designs, this mirror also reflects the influence of Lock, the great master with whom he worked for a period. Lock published many sketches and pattern books, including A New Book of Ornaments for Looking Glasses in 1752, introducing several idiosyncratic features which Johnson would adopt such as the small decorative urns...

This oval carved and giltwood frame mirror, in the George III style of the late 18th century, is enriched by the acanthus leaf cresting supporting a tapered and fluted bracket, heade...