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ATELIER MARIVAL Landscape Paintings

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Retour de Pêche Georges Wilhelm Opdenhoff (1807-1873)
Located in GOUVIEUX, FR
Oil painting on panel by Georges Wilhelm Opdenhoff (1807–1873) Dimensions: 21 x 30 cm Signed at the bottom left We present this work by Georges Wilhelm Opdenhoff, a 19th-century Dutc...
Category

Mid-19th Century Flemish School Landscape Paintings

Materials

Oil

Paysage Rocheux Animé Fond Ruine Suiveur De Jan Van Bloemenn (1662/1749)
Located in GOUVIEUX, FR
Oil on canvas, 18th century, Flemish School, in the manner of Jan van Bloemen (1662–1749), an Antwerp painter who settled in Rome and was renowned for his idealized landscapes of the...
Category

Mid-18th Century Flemish School Landscape Paintings

Materials

Oil

Paysage Lacustre Animé Att. Göbell Gerrit Hendrik (1786/1833)
Located in GOUVIEUX, FR
Oil on canvas, Dutch school, Gerrit Hendrik Göbell (1786–1833). This charming painting takes us into a peaceful, verdant landscape bathed in the soft light of evening. In the foregr...
Category

Late 18th Century Landscape Paintings

Materials

Oil

Paysage de Montigny-sur-Loing par Camille Dufour (1841-1933)
Located in GOUVIEUX, FR
"Paysage de Montigny-sur-Loing" par Camille Dufour (27x18 cm, sur panneau) Découvrez cette magnifique peinture de Camille Dufour (né le 8 février 1841 et décédé le 3 janvier 1933), c...
Category

1880s French School Landscape Paintings

Materials

Oil

La Dune Christian Wilhelm Ernst Dietrich (cercle) 1712 - 1774
Located in GOUVIEUX, FR
Tableau ancien – Paysage nocturne animé Attribué au cercle de Christian Wilhelm Ernst Dietrich (1712–1774) Huile sur toile – Dimensions : 63 x 48 cm Cadre en bois doré d’époque, rich...
Category

Late 18th Century Old Masters Landscape Paintings

Materials

Oil

Paysage Fluvial Animé E Thevenet 1853
Located in GOUVIEUX, FR
Paysage fluvial animé E Thevenet 1853 Huile sur toile XIXe siècle Dim sans cadre 61/50 cm Dim avec cadre 80/69 cm Ecole française Signé bas droite E Thevenet 1853 Très belle lumière ...
Category

Mid-19th Century Landscape Paintings

Materials

Oil

Famille Paysans Jan Asselyn (1610/1652) (entourage)
Located in GOUVIEUX, FR
Huile sur toile XVIIe siècle Dim sans cadre 52/42 cm Dim avec cadre  60/50 cm Ecole Hollandaise Entourage de Jan Asselyn Scène de la vie courante comme aimait à les représenter  les ...
Category

17th Century Dutch School Landscape Paintings

Materials

Oil

Paysage Enneigé De Théodore Levigne (1848/1912)
Located in GOUVIEUX, FR
Huile sur toile XIXe siècle Dim sans cadre 61/48 Dim avec cadre 75/61 Ecole française Signé Theodore Levigne en bas droite. Théodore Levigne est un peintre français, né le 17 novembr...
Category

Late 19th Century French School Landscape Paintings

Materials

Canvas, Oil

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Frederick Shane “Twilight of History” 1947 Surrealist Oil Painting, Signed
By Frederick Shane
Located in Denver, CO
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Category

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Materials

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Category

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" Summer Evening Southwest Texas " 1909 Texas Hill Country Julian Onderdonk
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Julian Onderdonk "Summer Evening S. W. Texas" Texas Hill Country (1882 - 1922) San Antonio Artist Image Size: 9 x 12 Frame Size: 15 x 18 Medium: Oil on panel Dated 1909 "Summer Evening S. W. Texas" "A Texas Painter Worked Under the Radar in New York," By Eve M. Kahn, March 6, 2014, The New York Times Onderdonk, a San Antonio native who died of an intestinal ailment in 1922, at 40, is best known for painting swaths of Texas bluebonnets. Those canvases can bring more than $500,000 each, while his New York scenes usually end up in the five-figure range. Onderdonk’s parents were painters in San Antonio, and in 1901, when he was a teenager, they sent him to New York for training. Through 1909, he lived in various Manhattan apartments and Staten Island houses. He then returned to Texas, but continued to spend months at a time in New York. In 1902 he had married a Manhattan teenage neighbor, Gertrude Shipman. While she focused on raising their daughter, Adrienne, and worrying about their strained finances, “he created more than 600 works of art, often producing a painting or two a day,” Eyewitnesses recorded his prolific pace in New York, but Onderdonk works bearing those dates rarely turn up. The puzzling gap in his productivity is explained in family correspondence that the Bakers uncovered: The artist admits that he was signing pieces with pseudonyms. He mostly used Chas. Turner and Chase Turner and occasionally resorted to Elbert H. Turner and Roberto Vasquez. Julian Onderdonk was the son of the important Texas landscapist, Robert Onderdonk. He was the father's pupil at age 16. Sponsored by a Texas patron, he studied at the Art Students League in New York when he was 19, the pupil of Kenyon Cox, Frank DuMond, and Robert Henri. He also studied with William Merritt Chase on Long Island. In 1902, having lost his Texas patron because he married, he asked $18 for 12 paintings at a Fifth Avenue dealer in New...
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