Avalon Prints

Gorgeous photo print by the iconic photographer and fashion designer Karl Lagerfeld of Max Delorme. Image captured and satin finish umber photo-lithograph printed in 1997. Measures: ...

From: ‘Luz da Liberal e Nobre Arte da Cavallaria’, by Manoel Carlos de Andrade, Lisbon, Regia Officina Typographica, 1790. This work on riding and horsemanship was the first book on ...

Anne Youkeles (Austrian/American b. 1920) Op-Art Artist 3-D Geometric Serigraph Collage titled "New Perspective" signed, number 43/210 and dated 1971. In fine condition, not examined...

Known as God's own Pop artist, Sister Mary Corita Kent went straight from high school into Catholic convent life in 1936. While serving her order and teaching art at Immaculate Heart...

Elevate Your Space with a Masterpiece: Victor Vasarely's "Marc CF" Screen print. Experience the iconic artistry of Victor Vasarely with "Marc CF," a stunning 1970's screen print tha...

Abstract screen-print, by Josef Albers, from Formulation and Articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972. This work is fro...

Set of Six Homage To The Square Serigraphs, by Josef Albers for the Limited Edition Folio "Josef Albers", by Eugen Gomringer, circa 1968. They have been recently professionally frame...

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

Very cool original Op Art blue and silver screenprint, TUZ, by Victor Vasarely from 1974. Signed in the lower right hand corner, numbered 291/340 in the lower left. This has the orig...

Roy Lichtenstein Crying Girl 1963. Edition of an unknown number. Signed bottom right. Colors very nice with one area shown with a press te...

The iconic Porsche 911 RS 1973, pop art print in the style of Andy Warhol. Vibrant wall art, a great addition to your art collection. Probably 1980s, these are signed limited editi...

After Roy Lichtenstein Thinking of Him Published by New York Graphic Society 24"x 30" print 26" x 32" black lacquer frame.