Barbarella Home Club Chairs

George Nelson vanity bench stool model N° 4672 for Herman Miller, designed 1946. Aluminum rods, foam, original fabric covering. Original Herman Miller label present. Produced by Herman Miller from 1946 to 1956. One owner. Cushion dimensions ~3 inches high by 19 inches wide by 15 inches deep.

Authentic mid-century collectible with documented provenance: This spacious Florence Knoll Model 26-3KC sofa was produced in the 1960s and upholstered in an exceptionally high-qualit...

George Nelson Stool for Herman Miller, USA - 1960s in all original condition with the rare brown base George Nelson (1908-1986) was an American industrial designer and architect who...

A magnificent pair of French Art Deco leather club chairs dating from the 1930's with their original leather, the cushion with one side upholstered in a cocoa colored velvet. The w...

Mid-Century Modern leather perch stool or chair designed by George Nelson for Herman Miller. Versatile chair with adjustable hand-stitched leather seat hav...

Matching pair of extremely comfortable Machine Age American Art Deco armchairs designed, circa 1935, for Lloyd manufacturing by Karl Emmanuel Martin (KEM) Weber (1889 -1963). Known a...

Vintage Charles Pfister Knoll Studio Upholstered Sofa Offered for sale is one upholstered three-seat sofas designed by Charles Pfister for Knoll Studio. The sofa was recently reuph...

A set of four Patchwork leather chairs with round polished chrome bases that swivel. Designed by Sally Sirkin Lewis and made for J Robert Scot...

Fabulous streamline modern cantilever chair comprised of chrome frame and tomato red vinyl faux leather upholstery attributed to KEM Weber for Lloyd’s Manufacturing. Beautiful condition with wear as you would expect with a vintage piece. This one looks like it was seldom used! Please see photos, Circa Mid Century. WOW!!!! What a gorgeous tomato red streamline modern cantilever chair!!!! Attributed to KEM Weber for Lloyd’s Manufacturing and categorized in many design styles; Art Deco, Machine Age, Streamline Modern, Art Moderne, and Bauhaus. Too many awesome styles to choose just one… So, you pick!! This chair is comprised of a tubular chrome cantilever frame and is upholstered in a bright and beautiful red vinyl faux leather that demands attention. This piece has no tag or markings but is done in the style of the era’s greats: Gilbert Rohde, Wolfgang Hoffman, Warren McArthur, Donald Desky, Alfons Bach, Gilbert Rhode, Marcel Breuer, and from online searches attributed to KEM Weber for Lloyd’s Manufacturing. It doesn’t get much better than that!! You could use this fabulous chair in your living room, bedroom, sitting room, or kitchen. It would be a wonderful chair at a vanity or a stylish place to sit to take off your shoes in the entry way. The possibilities are truly endless. KEM Weber (1889-1963) was a German-born architect and furniture designer. His birth name was Karl Emanuel Martin Weber but in 1914, he changed his first name to a less German sounding, 'Kem' when he became stranded in the USA after the outbreak of the First World War. Kem Architecture was part of the West Coast Modernist movement in America. His designs included many projects and products in Streamline Modern, a form of Art Deco design and architecture that was extremely popular in the USA and Europe in the 1930s. This style emphasized curved forms and long horizontal lines; it was the epitome of sophistication and modernity in that era. Streamline Modern was used for everything from stainless steel cocktail shakers...

Known as the “Springer” chair, the chairs sit on flat band chrome iron springs and function as rocking chairs. The chair retains its original chrome and with newly made cushions. ...

Florence Knoll for Knoll International, lounge chair, model '51', teak, fabric, United States, 1955 This slipper chair model 51 is designed by Florence Knoll. The teak frame of the chair is sleek in form. The angled seat is placed upon the squared-off frame. Maximum seating comfort is ensured by the wide seat and tilted backrest. Florence Knoll (1917-) was trained as an architect and had a sense of style from a very young age. In 1936 she met Alvar Aalto and was trained by Marcel Breuer, Walter Gropius and Mies van der Rohe. This meant that although she was barely out of her teens, she was educated by the best of the European modernists. When she arrived in New York Knoll worked on interior projects (being the only female) which is how she came to know Hans Knoll. When Florence joined Knoll, the planning unit started. Florence also made sure that the designs where more 'American Modernist' instead of Scandinavian, When Hans Knoll died she...

The Coconut chair was designed in 1955 by the American architect, industrial designer, author, editor and teacher George Nelson. Unlike the later editions, the first generation has a...