Bartele Gallery Photography

Gorgeous photo print by the iconic photographer and fashion designer Karl Lagerfeld of Max Delorme. Image captured and satin finish umber photo-lithograph printed in 1997. Measures: ...

John Kacere nude prints, American, circa 1970s. The top print measures 18.25" H x 27.5" W. The bottom left measures 15" H x 23" W. The bottom right measures 14.75" H x 22" W. They ha...

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

"Photograph of a Grecian bust" is a cyanotype print by John Dugdale, edition 2/6. The print is 16" x 20" matted and framed to 24" x 27.5".

1968 Pop Art "The Marilyn Monroe Trip" 1 2 print by Bert Stern. Bert Stern was the last man to photograph Marilyn Monroe. Stern made this image from one of the photographs of t...

Possibility of laminated on dibond, with metal structure, on request. Depth 3 cm for lamination otherwise photograph sent in roll - Printing in seven copies. Cedric Roulliat...

Christo / The Pont Neuf Wrapped / Project for Paris, 1984 / Collage En Deux Partes Offset lithograph in colors on woven paper, published by Nouvelles Ima...

Set of three framed 1960s Vogue Magazine covers. Left to right: September 1964 cover features model Wilhelmina photographed by David Bailey. N...

You can see her work in the permanent collections of The Whitney, The Tate and MoMA. And now, you can hang this powerful photographs on the walls of your own home. "Jens' hand on Cl...

Vintage black and white photograph, photography by Josef Ehm. "Resting Model II", circa 1960s, gelatin silver print. Josef Ehm: Czech, 1909-1989. Born in Habartov. Apprenticed i...

Jan Saudek, Czech photographer, born 1935 Original silver gelatin print, photograph Title : "Mothers & daughters" Model print # 186 Finished , September 17 1892 Signed lower right ...

Pictorialist photograph of a young woman. Silver print in the original oak frame. Inscribed on reverse R.S. Paddock, Early 20th century. Pictorialism is the name given to an intern...