Bazaar Sas Prints

The frame housing this color silkscreen on paper by Marco Lodola was recently crafted by a master Florentine artisan. The framer added four gleaming mirrors along the flat perimeter,...

This color screenprint on paper by Marco Lodola is presented in a recently crafted frame made by a master artisan in Florence. The framer incorporated four polished mirrors along the...

The screenprint on paper by Marco Lodola is presented in a recently crafted frame made by a Florentine master artisan. The frame features four luminous mirrors set along the flat inn...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. The ...

We kindly suggest reading the entire description, as it provides detailed technical and historical information to ensure the authenticity of our items. The frame enclosing the two pr...

We kindly suggest reading the entire description, as it provides detailed technical and historical information to ensure the authenticity of our items. The frame that encloses the tw...

We kindly suggest reading the full description, as we aim to provide you with detailed technical and historical information to ensure the authenticity of our items. The frame enclosi...

We kindly suggest reading the entire description, as it provides detailed technical and historical information to ensure the authenticity of our items. The frame enclosing the two pr...

We kindly suggest reading the entire description, as it provides detailed technical and historical information to ensure the authenticity of our items. The frame enclosing the two pr...

The wooden frame enclosing the print is highly distinctive and unusual; it was recently crafted by a master cabinetmaker in his workshop, located in Florence's trendiest neighborhood...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Part...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Pair of prints engraved by burin and painted in watercolor; both are a tribute to Cupid; the name Cupid - meaning desire, lust - was given by the Romans to the Greek god of love, actually called Eros. Alternatively, he was called just Love always by the Latins. As the son of Aphrodite, goddess of love, he, like his mother, was capable of any act, even deplorable. In the first print, which has been cut out and shaped, there are two young girls offering God a basket of fruit and a goblet of wine; in the second print a mature woman is about to be hit by Cupid's love arrow; both prints have been made with a beautiful burin engraving, then finished with delicate watercolors. The frames are handmade in gilded wood. The prints were made between 1850 and 1855 by Adrien Nargeol (see signature) a prolific and talented French engraver and were published in the "Journal des Demoiselles...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Part...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Beautiful and meticulously detailed etching with sober wooden frame; the paper work, "La Gloire de la France", was made by the famous French engraver Simon Thomassin (Troyes 1665-Paris 1733) in 1724, he made the drawing inspired by an elaborate and particular sculpture, made for the gardens of Versailles, between 1681 and 1683 by Pierre Mazeline (1632-1708) important French neoclassical artist; In the inventory of the Garden in 1706-1708, the statuary group is described as follows: "A figure representing Glory seated on a cloud placed on a celestial globe, surrounded by trophies of arms, with the right arm half raised, holding a laurel wreath, and, with the left, a pyramid. The names of the two artists are imprinted on the print itself. Pierre Mazeline was a very prolific and refined sculptor of recognized talent, he is also the author of other statues in the gardens of Versailles as the "Apollo of Belvedere and "Europe"; he also executed the equestrian statue of Louis XIV...

We kindly invite you to read the entire description, as we strive to provide you with detailed technical and historical information to ensure the authenticity of our objects. The woo...

We kindly invite you to read the full description, as we strive to provide detailed technical and historical information to ensure the authenticity of our items. These are refined an...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. The ...

Please read the entire description carefully, as we strive to provide complete technical and historical details to ensure the authenticity of our objects. These two “faux bamboo” frames enclose color prints on paper, depicting compositions of marine corals in strange and rare shapes. The print on the left depicts a seaweed-shaped coral, with intricate details reminiscent of some species of the genus Acropora; the composition on the right depicts a coral belonging to the Gorgonian family, with the peculiarity of being depicted coiled on itself. These colored prints, made in Italy, date from a time when naturalists and illustrators created detailed plates to document and study marine flora and fauna, and can be dated between 1750 and 1770. Their uniqueness lies in the fact that they were used as a medium for writing a text (a letter)at the same time or shortly thereafter. Antique color prints with handwritten text on the entire surface represent an example of an ancient practice called manuscript on image or illustrated manuscript. This technique was widespread in various eras and contexts, both artistic and practical. In medieval manuscripts, it was common to embellish texts with elaborate miniatures, illustrations, and initial letters, often in color. Although not entirely identical, this practice reflects the historical interest in the integration of text and image. During the Victorian period and into the early 1900s, it was common to write letters and messages on picture postcards, often embellished with colorful images and decorations, with lettering covering part or all of the illustration. Japanese ukiyo-e prints often combined images with poems or handwritten descriptions, and this practice spread between the 17th and 19th centuries. Modern and contemporary artists have taken up and reinterpreted this tradition: for example, German artist Anselm Kiefer has created works that combine images with handwritten text across the entire surface. In short, handwriting on color prints was not as common as simple illustrations, but there are numerous historical and modern examples of how text and image can be combined in unique and creative ways. Another notable detail of our prints is that the one on the right has the price “5 soldi” imprinted at the top. The "soldo" is a historical Italian currency with a long and rich history. The soldo originated in the Middle Ages, with the first documented issuance dating back to the Carolingian Empire, around 800 AD. The term “soldo” derives from the Latin word “solidus,” which was a Roman gold coin...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. The ancient, original document of the Grand Duchy of Tuscany was framed, in recent times, by a skilled Florentine master craftsman who used a frame in precious wood and painted gold. The "Notification" was a public notice issued by the authority to bring to the attention of the population or of the institutions or persons concerned a legislative situation, an administrative act, or a declaration of intent by the authority itself. In 1838 (the year of our document) Italy, still divided into Kingdoms, States, Ducats, was pervaded by a certain form of reformism; the different dukes, princes, etc. flaunting modernism, various programs begin to develop the economy, make the administration efficient, change some laws, intervene in the territory with infrastructures, such as roads, canals, and railways. For this reason, more professionalism, experience, and technical preparation were required for all operators who had to contribute to this change. In the Grand Duchy of Tuscany, the Grand Duke Leopold II...