Big Sky Fine Art

Gustave Vidal. French ( b.1895 - d.1966 ). Pêcheurs Sur Les Rochers. Bord De Mer En Côte d'Azur. Oil On Panel. Signed Lower Right. Image size 12.4 inches x 15.6 inches ( 31.5cm x 39....

Alice Anne Renshaw. English ( b.1849 - d.1900 ). Primavera. Young Lady With Springtime Flowers In Her Hair. Watercolor, Gouache & Pastel On Artist's Board ( An impressed stamp in th...

Alb. Muller. German Mid 19th Century. Academic Life Study Of A Male Standing Nude. Pencil And Charcoal On Paper. Signed Lower Right. Paper size 23.8 inches x 17.1 inches ( 60.5cm x 4...

Jean Vollet. French ( b.1935 - d.2015 ). The River Eure, The Old Quarter Of Chartres. Oil On Canvas. Signed Lower Right. Image size 17.5 inches x 25 inches ( 44.5cm x 63.5cm ). Frame...

Jean-Baptiste Roubaud. French ( b.1871 - d.1936 ). Martigues, Provence, 1908. Oil On Panel. Signed & Dated Lower Right. Image size 10 inches x 13 inches ( 25.5cm x 33cm ). Frame size...

Alexandre-Louis Martin. Belgian ( b.1887 - d.1954 ). Self-Portrait Of The Artist. Oil On Canvas. Signed On The Reverse Of The Canvas. Image size 22.4 inches x 16.9 inches ( 57cm x 43...

Late 18th Or Early 19th Century European Tradition. La Gamine. Androgynous Charm. Framed Oil On Canvas. Unsigned. Image size 15.6 inches x 11.6 inches ( 39.5cm x 29.5cm ). Frame size...

Philip Richard Morris. English ( b.1836 - d.1902 ). The Cloaked Shepherdess. Watercolor On Paper. Signed Lower Left. Image size 14 inches x 9.3 inches ( 35.5cm x 23.5cm ). Frame siz...

Jean Croizier. French ( fl.1812 - 1827 ). Standing Female Nude, 1819. Watercolor & Chalks On Paper. Signed & Dated 1819 Lower Left. Paper size 22 inches x 15.8 inches ( 56cm x 40cm )...

G. Vaccaro. Italian ( 19th Century ). La Contadina. Pencil & Charcoal On Paper. Signed & Dated (18)65 Lower Right. Paper size 28.9 inches x 34.8 inches ( 73.5cm x 88.5cm ). Frame siz...

Jean-Baptiste Olive. French ( b.1848 - d.1936 ). Le Château d'If. Frioul Archipelago Off Marseille. Oil On Canvas. Signed Monogram Lower Left. Image size 27.4 inches x 19.7 inches ( ...

Charles Fouqueray. French ( b.1869 - d.1956 ). Ramasseurs De Goemon En Bretagne, 1910. ( Seaweed Gatherers In Brittany ). Oil On Canvas. Signed & Dated 1910 Lower Left. Image size 25...

Elin Siân Blake. Welsh ( b.1981). Fronarth Northern Star. Oil On Canvas. Signed Lower Right. Image size 19.7 inches x 27.6 inches ( 50cm x 70cm ). Frame size 21.1 inches x 28.9 inch...

Samuel Dennis Walley Timmins. English ( b.1900 - d.1951 ). The Road That Takes You Home, 1932. Watercolor On Paper. Signed & Dated Lower Right. Image size 13.6 inches x 9.6 inches (...

Samuel Dennis Walley Timmins. English ( b.1900 - d.1951 ). A Running Stream In The Welsh Marches, 1932. Watercolor On Paper. Signed & Dated Lower Right. Image size 13.6 inches x 9.6 inches ( 34.5cm x 24.5cm ). Frame size 18.1 inches x 14.2 inches ( 46cm x 36cm ). Available for sale; this original Art...

Arthur Wardle. English ( b.1864 - d.1949 ) Welsh Hounds From The Packs Of Lieutenant Buckley & The Hon. H.C. Wynn. Watercolor On Card. Signed Lower Left. Image size 7.68 inches x 1...

Raymond Picque. French ( b.1926 - d.1984 ). The Channel Of Gravelines, Grand Fort-Philippe, France. Oil On Canvas. Signed Lower Right. Image size 22.4 inches x 30.9 inches ( 57cm x 7...

Henri Joseph Pauwels. Belgian ( b.1903 - d.1983 ). Paysage Arboré. (Wooded Landscape). 1966. Oil On Artist’s Board. Signed & Dated Lower Left. Image size 14.2 inches x 17.3 inches ( 36cm x 44cm ). Frame size 21.1 inches x 24.6 inches ( 53.5cm x 62.5cm ). Available for sale; this original oil painting is by the Flanders artist Henri Joseph Pauwels and is dated 1966. The painting is presented and supplied in a sympathetic contemporary replacement frame (which is shown in these photographs). The painted surface is entirely in its original untouched condition. No restoration, cleaning or conservation has been performed on the artwork. This vintage painting is in a good sound decorative condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower left. Previously with Galerie Jean-Marr, Le Havre, France. Henri Joseph Pauwels was a notable twentieth century Flemish painter, rooted in Impressionist traditions. He was born on 16 December 1903 in Sleidinge near Antwerp. He died on 12 March 1983 in Beveren-Waas. Pauwels trained academically in Paris, then in private studios in Antwerp. His early works demonstrate his academic training, but he was heavily influenced by Impressionism and his later work has a more vibrant palette and airy, loose brushwork. He was known for his plein air technique, as shown in this piece. Pauwels exhibited widely, mainly in Paris, Brussels and Amsterdam and was successful both before and after WWII. Some of his works are held in public collections, including the Ghent Museum. His works were highly collectable amongst his contemporaries in Belgium, France and the Netherlands. He is known for a range of genres but is best known for his large canvases of romantic landscapes and country life. He also painted harbour scenes and some still life. His works remain collectable for their optimistic, poetic and nostalgic views of wholesome country life. © Big Sky Fine Art Discover Paysage Arboré, an original 1966 oil painting on board by Belgian artist Henri Joseph Pauwels (1903–1983). This tranquil landscape captures a lush, tree-lined riverbank rendered in rich Impressionist brushwork and a naturalistic palette of greens, browns, and blues. Signed and dated in the lower left, this collectible work showcases Pauwels’ mastery in capturing light, texture, and atmosphere in the Flemish countryside. A fine example of mid-20th century Belgian landscape painting...

Chantal Grimb. French ( b.1947 - d.1988 ). Tout Est Rythme, Honfleur, 1972. Oil On Artist’s Board. Signed Lower Left. Image size 17.3 inches x 20.9 inches ( 44cm x 53cm ). Frame size...

Follower of Antoine Calbet. French ( b.1860 - d.1944 ). Theseus and Ariadne, Circa 1890 - 1910. Mixed Media. Watercolour, Gouache & Pastel Image size 16.5 inches x 11.2 inches ( 42cm...

M.O. Cahierre. French ( Mid-20th Century ). Petit Port du Havre, 1965. Oil on Canvas. Signed & Dated Lower Left. Image size 14.2 inches x 21.1 inches ( 36cm x 53.5cm ). Frame size 19...

Gaëtan Dumas. French ( b.1879 - d.1950 ). Une Trace De Plaisir Ou De Regret. (A Trace Of Pleasure Or Regret). Oil On Canvas. Signed Upper Right. Image size 13.2 inches x 10 inches ( ...

Follower of Edgard Maxence. French ( b.1871 - d.1954 ). Meditation, Circa 1910. Oil On Canvas. Image size 34.4 inches x 22.2 inches ( 87.5cm x 56.5cm ). Frame size 44.1 inches x 31.9...

Henry Arthur Roberts. French ( b.1819 - d.1900 ). Academic Life Study Of A Standing Male Nude. Pencil & Charcoal On Paper. Paper size 23.8 inches x 13.6 inches ( 60.5cm x 34.5cm ). Frame size 28.3 inches x 18.7 inches ( 72cm x 47.5cm ). Available for sale; this academic life drawing of a male nude is by the French artist Henry Arthur Roberts and dates from the early 1840s. The drawing is presented and supplied in a modest hand painted glazed wooden frame dating from the mid-20th century (which is shown in these photographs). This antique drawing is in good condition, commensurate with its age. It is in an untouched condition having never been restored. The paper has handling marks, some light surface dirt, the odd foxing mark and general age toning. The overall patina adds to the aesthetic and is supplied ready to hang and display. The drawing is not signed but came from a portfolio of drawings by Henry Arthur Roberts. Henry Arthur Roberts was a recognised French artist, notable for his portraits and paintings of religious subjects. Born in Paris in 1819, he was the son of British watercolour artist James Roberts, himself active in Paris from 1819 -1846. Henry became a student of his father. Henry Roberts’s talent as a young man was such that he was accepted as a student of Michel Martin Drölling and worked extensively with him. Drölling, the highly acclaimed neoclassic artist (1786-1851) was noted for his theatrical paintings of history and grand portraits. He produced many notable works, including a ceiling work for the Louvre, and works in the Palace of Versailles. Roberts would have studied with Drölling at an early stage in his career, as Drölling died when Roberts was 32. Learning with such a master would have had a huge impact on Roberts in terms of his academic skills and his own emerging style. Roberts exhibited at the Salon de Paris from 1839, when he was only 20 years old, right through to 1867. His work in the Universal Exhibition of 1855 won him a Third Class Medal. He became Vice-President of the Association of Artists in Paris and in July 1898 he was elevated to the rank of Knight of the Legion of Honour with a foreign title. This was the highest state honour available to him, in recognition of his status as an artist. Henry Roberts died in 1900, but his legacy lives on, with works in many famous public collections, including the Musée Carnavalet, the Musée du Louvre, the Musée d’Orsay, Musée des Beaux-Arts, Orsay, and in Boston, USA. © Big Sky Fine Art This exceptional academic nude...

Henry Arthur Roberts. French ( b.1819 - d.1900 ). Academic Life Study Of A Male Nude Carrying A Staff. Pencil & Charcoal On Paper. Paper size 23.4 inches x 13.6 inches ( 59.5cm x 34.5cm ). Frame size 28.3 inches x 18.7 inches ( 72cm x 47.5cm ). Available for sale; this academic life drawing of a male nude is by the French artist Henry Arthur Roberts and dates from the early 1840s. The drawing is presented and supplied in a modest hand painted glazed wooden frame dating from the mid-20th century (which is shown in these photographs). This antique drawing is in good condition, commensurate with its age. It is in an untouched condition having never been restored. The paper has handling marks, some light surface dirt, the odd foxing mark and general age toning. The overall patina adds to the aesthetic and is supplied ready to hang and display. The drawing is not signed but came from a portfolio of drawings by Henry Arthur Roberts. Henry Arthur Roberts was a recognised French artist, notable for his portraits and paintings of religious subjects. Born in Paris in 1819, he was the son of British watercolour artist James Roberts, himself active in Paris from 1819 -1846. Henry became a student of his father. Henry Roberts’s talent as a young man was such that he was accepted as a student of Michel Martin Drölling and worked extensively with him. Drölling, the highly acclaimed neoclassic artist (1786-1851) was noted for his theatrical paintings of history and grand portraits. He produced many notable works, including a ceiling work for the Louvre, and works in the Palace of Versailles. Roberts would have studied with Drölling at an early stage in his career, as Drölling died when Roberts was 32. Learning with such a master would have had a huge impact on Roberts in terms of his academic skills and his own emerging style. Roberts exhibited at the Salon de Paris from 1839, when he was only 20 years old, right through to 1867. His work in the Universal Exhibition of 1855 won him a Third Class Medal. He became Vice-President of the Association of Artists in Paris and in July 1898 he was elevated to the rank of Knight of the Legion of Honour with a foreign title. This was the highest state honour available to him, in recognition of his status as an artist. Henry Roberts died in 1900, but his legacy lives on, with works in many famous public collections, including the Musée Carnavalet, the Musée du Louvre, the Musée d’Orsay, Musée des Beaux-Arts, Orsay, and in Boston, USA. © Big Sky Fine Art This striking academic nude study...

Henri Vincent-Anglade. French ( b.1876 - d.1956 ). La Muse, 1937. Oil On Canvas. Signed & Dated 1937 Upper Right. Image size 31.3 inches x 20.7 inches ( 79.5cm x 52.5cm ). Frame size...

André Charles Voillemot. French ( b.1822 - d.1893 ). Allegory Of Summer. Oil On Canvas. Signed Lower Left. Dedication Lower Left To Victorien Sardou (1831 – 1908). Image size 18.1 in...

Charles Zacharie Landelle. French ( b.1821 - d.1908 ). “Je Te Demande Une Caresse Et Tu Me Chatouilles”. (“I Ask You For A Caress And You Only Tickle Me”). Oil On Panel. Signed Lower...

Edouard Julien. French ( b.1883 - d.1966 ). Self Portrait, 1932. Oil On Panel. Image size 17.7 inches x 14.6 inches ( 45cm x 37cm ). Frame size 20.9 inches x 17.7 inches ( 53cm x 45cm ). Edouard Julien was an accomplished French painter and lithographer, and long-term curator of the Toulouse-Lautrec Museum in Albi. As a scholar of Toulouse-Lautrec he became an art writer who was sought after by publishers all over the world. Julien was born in Albi, in the Occitanie region of France in 1883. He had an uncle who was a painter and his parents ran a printing house which specialised in art editions and the printing of lithographs. This would have given the young Edouard a taste for art and a sound understanding of artistic techniques. At 17 he entered the Ecole des Beaux-Arts in Toulouse and studied there throughout 1900 and 1901. He then returned to Albi and took care of the family business, although he also pursued his love of art by working as an artist. By 1903 he was at the Academy in Albi, founded by Bernard-Joseph Artigue, where he became friends with the artist Henri Gourc. In 1928 Julien left Albi again for Paris where he enrolled in the Julian Academy, but he was quickly told that he was an artist, not a student and that they had nothing to teach him about the technique of painting. He therefore rented a studio and worked hard, making friends and exhibiting his works with success. As an artist Julien loved working in the open air, and his works showed extreme sensitivity. He travelled widely within France to work, and particularly loved the Basque Country, where he met his wife. He also travelled to paint the magical landscapes of Spain, Flanders and North Africa. At some point Julien returned to Albi, which was also the birthplace of another now more famous French artist whom he admired, namely Henri de Toulouse-Lautrec. This artist was to feature most prominently in the professional life of Edouard Julien. In 1922 the Toulouse-Lautrec Museum was inaugurated in the prestigious setting of the Palais de la Berbie in Albi. This 13th century building was originally the Bishop’s Palace of Albi Cathedral, next to which it stands. It is dedicated mainly to the work of Henri de Toulouse-Lautrec and, thanks to a bequest from his parents, houses the largest public collection in the world devoted to this artist. Many visitors do not appreciate that this collection owes much of its success to the devotion of Edouard Julien. In 1934 Charles...

William Edward Webb. English ( b.1862 - d.1903 ). Peel Harbor, Isle Of Man. Oil On Canvas. Signed Lower Left. Image size 21.5 inches x 37.4 inches ( 54.5cm x 95cm ). Frame size 33.5 ...

François Désiré Antoine Gailliard. Belgian ( b.1861 – d.1932 ). Le Petit Jardinier, 1887. Oil On Canvas. Signed & Dated Lower Right. Image size 36.6 inches x 28.5 inches ( 93cm x 72.5cm ). Frame size 41.7 inches x 33.5 inches ( 106cm x 85cm ). Available for sale; this original oil painting is by the Belgian luminist artist François Gailliard and is dated 1887. The canvas and the painted surface have benefitted from cleaning, restoration and conservation, which was performed on our instruction, supervision and approval. The painting is presented and supplied in its original frame. The frame has been restored and reinforced with supporting brackets along with new replacement hanging fittings. This antique painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower right. The renowned Belgian luminist painter, François Désiré Antoine Gailliard (also known as Frans or Franz Gailliard) was born in November 1861, in Brussels, Belgium. He was the son of Désiré Gailliard, a baker, and Anne Hubert. He grew up during a period when the country’s artistic landscape was flourishing. Raised in an atmosphere that encouraged artistic expression, Gailliard showed an early talent for drawing and painting. He pursued formal training at the Académie Royale des Beaux-Arts in Brussels, one of Belgium’s most prestigious art institutions. There, he studied under influential artists and developed the foundational skills that would shape his career. Gailliard initially joined the studio of Jean-François Portaels, then went on to study with Jules Hoeterickx, François Bossuet, and James Ensor. He also worked alongside Fernand Khnopt and became friends with James Abbott McNeill Whistler, the American artist, who he met in 1887 during stays in Berlin and Paris. He became part of the artistic and intellectual circles of Belgium, and other close friends included artists such as Alfred Stevens, Jean-Louis Forain and Félicien Rops. Finally, he joined the studio of Jean-Léon Gérôme in Paris. The academic environment in Brussels exposed Gailliard to various artistic traditions, but his work reflected an interest in pushing beyond academic conventions. Gailliard was particularly drawn to the evolving styles of the time, especially Realism and early explorations of Impressionism and Luminism, which would later define his signature style. Gailliard’s early work showed influences from the Barbizon School and other European Realists, focusing on meticulous, lifelike representations of nature, figures, and everyday scenes. Like many artists of his generation, he was deeply impacted by the works of French artists such as Jean-François Millet and Camille Corot, who emphasized the beauty in the ordinary and the rural. This focus on realism, combined with a sensitivity to light and atmosphere, became a defining feature of Gailliard’s work. However, Gailliard also admired Impressionism and its experimental use of colour and light. By the late 19th century, the work of French Impressionists like Claude Monet and Pierre-Auguste Renoir had gained international attention, and Belgian artists, including Gailliard, were beginning to incorporate these new approaches into their own work. His art became a fusion of detailed realism and a growing interest in capturing fleeting moments, light, and atmosphere—characteristics that placed him in alignment with Belgium’s Luminism movement. Gailliard’s paintings from this period are characterized by their use of light and their focus on everyday scenes, especially those connected to nature and the rural life of Belgium. While he was not a strict follower of Impressionist techniques, his work often employed similar methods, particularly the soft, diffused use of colour to create atmosphere. “Le Petit Jardinier” (1887), is one of his most notable works and exemplifies his ability to render both figures and nature with careful attention to light. Gailliard’s paintings were usually large canvases presenting genre scenes, portraits, nudes and landscapes. His works often highlighted the beauty in the ordinary and displayed a sense of quiet dignity and respect for his subjects. He also produced news cartoons, presented in French, Belgian and English weekly newspapers such as Le patriote illustré, Le petit bleu, and the London Illustrated News. Gailliard’s work was regularly exhibited both in Belgium and abroad. He presented his first painting at the 1881 Brussels Salon, then from 1882 to 1891 exhibited at the Salon des Artistes Français de Paris. He also exhibited in Berlin, and participated in major exhibitions, including those organized by influential art societies in Belgium such as Les XX and La Libre Esthétique, both known for promoting avant-garde art. Although Gailliard was not a founding member of these groups, his participation in their exhibitions placed him alongside other significant artists of his time, and he gained a reputation for his refined style and technical mastery. In 1897 he painted a portrait of King Chulalongkorn of Siam during his official visit to Belgium. Gailliard married Julie Constantine Maus in Brussels in 1898. They had a son, Jean-Jacques Gailliard, who also became an artist, designer and engraver. As Gailliard matured as an artist, his style remained rooted in realism and Luminism, though he also incorporated elements of Symbolism and Romanticism. His later works showed a deepening appreciation for mood and emotion, with a focus on portraits, landscapes, and scenes that often carried a sense of introspection. His paintings evoke a sense of calm and reflection, with light used not just to illuminate but to convey a deeper emotional or symbolic meaning. Gailliard went on to become the director of the Academy of Fine Arts of Saint Gilles, where, through the later efforts of his son, his reputation lives on. François Gailliard died in 1932 in Saint-Gilles, Brussels, where a street was named after him. He left behind a body of work that, while perhaps overshadowed by more radical movements of the time, remained respected for its craftsmanship and its commitment to realism and light. In the decades following his death, his work has been rediscovered and appreciated for its role in bridging the gap between Realism and the evolving movements of Impressionism and Luminism in Belgium. In 1957 he was given a retrospective tribute exhibition in the City Hall of Saint Gilles, organised by the Group d’Art Saint Gillois. Today, Gailliard’s paintings are celebrated for their quiet elegance, their masterful treatment of light, and their sensitive portrayal of everyday life. His work continues to be exhibited in Belgian art institutions, and he is regarded as one of the key figures of late 19th and early 20th century Belgian art. © Big Sky Fine Art “Le Petit Jardinier” (1887) by François Gailliard (also known as Franz or Frans Gailliard) is a captivating and significant oil on canvas painting, signed and dated by the artist in the lower right corner. In this evocative piece, a young boy, dressed in a blue apron over a striped shirt, stands confidently against a textured background of warm, earthy tones. His gaze is calm and proud. He holds a red geranium plant in a terracotta plant pot...

Margaret Maitland Howard. English ( b.1898 - d.1983 ). Pan, God Of Nature, Playing Panpipes. Oil On Canvas. Signed Lower Left. Image size 22.6 inches x 18.1 inches ( 57.5cm x 46cm ). Frame size 26.8 inches x 22.2 inches ( 68cm x 56.5cm ). Available for sale; this original oil painting is by the English artist Margaret Maitland Howard and dates from the 1930s. The painting is presented and supplied in a sympathetic contemporary frame (which is shown in these photographs), mounted with new fixtures. The canvas has been lined and mounted on a newly constructed custom made stretcher. The painted surface has benefitted from cleaning and conservation, all of which was performed on our instruction, supervision and approval. This vintage painting is now in very good condition. It wants for nothing and is supplied ready to hang and display. The painting is signed lower left. Margaret Maitland Howard was an accomplished and versatile English artist whose works spanned the early to mid-20th century. Known for her evocative and often mythologically inspired oil paintings, Howard’s work reflects a deep engagement with classical themes and her knowledge of nature, and the human form. She was also proficient working in watercolours and pastels and an accomplished sculptor. Margaret, who was always known as “Marjorie” was born in Friern, Barnet, London on 31 July 1898, the daughter of artist and civil servant Henry James Howard. She grew up at Sutton, Surrey, where she spent most of her life. She spent many years living and working from St. Katherine’s, Malgrave Road, Sutton, Surrey. She was educated privately, at the Byam Shaw and then attended the Vicat Cole School of Art, completing her studies at the Royal Academy Schools, where she won five silver medals and other awards. She was also the recipient of a British Institute scholarship and extension and won the 1926 prize for her portrait work at the National Welsh Eisteddfod in Swansea. She exhibited paintings at the Royal Academy, showing at least ten works of classical and biblical themes at Summer Exhibitions between 1923 and 1935. She was one of the early group of women who painted nudes, a practice which was considered somewhat risqué and vulgar in the early twentieth century. She also exhibited at other leading galleries and in the provinces and consistently pursued her art despite the challenges posed by the societal norms of the time. Howard had a significant professional career for a woman of her generation. Just after World War II she was appointed draughtsman to the Institute of Archaeology at London University where she worked from 1948 to 1960. This is now part of University College, London. Here, she worked as an illustrator and sculptor, creating models for Professor Frederick Zeuner to use in his lectures. She also illustrated one of his important books (Zeuner, F.E. Dating the Past, London: Methuen). She also created the bust of Gordon Childe, now in the Institute’s Library. After her retirement from the Institute of Archaeology she collaborated with Ian Wolfran Cornwall on his series of books about the prehistoric world. In 1956, whilst working for the British Institute for the Study of Iraq, she moved to Balawat and supervised the archaeological work at the site of an ancient Assyrian city in northern Mesopotamia. She subsequently prepared drawings of the Balawat Gates, which was significant and technical work. In addition to illustrating various books on ancient history and anthropology, Howard was also known as an illustrator of fictional books, producing an illustrated edition of the Fables of Aesop that was published by John Lane at The Bodley Head in 1926. She also illustrated Elizabeth Ward...

Rowland Hilder. British ( b.1905 - d.1993 ). The First Of Winter’s Snowfall On A Kentish Farm. Watercolor On Paper. Signed Lower Right. Image size 14.8 inches x 21.3 inches ( 37.5c...

John Bedloe Goddard. English ( b.1838 – d.1896 ). Kimmeridge Bay & The Clavell Tower, The Purbecks, Dorset, 1876. Watercolor On Paper. Signed & Dated Lower Right. Image size 12.4 inc...

Gaston Cornil. French ( b.1883 - d.1940 ). Récupérant Du Carburant Pour L’Hiver (Gathering Winter Fuel). Watercolor & Gouache On Buff Paper. Signed Lower Left. Image size 12.4 inches...

Raimond Louis Lecourt French ( b.1882 - d.1946 ). Chevaux À L'Abreuvoir, 1908. (Horses At The Trough). Oil On Canvas. Signed & Dated 1908 Lower Left. Image size 14.2 inches x 17.3 in...

Torcello. Venice Lagoon. Signed Ivor Davies. Dated 1961. Oil On Board. Image size 16.9 inches x 21.3 inches ( 43cm x 54cm ). Frame size 21.3 inches x 25.6 inches ( 54cm x 65cm ). ...

John Rattenbury Skeaping. English ( b.1901 - d.1990 ). On The Gallops, 1976. Gouache & Watercolor. Signed & Dated Lower Right. Image size 18.5 inches x 26.8 inches ( 47cm x 68cm )....

David Shepherd. English ( b.1931 – d.2017 ). Giant Refreshed, 1953. BOAC Boeing 377 Stratocruiser, Canopus. Oil On Canvas. Signed & Dated 1953 Lower Right. Image size 19.7 inches x 2...

Arthur Spooner. English ( b.1873 - d.1962 ). Rural Derbyshire. Oil On Card. Signed Lower Left. Image size 6.7 inches x 9.1 inches ( 17cm x 23cm ). Frame size 10.2 inches x 12.6 inc...

Nancy Bailey. English ( b.1913 - d.2012 ). Low Tide On The Minnows, Cornwall, 1972. Oil On Canvas. Signed Lower Right. Image size 19.3 inches x 39.4 inches ( 49cm x 100cm ). Frame size 25.4 inches x 45.3 inches ( 64.5cm x 115cm ). Available for sale; this original impasto oil painting is by the Cornish artist Nancy Bailey and is dated 1972. The painting is presented and supplied in its original frame (which is shown in these photographs). The painted surface has benefitted from a light clean and a new preserving varnish coat has been applied. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right and on the reverse it is titled and signed again. Nancy Bailey was born in 1913 and started her working life at the age of 15. As a teenager she used her father’s camera to take photographs of West Country views, many of which were used to produce postcards, which sold throughout the country. This early talent demonstrated her knowledge and appreciation of light and composition that later enabled her to create the beautiful paintings for which she became internationally renowned. Her family moved frequently throughout the south west, before settling in Ireland where for thirteen years she produced high quality marquetry pictures, which sold all over the world. Nancy only started painting seriously when she returned to Cornwall in her fifties. Her painting career, though started somewhat late, continued over forty years. Nancy worked with a palette knife and never used a brush. This gives her work its distinctive texture and captures the landscape and light. Nancy became acclaimed as one of the leading palette knife artists in the UK. Although Nancy travelled widely, including a safari trip to South Africa with the acclaimed nature artist David Shepherd her best work is arguably of the coasts and rivers of the West Country, which she loved so much. Nancy died in 2012, since when demand for her original works has increased. © Big Sky Fine Art The Minnows Islands are a group of large rocks...

Denis Mitchell. English ( b.1912 - d.1993 ). Still Life Of Gourds With Japanese Celadon Vase And Dragon Decorated Plate, 1944. Oil On Tea Crate Plywood Panel. Signed & Dated Lower L...

James Tower. English ( b.1919 - d.1988 ). Still Life Of Flowers In A Jug And A Plate Of Fruit. Watercolor & Ink. Image size 15.4 inches x 13 inches ( 39cm x 33cm ). Frame size 22.2 ...

Helen Layfield Bradley. English ( b.1900 - d.1979 ). Sunshine & Shadows Across The Leven Estuary, Lake District, 1965. Oil On Board. Signed Lower Left. Image size 15.9 inches x 16....

Queen Victoria’s Daughter, HRH Princess Alice Maud Mary, Of The House of Hanover. The British Royal Family. British ( b.1843 - d.1878 ). Long Life And Happiness – June 11th 1860. Wat...

John Rattenbury Skeaping. English ( b.1901 - d.1980 ). Into The Final Furlong, 1965. Pastel On Buff Paper. Signed & Dated 1965. Image size 18.9 inches x 27.6 inches ( 48cm x 70cm )...

Eduard Braun. German ( b.1798 - d.1876 ). Academic Life Study Of A Male Nude Half Kneeling Pose. Pencil & Charcoal On Paper With Heightening. Paper size 2...

Eduard Braun. German ( b.1798 - d.1876 ). Academic Life Study Of A Male Nude Carrying A Staff. Pencil & Charcoal On Paper With Heightening. Annotation (presumably a dedication) Lower Left. Paper size 24 inches x 16.5 inches ( 61cm x 42cm ). Frame size 30.1 inches x 22.2 inches ( 76.5cm x 56.5cm ). Available for sale; this academic life drawing of a male nude is by the German artist Eduard Braun and dates from around 1826. The drawing is presented and supplied in an interesting configuration with a modern twist (which is shown in these photographs). The drawing has been float mounted between two sheets of Tru Vue Museum Glass® UV99 so that the wall or setting behind the hanging is visible and therefore provides the surround for the artwork. This antique drawing is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The drawing is not signed but came from a portfolio of drawings by Eduard Braun. This drawing has a later annotation and presumably a dedication in red ink in the bottom left hand corner. The annotation is the monogram HL within a heart. The configuration of the HL resembles the format used by the French artist Henri Laurens 1885 – 1954 where the downstroke of the L is merged with the second downstroke of the H. This stunning original pencil and charcoal drawing on paper is by a German artist called Eduard Braun. He was born in 1798 and died in 1876, but little else is known about him apart from the fact that he was active in the Paris art salons and rooms. This drawing is from a portfolio by this artist on a similar theme and is typical of the type of academic study undertaken by serious art students throughout the nineteenth century. One of the other drawings in this portfolio is annotated as being created in 1826 and there is every reason to think that this drawing is contemporaneous with that. The drawing is of a very high standard, capturing both strength and sensitivity, showcasing the artist’s ability to reproduce a lifelike image of a nude model. The subject of this drawing is a young man, possibly in his mid-twenties, with a toned and muscular body. He is standing with his weight on his right leg, which is slightly bent, and holding a wooden staff in his right hand. His left foot is raised slightly with the toes pointed, and his left hand is placed behind his back. Although he is facing fully towards the viewer, his gaze is to his left. He has pleasant, serene expression on his face. The background is bare, save for the shadow cast by the model. This original antique drawing...

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