BLEND INTERIORS Commodes and Chests of Drawers

Mid-century style burl dressers with four drawers each with polished brass turned knobs with a hand rubbed warm brown finish with subtle distressing and raised on square tapered legs...

An Italian NeoClassic mahogany bedside commode or nightstand, the rectangular crossbanded top above three graduated drawers, on splayed legs. Dimensions: 27" W x 30" H x 20" D.

Kaid nightstand is a functional and eye-catching furniture piece that is sure to add a modern and unique touch to your living space. The contrast be...

Clean Lined Art Deco Bookcase, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. Part of Rohde's modular East Indian Laurel Group. This piece is currently being ref...

Clean Lined Art Deco Cabinet, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. This piece is currently being refinished and will look wonderful when completed. Thi...

Italian 1920s elegant Art Deco Commode with pair of nightstands in burl walnut Two nightstands with commode by Gaetano Borsani , in burl walnut , with golden brass handle and foot. ...

Exquisite antique king wood with bronze mounts in Louis XV style. This Commode is in excellent original condition. Featuring beautiful brass or...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

Beautiful pair of Chippendale Bedside chest of drawers or Nightstands. Good vintage condition measuring 24" in width, 16" in depth and 24.25" in he...

Modern leather nightstand with two drawers, a shagreen embossed light overcast finish leather and polished nickel finish hardware and an open cube ba...

A small, upright chest of drawers, circa 1950, Art Deco style. The drawer fronts and sides are covered in burl wood veneer, framed by a solid wood edge. The metal handles have a simp...

Set of 3 ( Chest of drawers & two nightstands) Art Deco in walnut and burl walnut . Shaped top, four wide two-handed drawers each, front wings with baroque reclining curl end. Couple nightstands in walnut and walnut maple, elegant line of baroque recall. Shaped top, with a pointed handle, large inner compartment in mahogany folder. Wavy front feet. Restored and wax polished Dresser measures cm: H 97, W 127, D 55 Bedside tables measures cm: H 60, W 45, D 35. About Gino Maggioni Gaetano Borsani, owned his own furniture shop, the Atelier di Varedo, where the 16-year-old Osvaldo received his first training. At that time, the designer of the atelier was the architect Gino Maggioni, who brought with him influences of the early 20th century Jugendstil movement from Vienna and who instilled in the young Borsani an appreciation for the arts and crafts and furniture making. Luigi Maggioni, known as Gino (San Giorgio su Legnano, 5 May 1898 – Diano Marina, 14 December 1955), was an Italian architect, known for having made an important contribution to the development of the interior architecture and furnishing sector. Gino Maggioni's work has been offered at auction multiple times, with important realized prices We can sell the Dresser and bedside tables...