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Series 41, Two Colour Twist, Yellow
Violet, Three Colour Twist, Red, Green
B
By Bridget Riley
Located in London, GB
1979
Gouache on paper
96.5 x 62.2 cm
38 x 24.5 inches
Bridget Riley is one of the most influential figures in postwar British art, celebrated for her rigorous explorations of percep...
Category
1970s Abstract Abstract Paintings
Materials
Paper, Gouache
Untitled
By Bridget Riley
Located in London, GB
1969
Gouache and pencil on paper
38 x 66 cm
15 x 26 inches
Bridget Riley is one of the most influential figures in postwar British art, celebrated for her rigorous explorations of p...
Category
1960s Abstract Abstract Paintings
Materials
Paper, Gouache, Pencil
$286,642
Four Colours, Sequence Part Structured, Part Free
By Bridget Riley
Located in London, GB
1980
Gouache on paper
50 x 49.5cm
19.7 x 19.5 inches
Bridget Riley is one of the most influential figures in postwar British art, celebrated for her rigorous explorations of percept...
Category
1980s Abstract Abstract Paintings
Materials
Paper, Gouache
Sequence Study, Turquoise, Ochre, Magenta, 1973
By Bridget Riley
Located in London, GB
1973
Gouache on paper
30.5 x 191 cm
12 x 75 inches
Bridget Riley is one of the most influential figures in postwar British art, celebrated for her rigorous explorations of perceptio...
Category
1970s Abstract Abstract Paintings
Materials
Paper, Gouache
Short Sequence. Study for Painting
By Bridget Riley
Located in London, GB
1983
Gouache and pencil on graph paper
24.7 x 26 cm
9 3/4 x 10 1/4 in
Bridget Riley is one of the most influential figures in postwar British art, celebrated for her rigorous explor...
Category
1980s Abstract Abstract Paintings
Materials
Paper, Gouache, Pencil
Colour Sharpened and Clarified
By Bridget Riley
Located in London, GB
Pencil and gouache on graph paper
27.9 x 25.4 cm
11 x 10 inches
Hand-signed by the artist
Bridget Riley is one of the most influential figures in postwar British art, celebrated for...
Category
1980s Abstract Abstract Paintings
Materials
Paper, Gouache, Pencil
Egyptian Stripes [Revision of April 7th]
By Bridget Riley
Located in London, GB
1984
Pencil and gouache on graph paper
70.3 x 60.3 cm
27.6 x 23.8 inches
Hand-signed by the artist
Bridget Riley is one of the most influential figures in postwar British art, celeb...
Category
1980s Abstract Abstract Paintings
Materials
Paper, Gouache, Pencil
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Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. A central checkerboard formation floats over a ground of pastel color or washes of grey or cream. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. The artist recently retired from her decades career teaching at Marist College and is now devoted full time to her art making.
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My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure.
Artist CV:
EDUCATION
Master of Fine Arts in Painting
Bard College 1986
Bachelor of Science in Art History
State University College at New Paltz 1977
Additional Study: New York Studio School (Drawing Marathons)
Columbia University, School of Architecture
Women’s Studio Workshop
TEACHING
Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY
Coordinator, Interior Design Program, Florence, Italy campus
1992-present
AWARDS
NYFA Fellowship in Painting 2018
Invitational Award for Outstanding Contemporary Talent,
University of Bridgeport, CT 2000
Purchase Prize, “11th National Juried Exhibition”
College of Notre Dame of Maryland, Baltimore 1999
First Prize, “Women in the Visual Arts ‘95”
Erector Square Gallery, New Haven, CT 1995
Joseph A. Cain Memorial Purchase Award for Sculpture
Del Mar College, Corpus Christi, TX 1994
Honorable Mention, “National Juried Exhibition”
University of Bridgeport, CT 1993
Individual Artists Fellowship in Sculpture
Dutchess Arts Fund 1992/93
Tallix, Morris, Singer Internship in Sculpture
Tallix Foundry, Beacon, NY 1990/91
MEMBERSHIP Royal British Society of Sculptors
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2020
“edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY
2019
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“Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY
“Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY
2016
“Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD
“Under, Over, After Over”, Vassar College, Poughkeepsie, NY
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“Fresher Paint”, Rockland Center for the Arts, Nyack, NY
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Albright College, Reading, PA
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