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Bradbury Art Antiques Interior Paintings

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Playing Guitar by the Fire
By Sam Uhrdin
Located in Wiscasett, ME
This oil on canvas is signed and dated in the lower right and measures 32.5" x 37" including the frame. The scene depicts a young lady playing her guitar by the light of the fire. Th...
Category

1950s Victorian Figurative Paintings

Materials

Oil

The Painter and His Muse
By Benjamin Eugène Fichel
Located in Wiscasett, ME
Oil on panel signed in the lower right corner and presented in a period frame measuring 21" x 18.5". Provenance: Private Collection Bradbury Art and Antiques, Wiscasset, ME Benj...
Category

19th Century Baroque Figurative Paintings

Materials

Oil

The Chemist
Located in Wiscasett, ME
Oil on canvas, signed in the lower right. Measures 36" x 41" including the frame. Johann Georg Meyer Von Bremen (German 1813-1886) was a genre painter. He was the son of master baker Johann Georg Meyer. His mother was strictly religious. From 1833 he studied at the Düsseldorf Academy of Fine Arts , which was led since 1826 by Friedrich Wilhelm von Schadow, the son of the sculptor Johann Gottfried Schadow. In addition to Schadow, Karl Ferdinand Son was his teacher there. Meyer acquired the necessary craftsmanship skills to make a living from the sale of his paintings, but he was initially unable to do so. From 1841 to 1852 he maintained his own studio in Düsseldorf. On his travels to Brussels and Antwerp Meyer experienced the works of Peter Paul Rubens and Anthonis van Dyck. In 1851 he married the singer Julia Beer...
Category

19th Century Victorian Interior Paintings

Materials

Oil

Preparing the Meal
By Sam Uhrdin
Located in Wiscasett, ME
This oil on canvas is signed and date in the upper left and measures 38" x 45.25" including the frame. Sam Uhrdin (Swedish School, 1886-1964). Sam Uhrdi...
Category

1940s Impressionist Figurative Paintings

Materials

Oil

The Pool Players
By Vincent Campanella 1
Located in Wiscasett, ME
Oil on artist board signed and dated lower right featuring pool players playing a point match in the pool hall. Great WPA feel and texture impasto. Most likel...
Category

1940s Post-Impressionist Interior Paintings

Materials

Oil

Feeding the Baby
Located in Wiscasett, ME
Oil on canvas, signed upper left. Provenance: Sothebys Amsterdam, Private collection London, Private collection Palm Beach. His working period was from about 1894 to 1973, successively in Rotterdam, Heeze (Heeze-Leende), Hilversum and Laren. He was educated at the Craft School for decorative painters and received evening lessons at the Rotterdam Academy under the direction of A. van Maasdijk. He was a member of the Vereeniging Sint Lucas...
Category

Early 20th Century Dutch School Interior Paintings

Materials

Oil

Tea Time
By Frank Bramley
Located in Wiscasett, ME
Signed and dated 92 lower left. Oil on canvas. Frank Bramley British, 1857-1915 Frank Bramley is considered one of the most important artists of the Newlyn School, the group of artists who settled in Newlyn, Cornwall during the 1880s and 1890s, drawn by the light, lifestyle and the example of Alexander Stanhope Forbes, and were at the forefront of 'British Impressionism'. He was particularly ‘in the news’ when his painting of a woman reading in a garden made the astonishing price of $590,000 at Sotheby's New York in late May 1996. As the seminal catalogue of the famous Newlyn School exhibition states, Bramley's reputation has rested for some time on Hopeless Dawn, his major RA exhibition of 1888, and which in recent years has been hung almost constantly at the Tate Gallery. Bramley was born in Lincolnshire and trained at Lincoln Art School, later at Verlat's Academy in Antwerp, from where he went to Venice in 1882-83, where our painting was executed. He first showed at the Royal Academy in London in 1884 (both paintings were Venetian scenes), and it was in the winter of 1884/5 that Bramley settled in Newlyn. He was a quiet and reserved figure, prone to bouts of melancholy. He worked on his own in a tiny studio in an old thatched cottage - the cottage consisted of two rooms, one at ground level (which was the studio) and one which was below ground which was inhabited by a woman who'd lost her arms and who managed to look after a set of tiny children as well as a small potato and turnip shop. Bramley moved to a purpose-built glass studio in 1889. He is known as the master of the so-called 'square-brush technique' which characterizes much of the best Newlyn School work and he used this until 1893, later than most of his colleagues. Bramley was friendly with the great artist Sargent and with him was elected an associate of the Royal Academy in 1894, being elected a full member in 1911. In 1891 he had married, and 4 years later they moved to the Midlands where his work became less socially orientated and more purely decorative. His last years were spent in a London flat...
Category

1890s Victorian Figurative Paintings

Materials

Oil

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