Brenda Taylor Gallery Photography

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 15. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Every year, the gallery owner curates the show to best exemplify the 56 exhibited artists’ strengths and aesthetics, remaining cohesively linked by Robin’s extensive knowledge of her artists and of photography. “This is my favorite exhibit, even though it takes months to curate and a week to install,” says Robin. “It is my curatorial showcase.” From floor to ceiling, the walls of the gallery rooms are a mosaic of nearly a hundred photographs, their various sizes, color schemes and subject matter expertly laid out to fit together like the pieces of an eclectic puzzle. This year’s invitational image, “Beach Samba” by Patricia Heal, is a portrait of a woman in a large, orange-red sunhat, whose downward gaze obscures her face entirely. Blurring the line between photography and painting, the color palette and uniquely large grain pattern of the photograph is reminiscent of Georges Seurat’s pointillism...

A bloomy view - Polaroid Photographic Print Framed by Pia Clodi The blue tones within her work should not be interpreted as coldness, as her works are full of fleeting moments withi...

Part of the BLOOMY VIEW series taken in Bern 2020 in collaboration with Heym Collections, the images gained new life in their ambiguity, which often stimulates the viewer to project ...

Mathew - Signed limited edition archival pigment print - Edition of 10 Will be part of Ian Sanderson's future Brighton 1980s retrospective exhibition This image was captured on f...

Lilies - 21st Century Photographic Floral Print, PolaroidOriginal, Shadow Gapped Frame - Photographic Print on Aluminium Dibond - Edition 10 + 1, with Certificate Lilies is a beauti...

Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Christopher Anderson...

Part of the BLOOMY VIEW series taken in Bern 2020 in collaboration with Heym Collections, the images gained new life in their ambiguity, which often stimulates the viewer to project ...

This powerful underwater nude photograph captures dramatic movement beneath the surface, where flowing crimson fabric creates striking contrast against the deep black void. The compo...

Dry Tulips - 21st Century Photographic Floral Print, PolaroidOriginal, Shadow Gapped Frame - Photographic Print on Aluminium Dibond - Edition 10 + 1, with Certificate Dry Tulips is ...

Hand-coloured portrait of a human larvae bursting out of their cocoon, immobilised in marble. Representative of a safe and isolating space, the cocoon is both a cage and a shelter. This tale is a​ study of transformation, of breaking apart and coming back together as the larvae emerges from the silken threads. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...