Butchoff Antiques Floor Lamps

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A beautifully cast matching pair of patinated bronze figural torcheres in the manner of Clodion modeled as classically draped young girls with garlands of flowers in their hair and h...

Pair of neoclassical hand carved and polished rock crystal and ormolu columnar lamps with round rock crystal finial. The quality of rock crystal used on th...

Forged from solid iron and still showing traces of its original painted finish that has achieved a Fine patina, this 19th century floor lamp was originally designed for a candle, and...

A pair of smoked glass and brass art deco style floor lamps, torcheres, dating from the 1980s.  

These Palace size French 19-light torchieres are electrified and have new wiring; this exceptional pair is a rare find with the original gilding in beautiful condition. They are pho...

A Large and Impressive Italian 19th Century Patinated Bronze Figural Torchere, after a model by Niccolò Roccatagliata (Genoa 1593 - Venice 1636). The triangular foot base with projecting putti supporting the stem and oval reserves within cartouche motifs, one containing the initials "S.D" with an olive tree in-between and a bull-head below. The stem knot with figures of winged caryatids and festoons and upper part with cherub heads, acanthus leaves and egg and bead patterns and topped with a later white glass globe. The decorative system refers to the documented artistic production of the Venetian workshop of Niccolò Roccatagliata and takes inspirational model from the base of the Renaissance bronze of the Scuola Grande di San Teodoro in Venice, a work signed by Andrea del Bartolomeo di Alessandri known as Brescianino. Electrified. Circa: Venice, 1850-1880. RELATED LITERATURE L. Planiscig, Venezianische Bildhauer der Renaissance, Vienna, 1921, figs. 661-664; C. Avery, 'Andrea del Bartolomeo di Alessandri detto il Bresciano" lavator di gettar di Bronzo": candelabri, satiri e battenti', M. Ceriana and V. Avery (eds.), L'Industria artistica del Bronzo del Rinascimento a venezia e nell'Italia settentrionale, Venice, 2008, pp. 233-252. Similar models of this torchere were part of the interior decor collection at the Vanderbilt Mansion in New York (see black and white photo). The Cornelius Vanderbilt II House was a large mansion built in 1883 at 1 West 57th Street in Manhattan, New York City. It occupied the frontage along the west side of Fifth Avenue from West 57th Street up to West 58th Street at Grand Army...

A truly exquisite pair of 18th century Northern Italian torchère in painted and giltwood. The shades are pierced metal and polychromed. They are lined in a white silk.

This lovely pair of gilt-bronze sconces, have been cleaned rewired and are ready to use.

A very fine and Palatial French 19th century Louis XV Style gilt bronze, crystal and cut-glass Twenty-Four-light chandelier, probably by Baccarat. The central molded cut-glass stem s...

A very fine pair of French 19th-20th century neoclassical style patinated cast iron figural torchères by A. Durenne, Paris, each representing a figure of a standing young maiden, her arms raised forward while holding a a flaming urn gas light (Now electrified) with a frosted glass flame, each raised on a veined grey marble column stand, both cast-signed 'A. Durenne, Paris'. Antoine Durenne was an internationally renowned French art founder. He attended École Nationale Supérieure des Beaux-Arts in 1842. Durenne purchased a small foundry in Sommevoire, near the Val d'Osne, Haute-Marne, France and established The Durenne firm, circa Paris, 1900. Cast-iron had been in production during the 18th century but its inferior status to the more fashionable and delicate wrought iron had generally confined its use to architectural work. By the early 19th century, however, rapid developments of the Industrial Revolution combined with the simultaneous burgeoning of a new middle class provided the impetus for a dramatic Expansion in its application and in a short space of time a proliferation of iron foundries across Europe and America thrived on the production of everything from inkstands to railway stations. The use of cast-iron for garden ornament became particularly widespread at this time, as the possibilities for its mass-production at a fraction of the cost of bronze made it the material of choice for outdoor statuary...

A very fine and Palatial French 19th century Louis XV style figural gilt-bronze and crystal thirty-three light chandelier, attributed to Baccarat, after a model by Jacques Caffieri (French, 1678-1755) with twenty one Candelabra Arms, three gilt-bronze cherubs each holding a wreath and three sets of three-headed Winged Griffins, the central bronze ball in a deep-cobalt-blue enamel with fleur de lys decorations. The candle sleeves are opline glass. Circa: Paris, 1890. Jacques Caffieri (French, 1678-1755) not only produced chandeliers and furniture mounts for Louis XV but also entire gilt-bronze objects. The Cabinet de la Pendule adjoining Louis XV's bedroom at Versailles takes its name from the astronomical clock...