Classic Modern Design Chandeliers and Pendants

Large brass lotus pendant light by Feldman. Requires one E27 regular bulb and three small candelabra bulbs. Chain is 24" and adjustable.

This stunning Mid Century Modern chandelier was realized by the fabled 20th century designer, Gaetano Sciolari in Italy circa 1970. It offers a grouping of eight volumetric rectangul...

Awesome pair of 1970s vintage Italian Murano Lily Calla art glass shades gilt chandelier. Franco Luce Seguso chandelier with six hand blown Murano glass le...

Two Gaetano Sciolari Crystal Drops Chandeliers. Materials: Round lampshade made of chromed metal rods, tubes and parts in iron and brass. Black rectangular rods. Thin brass rods. Cr...

Gaetano Sciolari Italian Modernist Chrome Pendant Lamp, with sixteen light bulb fittings, two per arm. 25" H x 16" Diameter. Provenance: From a New York City Collection.

Elegant chandelier with six opaline glass lampshades supported by a gold-plated hardware by Franco Luce, Murano, Italy, 1970s. Diameter 25 inch - 64 cm. height fixture 19 inch - 48 ...

Rare design, three light pendants with layered brass shades. If you are looking for a striking and extraordinary light fixture to grace your midcentury living or work space then these, European works of lighting art could be ideal for you. Mind you, we have a set of four, but we have decided to offer them as singles as well. * NOTE, three have already been sold, and this is the very last one available. This very stylishly handcrafted fixture dates back to the 1960s and its design is truly remarkable. The shade itself is created from eight thick layers of brass and the design is very well balanced. Due to the different size of each layer, the light is able to radiate through in various directions, which creates a beautiful atmospheric effect. One that truly is a joy to look at. The design and the material used really make these lights works of art and pendant lights into one. These chandeliers are in good condition and the patina is simply wonderful. With these pendants having been rewired to the highest standard for safe and immediate usage in the USA, they are ready to be used and enjoyed in the land of the free...

Franco Luce 1970s chandelier in mint condition! Nine elegant sculptural blown Murano glass (clear on white) Calla Lilly leaves around a sparkling 24-karat gold plated brass armature....

This elegant Camer chandelier was handblown in Murano, Italy- the island off the coast of Venice renowned for centuries for its superlative glass production, circa 1960. It is compos...

Classic Tom Greene Lotus Brass Pendant for Feldman NY . Contain one E26 size socket rated at 60 watt max. In mint condition .

A beautiful Italian six-light clear / white striped Murano glass and gold - plated brass chandelier by Franco Luce for Seguso, circa 1970s. Socket: 6 x e27 or E26 (for US standards)....

Danish designer Svend Aage Holm Sørensen (1913-2004) is known for his self-produced lighting designs dating from the 1950s, ‘60s and ‘70s. Despite the desirability of his designs on the vintage market, there is a lack of biographical information on the designer and his eponymous manufacturing company. The Danish designer Svend Aage Holm-Sørensen (1913-2004) possessed an artist eye and a very good understanding of the potential of materials, and he understood how to innovate with these. To this day, Holm-Sørensen's style as a designer addresses not only the Nordic market, but also the international interest in the designer's distinctive and experimental expression. Sven Aage was known for being able to draw sketches on almost everything: envelopes, theater programs, even tram tickets he used to sketch his vision. It is speculated that Holm Sørensen designed lights for well-known Danish lighting manufacturers Fog & Mørup and Lyfa in the 1950s, before establishing his own lighting company, Holm Sørensen A/S to produce and distribute his own designs. Holm Sørensen’s style varies greatly, with designs from the 1950s truly reflecting the mid-century modern lighting style, with clear influences from the De Stijl and Bauhaus movements. His attenuated floor and table lamps contain the classic tri-pod base that was popular at the time, referencing such designs as H. Th. J. A. Busquet’s Pinocchio Lamp (1954). From the 1960s onwards, Holm Sørensen’s style changed utterly. His designs diverged from colorful, geometric table lamps and floor lamps, to pendants with raw finished brass and copper surfaces. These pendant lamps showcase Holm Sørensen’s interpretation of the Brutalist style, which was popular from the 1950s to the mid-70s. Originally coined by the Swedish architect Hans Asplund...