Classicartworks Stockholm AB Landscape Prints
to
3
Overall Width
to
Overall Height
to
2
1
1
3
2
1
1
1
1
1
1
1
1
1
2
1
1
1
2
3
“Skogskanten” (Winter Landscape with Spruce Trees)
Located in Stockholm, SE
Oskar Bergman (Stockholm 1879–1963 Saltsjöbaden)
“Skogskanten” (Winter Landscape with Spruce Trees)
signed "Oskar Bergman" in pencil
drypoint etching
image size: 19.5 x 29.5 cm (7 ...
Category
1910s Naturalistic Landscape Prints
Materials
Paper, Drypoint, Etching
A Bear, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
By Johan Wilhelm Palmstruch
Located in Stockholm, SE
Johan Wilhelm Palmstruch (1770-1811) Sweden
Title: A Bear
hand-coloured print
early 1800s
print dimensions approx 4.33 x 7.08 inches (11 x 18 cm)
frame 11.81 x 15.74 inches (30 ...
Category
Early 19th Century Naturalistic Animal Prints
Materials
Color
A Wolf, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
By Johan Wilhelm Palmstruch
Located in Stockholm, SE
Johan Wilhelm Palmstruch (1770-1811) Sweden
Title: A Wolf
hand-coloured print
early 1800s
print dimensions approx 4.33 x 7.08 inches (11 x 18 cm)
frame 11.81 x 15.74 inches (30 ...
Category
Early 19th Century Naturalistic Animal Prints
Materials
Etching
Related Items
Italian Boat at Sunrise
By Sidney Mackenzie Litten
Located in Middletown, NY
A nostalgic image of a bucolic farmyard and thatched cottage, hearkening to a bygone era.
Etching with drypoint on laid watercolor paper, 9 7/8 x 11 3/4 inches, (251 x 229 mm), full...
Category
Early 20th Century English School Landscape Prints
Materials
Handmade Paper, Etching, Drypoint
Cliveden spring, Bucks, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Cliveden Spring, Bucks'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of a...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving, Etching, Aquatint
New York Skyline
By Louis H. Ruyl
Located in Middletown, NY
Etching with drypoint on cream wove paper with deckle edges, 4 3/8 x 12 3/4 inches (233 x 323 mm); sheet 9 1/2 x 15 3/4 inches (240 x 338 mm), full margins. Signed and numbered 4/75 ...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Etching, Drypoint
Remains of Henry II
s Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving, Etching, Aquatint
Tugs on the Hudson
By Charles Frederick William Mielatz
Located in Middletown, NY
Drypoint etching with engraving printed in black ink on Japanese mulberry paper, 4 1/2 x 3 3/8 inches (113 x 84 mm), full margins. In superb condition. A beautiful New York City river...
Category
Early 20th Century American Modern Landscape Prints
Materials
Handmade Paper, Drypoint, Etching
View at Ifley, near Oxford, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'View at Ifley, near Oxford'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series ...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving, Etching, Aquatint
New Staines Bridge, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'New Staines Bridge'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aquat...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving, Etching, Aquatint
$75
H 5.91 in W 8.86 in
Harlan
s Buzzard Birds: An Original 19th C. Audubon Hand-colored Bird Lithograph
By John James Audubon
Located in Alamo, CA
This is an original 1st edition John James Audubon hand-colored lithograph entitled "Harlan's Buzzard", No. 2, Plate 8 from Audubon's "Birds of America, lithographed, printed and col...
Category
Late 19th Century Naturalistic Animal Prints
Materials
Lithograph
$220 Sale Price
20% Off
H 10.25 in W 6.38 in
Henley-bridge, Oxon, Thames, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Henley-bridge, Oxon'
Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...
Category
Late 18th Century Naturalistic Landscape Prints
Materials
Engraving, Etching, Aquatint
Great White Egret: An Original 19th C. Hand-colored Lithograph by Audubon
By John James Audubon
Located in Alamo, CA
This is an original hand-colored lithograph entitled "Great American White Egret", No. 74, Plate 370, by John James Audubon from his "Birds of America" publication. It was lithograph...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
$1,100 Sale Price
20% Off
H 6.63 in W 10.38 in
Mexican Marmot Squirrel: Original 19th Cent. Hand-colored Lithograph by Audubon
By John James Audubon
Located in Alamo, CA
This is an original John James Audubon hand-colored lithograph entitled "Mexican Marmot Squirrel, No. 22, Plate CIX", from John James Audubon's Quadrupeds of North America, published...
Category
Mid-19th Century Naturalistic Animal Prints
Materials
Lithograph
$100 Sale Price
55% Off
H 7 in W 10.38 in
Views of London: A Pair of Framed 19th Century Engravings by Havell and Allom
Located in Alamo, CA
This is a pair of framed hand-colored prints, both utilizing engraving and etching techniques, depicting two London architectural landmarks: "The National Gallery, Charing Cross" and "Covent Garden Market" from the Stationers' Almanac, published in London by J. Robins & Sons in the early 19th century. Both of these prints show vibrant London street scenes with markets, carriages, common people as well as the wealthy in the foreground of "Covent Garden Market" and wealthy well dressed people, carriages, a begger, street merchants, as well as uniformed military on horseback in the foreground of "The National Gallery". "The National Gallery, Charing Cross" was created by James Sands from a painting by Thomas Allom (1804-1872), published in 1836. "Covent Garden Market" was created by Frederick James Havell (1801–1840/41) after a painting by William Havell...
Category
Mid-19th Century Naturalistic Landscape Prints
Materials
Engraving, Etching
$1,160 Sale Price
20% Off
H 15.57 in W 23.07 in D 0.5 in




