Clune Antiques Studio Prints

Each print is mounted in a cherrywood parcel-gilt frame, with a glazed reverse depicting the corresponding text sheet. L'Andaloux, Le Cheval d'Espagne, Plate I; Le Barbe, Le Che...

Two French matted and framed 18th century black and white engravings inspired by Classical Antiquity. The first frame contains an engraving of a woman patting a unicorn, and a man an...

Two framed hand colored stipple engravings of parrots by Jacques Barraband published 1801-05. In beautifully matted and gilded frames. From Judy Cormier. One print with some foxing.

Superb pair of 18th century English engravings.

Pair of hand colored botanical engravings of flowers.

Set of four antique hand-colored engravings. "Britannia Illustrata," the publication in which these prints originally appeared, was one of the most important topographical works of t...

An antique English hand colored framed print titled "Billiards" Gentlemen playing billiard scene. Designed and etched by E.F. Lambert, published by Thomas Mc Lean, 1827,Haymarket, Lo...

Lofty pair of 18th Century French hand colored engravings of parrots in natural settings as discovered by noted naturalist George Louis Leclerc Comte de Buffon. Presented under glass...

The framed engraving of "Aurore and Cephalus" depicts the kidnapping of Prince Cephalus by Aurore, who has fallen madly in love with him. This work was created by Annibale Carracci ...

This framed engraving, made in the red chalk style, represents the apostle Matthew writing his Gospel under the dictation of the angel. The angel is Matthew's symbol, because his Gos...

Rare Antique Rhinoceros Engraving, Buffon Hand-Coloured Print Amsterdam 1769 Description: This striking 18th-century engraving of the Indian rhinoceros, titled Le Rhinoceros, comes from the Dutch edition of Buffon’s monumental natural history, published in Amsterdam by J.H. Schneider in 1769. Appearing as Plate VII in Tome XI, this is one of the most dramatic and desirable mammal plates in the entire series. The image was drawn by Jacques de Sève, the principal artist for Buffon’s Histoire Naturelle, and engraved by C.J. Fritsch, whose finely controlled linework captures the heavy folds, armour-like hide, and distinctive single horn of Rhinoceros unicornis with remarkable accuracy. Buffon’s description of the rhinoceros reflected the 18th century’s growing scientific curiosity about exotic species, and this plate reflects that fascination. The animal is shown standing solidly on a grassy bank against a pale sky and rocky cliff, a composition that emphasises both its mass and its rarity. De Sève’s rendering combines scientific observation with something of the romance and wonder that natural history imagery held for Enlightenment audiences. The armour-plated skin is depicted in sculptural relief through subtle cross-hatching, while carefully applied hand colouring enhances the deep greys, browns, and dusty pinks of the hide and landscape. As with all Schneider-edition plates, the colouring is richer, more transparent, and more refined than in many other continental versions of Buffon. This engraving is an excellent example of 18th-century copperplate technique. The plate mark is clearly visible, the impression strong, and the proportions generous, with wide margins characteristic of the Amsterdam edition. The sheet forms a beautiful standalone artwork but also pairs exceptionally well with other large-format Buffon subjects such as the elephant, camel, or buffalo plates...

This pair of engravings is made in the sanguine style, using red chalk. They represent the preparatory work for the Atlanteans of the Farnese Gallery in Rome, according to Carracci. ...