CONVERSO Desks

An Action Office desk designed by Robert Propst for Herman Miller in 1968. This mid century modern classic is wall mounted (mounting brackets included) ...

Clean Lined Art Deco Bookcase, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. Part of Rohde's modular East Indian Laurel Group. This piece is currently being ref...

54" Vintage single pedestal desk by George Nelson for Herman Miller. This distinctive desk has two drawers, one of which is a filing drawer along with stainless steel legs. A great d...

Italian desk from the 1960s, restored and shellac polished. Note the brass handles and feet, the green glass top with original period adhesive paper underneath and the black painted ...

This is a Herman Miller Action Office II Series roll-top desk, designed by George Nelson in 1965. This example dates to 1975 and is dated as such. The piece features a rich walnut-ve...

The name Gio Ponti needs little introduction to the design-loving public. This architect, designer and visionary stood at the cradle of modern Italian design. His countless projects ...

George Nelson for Herman Miller Mid Century Walnut and Cane Executive Desk This desk measures: 83.75 wide x 35.75 deep x 29.75 high, with a chair clearance of 28.5 inches Fair Vint...

A striking Mid-Century Modern executive desk designed by Arne Vodder for Sibast, Denmark, circa 1960s. Crafted in richly grained rosewood, this substantial piece exemplifies Vodder’s...

George Nelson for Herman Miller Mid Century Walnut Desk with Return This desk measures: 80.75 wide x 18.5 deep x 44.25 high The return measures: 59 wide x 29.5 deep x 29 inches high...

Mid-Century Modern desk, wood, Italy, 1960s.

George Nelson for Herman Miller Mid Century Drop Side Desk This desk measures: 40 wide x 24 deep x 28.75 inches high, with a chair clearance of 27.75 i...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...