COOCOOU27 Asian Art and Furniture

A PAIR OF CHINESE SILK EMBROIDERED PANELS 19th Century, Qing Dynasty Each worked to depict a pair of cranes perched atop a leafy branch ...

An antique Korean wood Bandaji circa 19th century from the late Joseon Dynasty. Rarely available, this Bandaji was from Gangwon Do, a historical mountainous province on the east side...

A sublime and rare pair of Chinese white glazed porcelain figures of Guanyin, attributed to Tang Ying (1682 - 1756), Qing Dynasty, Qianlong Period, China. This ethereal pair of white glazed porcelain figures depict the revered Buddhist Goddess of Mercy, Guanyin. Guanyin is portrayed standing, wearing heavy robes that drape beautifully around her figure. Bare feet peek out from under the hem of the robes. Her hair piled in a high chignon and covered by a cowl. The treatment of the hair, finely textured, unglazed, and with remnants of darker pigment, is typical of works by Tang Yin (1682 - 1756), who was the head of the imperial porcelain works at Jingdezhen. Guanyin's beatific face is set in a serene smile, with a small, flat nose, and downcast, heavily lidded, almond shaped eyes. A simple beaded necklace graces her chest. Her hands held out, and may have once held attributes. The hands were originally removable, but have since been permanently attached. The figures crafted of a fine porcelain and glazed all over in a supple white glaze. One figure bears a label from the Rafi Mottahedeh collection to the back. Provenance: Chinese Porcelain Company...

A fine pair of Monumental antique Chinese late Qing dynasty period Famille Rose Porcelain vases. The vases of baluster form with applied handles modeled as dragons, each vase is very finely a hand-painted with polychrome scenes of immortal figures in a garden setting. Each vase having a red Qianlong six character mark to the base. Excellent condition, no damage or retoration. This monumental pair of antique...

A sublime Chinese celadon glazed shallow dish or charger, Qing Dynasty, mid 18th century, China. Beautifully glazed, with a carved decoration of a group of lotus, leaves, stalks and blossoms. The interior wall with radiating S-shaped lines, a motif that is repeated on the wide rim of the dish. The back undecorated. Glazed all-over with an even bright celadon glaze, with some attractive areas of crackle. Ex. Butterfield's, San Francisco. Plate stand for display...

A large Japanese silk embroidery tapestry circa 18th century Edo period. Possibly an altar tablecloth originally, the embroidered textile pane...

A large and magnificent Chinese famille verte enameled porcelain large dish or charger, Qing Dynasty, Kangxi Period (1662 - 1722), circa 1700, China. The shallow, shaped dish of fo...

Antique Korean Bandaji chest or trunk featuring Zelkova elm frame with brass accents. The Korean name bandaji (literally meaning "half clo...

The globular body finely decorated with hand applied enamels depicting nobles taking tea surrounded by attendants and small children. The slender neck rising to a bulbous mouth (seemingly ground), the underside of the base showing small firing cracks and blue under-glaze double ring Kangxi marks...

An antique Korean wood Bandaji circa 19th century from the late Joseon Dynasty. Rarely available, this Bandaji was from Pakchon area in Pyongan Do (in nowadays North Korea). Known as...

A Japanese Fukusa Panel with tassels displayed in a gilt frame circa Meiji Period. Fukusa is a traditional Japanese textile art used as a...

A striking Bandaji from Nothern part of the Korean peninsula circa 19th century of late Joseon Dynasty. Bandaji is known as drop front half-opening chest that was used in traditional...