Cristiano Adelfio Paintings

A late 19th century framed oil painting on canvas depicting ‘The Bath of Psyche’ after Sir Frederick Leighton. Marked ‘1892’, this antique oil painting by an unknown artist is a scal...

Workshop of Jan Frans van Bloemen (Antwerp, 1622 - Rome, 1749) Lazio landscape Oil on canvas, 48.5 x 64.5 cm The painting, to be considered belonging to the vast production...

Nude portrait oil on canvas by Hungarian/American artist Pal Fried. Excellent overall condition in period frame with a light vertical scratch line running along the lower middle as s...

Mid Century Modern Contemporary painting in the style of Mark Rothko, oil on canvas, signed but illegible.

Oil on canvas painting depicting a seated nude woman with red hair. Areas of unfinished canvas; signed by Savignol. Please see images for condition details.

A nice nude on a thick stretcher that is signed F Mautner lower right corner and on the back. Nice composition. There are some surface scratches particularly lower left which are pic...

Oil on canvas depicting a nude in a forest setting. Dedicated lower left. Unframed. Signed lower right. Dimensions: 16" x 20" x 7/8" Condition: Please see detail photos. The paint...

1966 Sonia Chusit Abstract Nude Oil Painting on Canvas Offered for sale is a 1966 abstract oil painting on canvas by the American artist Sonia Chusit (1926-2023) . The work depict...

A stunning vintage Boho original oil painting on canvas. A chic nude Figural composition in deep rich colors. Acquired from a Miami estate.

Oil on canvas nude woman painting by Canadian/French impressionist artist, illustrator Gabriel de Beney, circa 1970s. In a vintage antique ornate gold frame. Actual painting size is 22.75 inches high by 19.75 inches wide by 1 inch deep. Gabriel De Beney studied in France, where he was part of the Parisian art scene. In 1956, he returned to his native Québec, Canada, where he began a collaboration with the Catholic publishing house Fides. He contributed to the publisher's bi-weekly magazine Hérauts starting 1955. He illustrated adventure stories like 'La Sonate de l'Aveugle', 'La Légende de Cadieux' and 'Les Trois Pommes...

Roman school, late 16th-early 17th century Praying Madonna Oil on canvas, 81 x 69 cm Frame 83 x 95.5 cm A divine whiteness reverberates with vibrant luster on the maphorion of the present Virgin. The palpable iridescence that structures the thin rosaceous garment, woven with the same fresh light, produces a slight rustle when she takes her hands off. The Madonna in fact takes a prayerful pose, opening her palms to underline her fervent ecstatic intention; the white neck is rendered with perishable fullness of pigments, like the hands, perfectly alive, and the very shiny eyes. With fine shrewdness the artist of the present styles the Virgin's hair with thin white ribbons, exacerbating the purity. An evocative light falls gently on the bust, a materialized sign of divine glory. The present can be traced back to the late Mannerist climate that prevailed in the capital after the emanation of the Tridentine council (1545-1563). The late Mannerist licenses that can still be seen there, such as the intense lyricism in the stylistic code adopted by the artist, are innervated in the new basic catechetical intent, which at the end of the century produced a certain figurative rigorism. The present, however, still responds to that extraordinary Roman dynamism that raised the capital to a bulwark for the entire mannerist lesson, matched only by a second artistic center, the Florentine one. The engaging carriage of the Virgin reflects the contemporary examples of Giuseppe Valeriano (1542-1596), a Jesuit painter, returning in the Marriage of the Virgin of the Roman Church of Jesus, as well as in the Madonna of Sorrows in the Recanati Altarpiece, equal ardor. But it is in the Assumption of the Virgin painted in four hands with Scipione Pulzone...

Painting beautiful nude woman oil on canvas signed