Daphne Alazraki Drawings and Watercolor Paintings

Stamp Signed: Jongkind and dated: Sept 84 Inscribed: 30-142 in ink lower right Provenance: Private collection, Pennsylvania Jongkind was born in Lattrop, in the eastern part of The...

Pastel on paper 14 ½ x 20 inches (37 x 51 cm) Framed: 34 ¾ x 40 inches (88 x 102 cm) Signed lower right: H. Claude Pissarro Signed and titled on verso: "La Famille Jean Guillemette a...

Brown, grey and pink washes on beige paper 4 x 3 3/4 inches (10 x 9.5 cm) Signed: In Nuremberg Provenance Commissioned from the artist by Daniel Wadsworth Coit (1787 – 1876), and th...

Herman Frederick Ten Kate 1822 - The Hague - 1891 Interior Scene Watercolor on paper 9 1/4 x 13 1/4 inches (23.4 x 33.6 cm) Framed: 17 x 21 ½ inches (43 x 54.6 cm) Signed lower right Provenance: Private Collection, USA Herman Ten Kate spent most of his life in The Hague although he did occasionally travel to Amsterdam and Haarlem. He was a member of the Royal Academy in Amsterdam in 1847. He was a student of Cornelis Krusemans from 1837 to 1841. Ten Kate generally depicted friendly genre scenes as well as scenes with soldiers inspired by the 80 years war. His work is generally of watercolor and lithographs. Our sheet offers a quiet scene in which two gentlemen are featured, each sporting the extravagant hats, vests and tall boots typical of the 19th century, inspired by the 17th century Guardroom scenes. One man rests against the back of a chair, his face marked with a serious expression, his left hand gesturing toward the other man seated at the table. The seated figure wears a rather bemused expression as he composes a letter, apparently taking delight in his endeavor. The two figures are surrounded by various objects cluttering the room, which Ten Kate employs for the specific means of compositional balance. The various interior elements -- a long wooden table...

Gene Davis 1920 – active in Washington DC - 1985 Untitled 1981 Colored felt tip on paper 17 ¾ x 12 ½ inches (49 x 32 cm) Framed dimensions: 24 x 14 inches (61x 35.5 cm) Signed and ...

André Brasilier was born in France in 1929. His parents were painters and he showed artistic interest and talent at a young age. At the age of 20 Brasilier entered the École des Beau...

Provenance Estate of the artist David Bunim Perls Gallery, NY Private Collection, USA Literature This work will be inclued in the forthcoming supplement to the catalogue raisonne in...

As a teen, Paul Jenkins worked with ceramicist James Weldon which led to a fascination with glazes; Jenkins cultivated and eventually achieved a similar effect in his paintings by mixing oil and enamel on canvas in the 50s. In 1937, Jenkins attended classes at the Kansas City Art Institute where he painted his first series of watercolors he called interior landscapes inspired by caves in the Ozarks. After serving in the US Naval Air Corps for 2 years, Jenkins moved to New York to study with Yasuo Kuniyoshi and Morris Kantor at the Art Students League from 1948 to 1952. During those years, Jenkins met Mark Rothko, Jackson Pollock and Barnett Newman. In 1953 left for Paris where he discovered and was struck by the color density and luminosity in abstract oil works termed ébauches by Gustave Moreau and pastels by Odilon Redon. He began to experiment with poured paints in various thicknesses on canvas and paper and found this technique achieved luminosity of color which in its own way was comparable to that of Moreau and Redon. The next year, Jenkins added Winsor Newton pigments and chrysochrome, a viscous enamel paint, into his poured paintings, further enriching their color density and incandescence. The next major development in technique came in 1959 when he began using an ivory knife to guide the flow of paint. That same year, he also began to title his paintings Phenomena followed by a key word or phrase. A film on Jenkins' technique titled The Ivory Knife: Paul Jenkins at Work was shown at the Museum of Modern Art and received the Golden Eagle Award at the Venice Film Festival in 1966. In 1954 Jenkins had his first solo exhibition in Paris where he met Martha Jackson, whose New York gallery included Jenkins in a group show the following year. In 1956, Martha Jackson Gallery held a solo exhibition of Jenkins’ work at which Divining Rod...