Dressing Factory Pendant Necklaces

Victorian 18k yellow gold vivid cobalt blue enamel, tripple crown center pendant with natural pearl halo and crown center. Handmade in 14k yellow go...

22 Karat Yellow Gold Garnet Pendant by ROMAE Jewelry Based on an Ancient Design. Our distinctive "Pontus" pendant features a shape that is strikingly modern in design, and is based o...

Take love with you everywhere! This breathtaking necklace has a sweet design with the most precious gemstone hanging from a delicate 18 karat white gold chain. Join our Italian desig...

Necklace Specifications: Brand: Tiffany & Co. Metal: 18k Yellow Gold Pendant Measurements: 0.55" x 0.55" Chain Length: 16" ​ Total Weight: 2.5 Grams Stamped: "Tiffany & Co." "75...

Alex Jona design collection, hand crafted in Italy, 18 karat yellow gold flower pendant set with five citrine quartz petals weighing 3.97 carats in total and white diamonds weighing ...

Incredible white and light-pink pearls (8/9 mm X 10/11 mm) necklace that has white gold washer studded by bright diamonds and with a simple closure in 14K rose gold. The necklace has...

14 Karat White Gold Diamond R Initial Pendant on 16 Inch Chain. The Pendant Contains Round Single Cut Diamonds of I1 Clarity & H Color Totaling Exactly 0.11 ...

Alex Jona design collection, hand crafted in Italy, 18 karat rose gold, diamond pavé pebble pendant necklace, set with 96 white diamonds weighing 2.03...

From the personal collection of style icon Iris Apfel we have her Meenakari Indian Heart Motif Necklace with Enamel adornment in vivid colors of greens, reds and blues. The gorgeous...

Large, stunning granulated antique French Etruscan Revival locket with the original, equally spectacular large chain. The oval locket exquisitely decorated with a technique known as granulation, where a tiny gold bead is individually applied to a surface to form a geometric pattern. Done entirely by hand and requiring a master goldsmith, this technique is thought to have originated in Sumer approximately 5000 years ago. The Etruscans mastered the process in the first millennium B.C and closely guarded its secret, becoming celebrated for creating some of the most beautiful and technically advanced gold jewelry ever made. Condition: This piece is in very good condition retaining the original interior crystal, the hinges work very well and are precisely calibrated to stay open in place when desired. The back of the locket shows normal wear with just the slightest waviness. The chain is in excellent condition. Composed as a pendant locket on its original chain, the oval gold links reeded on the interior and applied chain link on the exterior, the oval locket decorated with twisted wirework circles and fine applied granulation patterns, suspended from a long bale with quatrefoil granulation. Hinged on the side, opening to reveal a hinged glass panel for a personal memento. French assay mark and maker's mark partially obscured Confident attribution to Fontenay based on partial hallmark and similar published examples. References: Wartski for gold enamelled locket on chain necklace, sold archives; DSF for gold enamelled locket pendant of similar workmanship and design. Fontenay pieces retaining the original chain which may be worn on its own are rare and desirable. Eugene Fontenay...

Vintage Chinese cinnabar and silver pendant,with red cinnabar beads,black onyx and sterling silver beads comprise this one of a kind, handmade necklace ...

Elsa Schiaparelli famously embraced "shocking pink" for her Surrealist-aesthetic couture clothing and handcrafted costume jewelry, which she commissioned from Parisian paruriers beginning in the late 1920s--when some of the most expensive gems were fuchsia Burmese rubies. In this antique glass-beaded sautoir tassel necklace, 37 unusual fuchsia faux-pearls are each delicately caged like hot-air balloons by seven textural strands of faux-pearl-and-gold seed beads. These spherical stations are spaced by lustrous white medium-size faux pearls, ending in a four-strand seed-bead tassel that cages four of the fuchsia beads. The beads are strung on bright magenta silk cord without a clasp. Sautoirs were an essential element of flapper style since Schiaparelli's couture-mentor Paul Poiret changed the silhouette of clothing in the 1920s, while the long necklaces remained popular until wartime 1939. To compete with her rival couturier Gabrielle "Coco" Chanel, Schiaparelli (1890-1973) relied on the same French glassmakers, Maison Gripoix and Louis Rousselet--the masters of faux pearls at the time who added organic-ingredient coatings to their handmade glass beads. Either glass workshop that was established by the 1920s could have been commissioned to make the progressive hot-pink pearls for this unsigned necklace that dates to the Art-Deco period. The design of this highly-textural tricolor sautoir featuring fuchsia spheres could suit the style of one of Schiaparelli's most frequent paruriers through the 1930s, Jean Clement. Some of his relevant unsigned work for Schiaparelli is in museum collections like The Met, including highly-textural tricolor sphere-decorated buttons/brooches and a fuchsia-toned metal-rosebud bead necklace. After Schiaparelli had become associated with fuchsia, she made particularly prolific use of this bright magenta in the late 1930s. In her demi-couture collections such as "Circus" and "Comedia dell' Arte" (see our 3 photos), fuchsia jackets are adorned with similar colorful spherical glass beads among embroidered appliques and animal/clown brooches, as well as whimsical painted-ceramic buttons...