Earle D. Vandekar of Knightsbridge, Inc. Prints

"Floral Masterpiece": Large Vintage Botanical Lithograph after Joseph Nigg, Printed by Mourlot, 1947 A magnificent and large-scale botanical lithograph, beautifully reproducing a pa...

Victorian Botanical Splendor: Set of 6 Framed Prints by W. Thompson from "The English Flower Garden" (First Edition, 1852–1853) A charming and decorative set of six antique botanica...

The Garden of Malabar: A Foundational Work of Tropical Botany Object: Hand-Colored Engraving Plate Source: Hortus Indicus Malabaricus (The Garden of Malabar), Volumes 1-12 Creator/C...

The Garden of Malabar: A Foundational Work of Tropical Botany (one of two- make a great pair- see other listing.) Object: Hand-Colored Engraving Plate Source: Hortus Indicus Malabar...

Large-Scale Ornithological Engraving by Madame Knip (Plate 2 from Les Pigeons, c. 1809–1811) A stunning and historically significant large-format color engraving of the Nicobar Pige...

American Folk Art Reimagined: A Print of a Duck Decoy by Arthur Nevin This lithograph print of a Redbreasted Merganser decoy is a compelling piece that bridges the worlds of American folk art, natural history, and modern printmaking. Created by the artist Arthur Nevin in circa 1970, this work is a tribute to a quintessential piece of Americana. The print is specifically inscribed with "Redbreasted Merganser, Beach Haven...

An Illustrated Legacy: A Chromolithograph of an Ancient Greek Amphora, 1883 This large, striking chromolithograph is more than a simple print; it is a testament to the 19th-century intellectual and artistic fascination with classical antiquity. Depicting an ancient Greek amphora, this piece is Plate VI from the seminal folio Griechische Keramik by Albert Genick...

Regency Opulence: Brookshaw's Plums from Pomona Britannica Object: Hand-Finished Aquatint and Stipple Engraving (Plate XVII) Artist/Author: George Brookshaw (British, active 1780-18...

Paul Carlyle & Guy Oring: A Set of Nine Framed Typographic Pages from New Letters & Lettering, 1938 This striking set of nine framed pages originat...

Giovanni Battista Piranesi (Italian, 1720–1778) Engraving of an Ancient Marble Altar (Urn) Rome, circa 1768–1778 Etching on paper Dimensions: 35 inches × 29 1/8 inches × 1 1/2 inche...

Giovanni Battista Piranesi (Italian, 1720–1778) Engraving of an Urn Rome, circa 1768–1778 Etching on paper Dimensions: 35 × 29 1/8 × 1 1/2 in. Executed and published in Rome during...

A Fine Set of Twelve Botanical Engravings from Johann Weinmann's Phytanthoza Iconographia ________________________________________ This is a beautiful and historically significant s...

Francois Nicholas Martinet bird engraving, circa 1770. The framed Francois Martinet engraving is from Buffon's Historie Naturelle des Oiseaux displa...

The large print by Arthur Nevin is inscribed Mallard Hen Decoy, Bay Head, New Jersey, 1920, it is also signed & numbered 45/150.

Madame Pauline Knip Engraving of A Pigeon, Colombar Wallia, Femelle (Columba Abyssinica, femina), From Les pigeons par Madame Knip, née Pauline de Courcelles ; le texte par C.J. Them...

Madame Pauline Knip Engraving of A Green Pigeon, Colombe Vlouvlou, From Les pigeons par Madame Knip, née Pauline de Courcelles ; le texte par C.J. Themminck, Paris 1809-1811. A r...

Madame Pauline Knip Engraving of A Pigeon, c, Colombar Maitsou, From Les pigeons par Madame Knip, née Pauline de Courcelles ; le texte par C.J. Themminck, Paris 1809-1811. A remar...

The Avian Wonders: Engravings from Buffon's Histoire Naturelle, Ornithologie ________________________________________ This meticulously presented a...

French Engraving of the Eastern Imperial Eagle from the Description de l'Egypte. LARGE, J. Ces. Savigny, 1809-1813. The large stipple engravin...

Set of nine framed American typography pages. From new letters and lettering by Paul Carlyle & Guy Oring, Originally published, 1938 The pages ...

Madame Pauline Knipp Engraving of A Pigeon, From Les pigeons par Madame Knip, ne´e Pauline de Courcelles ; le texte par C.J. Themminck, Paris 1809-1811. A remarkable large engraving of a pigeon- A Columba Coronata (Colombi-Galline Goura). The print floats within a gilt frame and white matte and with UV Tru-view Clear UV Glass. We have 14 different examples from this volume. Ask for details. Dimensions: Framed: 28 3/4 inches 21 3/4 inches wide x 1 1/4 inches; Sight: 20 3/4 inches high x 13 1/4 inches Pauline Knip née Pauline Rifer de Courcelles (26 July 1781 – 18 April...

Each print is mounted in a cherrywood parcel-gilt frame, with a glazed reverse depicting the corresponding text sheet. L'Andaloux, Le Cheval d'Espagne, Plate I; Le Barbe, Le Che...

John Parkinson was the last of the great English herbalists and one of the first of the great English botanists. Here the pair of prints show mosses and lichen and the other of ferns. From: Paradisi in sole Paradisus Terrestris: or a garden of all sorts of pleasant flowers...

William Roscoe Botanical Large Print, Zingiber Capitatum, Monandrian Plants of the Order Scitamineae, 1828 A spectacularly large and beautifully framed botanical print. The subjects...

17th-century Black and White Engravings of Architectural Fountains for Formal Gardens, Georg Andreas Bockler, Set of Six, Circa 1664 The framed ...

Framed copperplate engravings of sea shells, Niccolo` Gualtieri (editor). Giuseppe Menabuoni (1708-after 1745) (after). Plates 30 and 31 from Index testarum conchyliorum quae adservantur in museo Nicolai Gualtieri...

Sea shell pair of engravings, from Index Testarum Conchyliorum by Niccolo Gualtieri, Engraved by Antonio Pazzi & Giuseppe Menabuoni, 1742. Pair of framed hand colored sea shell...

Hand colored prints of horses from "L'art de monter a cheval: ou description du manége moderne, dans sa perfection" by Baron D'Eisenberg, Published in 1747. Each print is mounted in a cherrywood parcel-gilt frame, with a glazed reverse depicting the corresponding text sheet and can be sold as pairs. The following subjects are depicted: 1. L'Andaloux, Le Cheval d'Espagne, Plate I; 2. Le Barbe, Le Cheval Barbe, Plate II, 3. L'Allemand, Le Cheval d'Allemagne, Plate III; 4. L'Arabe, Le Cheval Arabe...

Large framed etching of a massive urn Francesco Piranesi in the style of his father, Giovanni Battista Piranesi, plate 549 #43, signed lower left on plate Cavalier Piranesi Delin, ed...

George Brookshaw Print of Pears from Natural History Art, Botanical, Fruit, Brookshaw, Pomona Britannica, Plate LXXXV, Dated 1807 The publ...

George Brookshaw print of two varieties of raspberries, one yellow and one red. Plate IV, from Natural History Art, Botanical, Fruit, Brookshaw, Po...

Johann Seligmann Bird Print, Le Colibri rouge & Le petit Colibri brun, Tab LXIII Circa 1770 The Johann Seligmann engravings of two birds on a branch- Le Colibri rouge & Le petit Co...

Johann Seligmann Bird Print, Le Pivert Mouchese des Indes, Tab LXXVII, Circa 1770 The Johann Seligmann engravings of Le Pivert Mouchese des IndesTax LXXXVII is mounted in a decoupa...

Antique engraving of a Tucano Mangiapepe, by Saverio Manetti Circa 1776 A fine hand colored engraving of a Tuscan Magpie by the Italian artist Saverio Manetti. Manetti drew his work predominantly from real specimens. The work was one of the largest ornithology undertakings to that point in time. Dimensions: 25 inches high x 22 inches wide x 1 1/4 inches deep. (frame); (63.5cm high x 55.88cm). 18 x 14 in. (sheet) Reference: Wikipedia Manetti was born in Brozzi to Giovanni Bernardo and Maria Teresa Nesiscolt of Prague. His early studies were in Florence and later at Pisa where he studied botany under Pier Antonio Micheli. He graduated in medicine in 1745 and worked in Florence. In 1758 he joined the National Medical College where he studied anatomy under Antonio Cocchi (1695–1758), conducting the autopsy of Cocchi. Manetti was Professor of Botany of the "Società Botanica Fiorentina", a member of the German Academy of Sciences Leopoldina, a Fellow of the Royal Society, learned societies in Göttingen and Montpellier, an Accademico dell'Istituto di Bologna and he maintained scientific contacts with the Swedish botanist Carl Linnaeus and with the main scientific circles of the second half of the 18th century. He was supervisor of the Orto Botanico di Firenze in Florence from 1749 to 1782 succeeding to Giovanni Targioni Tozzetti and Secretary of the Accademia dei Georgofili. With remarkable organizational effort, he secured the publication of Storia naturale degli uccelli, Natural History of the birds, a monumental work in five volumes illustrated with 600 hand-coloured engravings based on watercolor paintings. The book was commissioned by Maria Luisa, Grand duchess of Tuscany and the first volume was dedicated to Grand Duke Pietro Leopoldo. The third volume was dedicated to Ferdinando di Brobone and the fourth to Giorgio Nassau Clavering. The engravings were made by Tuscan abbot and engraver Lorenzo Lorenzi and Violante Vanni who had studied under British engraver Robert Strange...

William Roscoe Botanical Large Print, Curcuma Aeruginosa, Monandrian Plants of the Order Scitamineae, 1828 From a set of four -sold individually. A spectacularly large and beautifu...

Madam Knipp engraving of pigeon, From Les pigeons par Madame Knip, ne´e Pauline de Courcelles ; le texte par C.J. Themminck, Paris France, 1809-1811. A remarkable large engraving of a pigeon- The Colombe Ramier or Columba Cenea or Wood Pigeon floating within a gilt frame and white matte and with UV Tru-view Clear UV Glass. From a large collection of framed...

Johann Weinmann engravings of grapes, Set of Four, Circa 1740 Johann Weinmann engravings of grapes, each engraved by Seuter (S to the lower ri...

18th Century Engravings of Fish by Marcus Bloch, A pair, circa 1780. A fine pair of prints of fish by Marcus Bloch with decoupage frame. Dimensions: 13 3/4 inches x 20 inches wide....