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EDWARD T. POLLACK FINE ARTS Still-life Prints

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ALE CANS
By Jasper Johns
Located in Portland, ME
Johns, Jasper (American, born 1930). ALE CANS (I). Wesleyan 202. Lithograph from two plates (blue background, black image), 1975. Edition of 41 plus 11 Artist's Proofs. Signed in pen...
Category

1970s Still-life Prints

Materials

Lithograph

A. M.
By Janet Fish
Located in Portland, ME
Fish, Janet (American, born 1938). A. M. Color Screenprint, 1994. Edition of 60, printed and published by Stewart & Stewart. Signed in pencil and numbered 16/60. 24 x 36 inches (ima...
Category

1990s Still-life Prints

Materials

Screen

BOUQUET DE NUIT
By Marc Chagall
Located in Portland, ME
Chagall, Marc. BOUQUET DE NUIT. Mourlot 693. Lithograph, 1973. Edition of 30. Numbered and signed in pencil. 25 1/2 x 18 3/4 inches, 647 x 476 mm. (image); 34 3/8 x 25 1/4 inches, 87...
Category

1970s Still-life Prints

Materials

Lithograph

YELLOW CALLA LILLIES
By Jim Dine
Located in Portland, ME
Dine, Jim (American, born 1935). YELLOW CALLA LILLIES. D'Oench and Feinberg 19. Etching, soft-ground, drypoint, photogravure and electric tools, with hand-...
Category

1970s Still-life Prints

Materials

Drypoint, Etching

STILL LIFE WITH APPLES
By Louis Lozowick
Located in Portland, ME
Lozowick, Louis. Amer., (1892-1973), STILL LIFE NO.2 (STILL LIFE WITH APPLES), Lithograph, 1929, Ed. C. 50. Flint 36, 10 5/16 x 13 3/16, 262 x ...
Category

1920s Still-life Prints

Materials

Lithograph

THORNAPPLE
By Bertha Evelyn Clausen Jaques
Located in Portland, ME
Jaques, Bertha (American, 1863-1941) THORNAPPLE. Drypoint, 1924. Edition size not known. Signed in pencil. 12 3/8 x 6 7/8 inches (plate), 15 1/2 x 10 1/8 inches (sheet). Printed on t...
Category

1920s Still-life Prints

Materials

Drypoint

APPLES IN A BASKET
By Tomoe Yokoi
Located in Portland, ME
Yokoi, Tomoe (Japanese, born 1942). APPLES IN A BASKET. Color mezzotint. a Hors de Commerce copy aside from an edition of unknown size. Signed in penci...
Category

Late 20th Century Still-life Prints

Materials

Mezzotint

THE NEW FRENCH TOOLS 5 - BOULEVARD VICTOR DOUBLE SKY.
By Jim Dine
Located in Portland, ME
Dine, Jim. THE NEW FRENCH TOOLS 5 - BOULEVARD VICTOR DOUBLE SKY. D;Oench and Feinberg 175. Etching and aquatint and electric tools on two plates, with hand ...
Category

1980s Still-life Prints

Materials

Etching, Aquatint

UNTITLED - DECANTER AND TWO GLASSES
By Asa Cheffetz
Located in Portland, ME
Cheffetz, Asa. UNTITLED - DECANTER AND TWO GLASSES. Not in Springfield. Wood engraving, undated, but likely 1935-1945. Signed in pencil. 7 x 6 1/8 inches (image) plus margins. A tiny...
Category

1930s Still-life Prints

Materials

Engraving, Woodcut

MY ROOM - BRIGHT NIGHT
By Karl Schrag
Located in Portland, ME
Schrag, Karl. MY ROOM - BRIGHT NIGHT. Lithograph, 1993. Edition of 200 published by the Print Club of New York. Signed, dated, titled and numbered 83/200....
Category

1990s Still-life Prints

Materials

Lithograph

FRUIT ON A WHITE PLATE
By Anne Ryan
Located in Portland, ME
Ryan, Anne. FRUIT ON A WHITE PLATE. Color woodcut, not dated. Edition of 30, signed, titled and numbered 7/30 in pencil. 16 3/8 x 17 1/2 inches, 415 x 445...
Category

Mid-20th Century Still-life Prints

Materials

Woodcut

RADAR AND EXHAUST
By Morris Atkinson Blackburn
Located in Portland, ME
Blackburn, Morris Atkinson (American 1902-1979). RADAR AND EXHAUST. Etching and aquatint, c. 1958. Edition size not known. "Signed Morris Blackburn per ETB," thus likely an estate s...
Category

1950s Still-life Prints

Materials

Etching, Aquatint

NAILS
By Antonio Frasconi
Located in Portland, ME
Frasconi, Antonio. NAILS. Baltimore 505. Woodcut, 1964. Edition of 15. Numbered "10/15," titled and signed in pencil within the image. 18 x 23 3/4 inches (image printed on the full ...
Category

1960s Still-life Prints

Materials

Woodcut

PORTRAIT OF A VASE
By John Murray Barton
Located in Portland, ME
Barton, John Murray. PORTRAIT OF A VASE. Color Woodcut, 1959. Edition of 100. Titled, numbered 1/100, signed and dated in pencil. 23 5/8 x 7 3/4 inches (image), 11 1/2 x 27 inches (s...
Category

1950s Still-life Prints

Materials

Color, Woodcut

BOUQUET FLEURS A L AQUARELLE
By (after) Georges Braque
Located in Portland, ME
BOUQUET FLEURS A L'AQUARELLE. Vailler p.294, Maeght No. 1025. Lithograph in colors, 1957. Edition of 300 published by Maeght, printed by Mourlot. Numbered 241/300 and signed in penci...
Category

Mid-20th Century Modern Still-life Prints

Materials

Lithograph

NATURE MORT AUX ALLUMETTES
By Mario Avati
Located in Portland, ME
Avati, Mario. NATURE MORT AUX ALLUMETTES. Mezzotint, 1959. 8 1/2 x 10 3/4 inches, 216 x 274 mm. Edition of 75, numbered 46/75, titled and signed in pencil. In excellent condition.
Category

Mid-20th Century Still-life Prints

Materials

Mezzotint

UN OEUF ET DES COQUES
By Mario Avati
Located in Portland, ME
Avati, Mario. UN OEUF ET DES COQUES. mMezzotint in colors. 10 3/4 x 13 3/8 inches; 274 x 340 mm. One of 16 artist's proofs aside from the regular edition. Numbered, titled, and signe...
Category

Mid-20th Century Still-life Prints

Materials

Mezzotint

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Lowell Nesbitt Orchid, 1979 Silkscreen on wove paper Pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front Published by Charles Cardinale Fine Creations, Inc., with blind stamp on the front 25 × 25 inches Unframed This work is pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front. About Lowell Nesbitt. Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9...
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Breakfast - Pop Art, Post War, Color Etching, 1995
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"Many Seasons" Lithograph by Hui Chi Mau, Printed in Italy
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By Hunt Slonem
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