Eerdmans Fine Art Vases
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Pair of Delft Beaker Vases by the De Paauw Factory
By De Paauw
Located in New York, NY
Each decorated with a central oval cartouche enclosing birds and foliage with diaperwork and flowerhead reserve.
Category
Antique Early 18th Century Dutch Vases
Materials
Delft, Paint
Pair of Large Delft Covered Vases
Located in New York, NY
Molded with light ribbing, the covers domed with inverted acorn knops, and painted with leaping stag in quatrefoil cartouche, alternating with bird on a fence with flowering tree nea...
Category
20th Century Vases
Materials
Delft
Near Pair of Chinese Blue and White Porcelain Vases Decorated with Dragons
Located in New York, NY
Of typical form, stenciled with stylized clouds and "pencilled" with dragons. Unmarked. Covers absent.
Category
Mid-20th Century Asian Chinese Export Vases
Materials
Porcelain
Chinese Celadon-Glazed Molded
Fish
Brush Pot
Located in New York, NY
The cylindrical body molded with overlapping waves and applied with leaping carp; the underside bearing a molded apocryphal Daoguang seal mark.
Category
20th Century Chinese Chinese Export Vases
Materials
Celadon, Porcelain
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We kindly invite you to read the entire description, as we provide detailed technical and historical information to ensure the authenticity of our objects.
These stunning vases display clear Art Deco influences, evident in the geometric lines and squared, decorative handles adorned with elegant gilding. The tapered, symmetrical shape is typical of the 1920s and 1930s when Art Deco was at its peak. The predominant color is a deep cobalt blue, characteristic of high-quality ceramic production from that era, associated with a refined decorative style. The gilded handles create a striking and luxurious visual contrast with the rest of the design. The geometric gilded handles, distinctive in their elegance, reflect neoclassical influences reinterpreted through the lens of Art Deco. The decorative details on the handles were applied by hand, a hallmark of fine ceramic craftsmanship. The ceramic used is glazed earthenware. The glossy finish suggests the use of vitreous glazes, applied to achieve a shiny, even surface. The gilding on the handles may have been done using the ceramic lustre technique, where gold is applied at a low temperature after an initial firing, resulting in a durable, shiny finish. The vases date to the period between 1925 and 1930, as indicated by the stamps on the bottom. The Orchies pottery factory was one of the leading French manufacturers specializing in ceramics, located in Orchies, in the Nord-Pas-de-Calais region. Founded in 1886 by Désiré Leroy, the company quickly gained a reputation for the quality of its products and its distinctive trademark, often featuring the silhouette of a windmill, a typical symbol of that region of France. Initially focused on decorative ceramics and household items, the factory later expanded by merging with other local manufacturers, broadening its range of products. A key figure in the company's growth was Jules Auguste Hamin, who helped drive its expansion and brand development. Orchies products were renowned for their craftsmanship and the high quality of materials used. The ceramics were produced using a variety of techniques, including terracotta and glazed stoneware. Orchies excelled in the creation of decorative vases, tableware, pitchers, and other ornamental objects. Bright colors and glossy finishes were characteristic of many of their works, which blended elements of local tradition with Art Nouveau influences. During its golden age, Orchies not only dominated the French market but also exported its ceramics to several European countries and beyond. Its quality craftsmanship and refined design made its products highly valued by both the general public and collectors of art ceramics. The Orchies factory played a major role in the French ceramic industry from the late 19th to the early 20th century, contributing significantly to the development of the Nord-Pas-de-Calais ceramic tradition. However, like many factories of the time, Orchies faced increasing industrial competition and the economic crises of the 20th century, ultimately ceasing operations in the mid-1900s. Today, Orchies ceramics are highly sought after by collectors for their beauty and rarity. The windmill silhouette, imprinted on many of their pieces, remains a distinctive mark of quality and elegance. This pair of vases is a beautiful example of French Art Deco ceramics...
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