Emily Harding Gallery Landscape Paintings

Beautifully painted, this is a contemporary work in the style of French impressionist artist Antoine Blanchard. In rich impasto brushstokes, the Parisian cityscape shows the vitality...

Contemporary impasto oils in rich deep color, this is a traditional landscape scene of croft and loch with a modern aesthetic. Stunning contrast from mountains that raise off the can...

Emile CHAUMONT (Perigueux 1877 - 1927) Summer landscape in Périgord Oil on panel H. 32 cm; L. 41 cm Signed lower left, dated 1912 Provenance: Private c...

Dutch Master 17th Century Farmer at the Well with Goats and Cows Oil on Wood Size: approx. 48 x 63 cm Frame: 68 x 83 cm Age-related condition, old restorations (see photos) Viewing...

A vibrant Bermuda seascape depicting the rocky shoreline with turquoise waters breaking against sunlit boulders beneath a sweeping tree. Mears uses bold, textured brushstrokes and a ...

Famous Edinburgh scene with the foggy Castle on the Mount from the North Bridge, and a bustling city scene below. Impressionist style, dating to mid 1920s/1930s, presenting a glimps...

“Quebec City, 1853” by Edmund C. Coates (American, 1816-1871). A luminous 19th-century view of Quebec City by the American painter Edmund C. Coates, known for his detailed Hudson Ri...

“Being There,” an original oil on canvas by Robert K. White, is a piece for the true collector. White’s careful attention to detail and vivid use of browns and reds project from the painting, immediately capturing the viewer's attention and highlighting the artist's keen ability to capture emotion and life - all in a brushstroke. White's talent for depicting light and shadow provides the foundation for him to deliver subjects and scenes to the viewer's eye. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for cityscapes, theater, and architecture. In the artist’s own words, “I don’t paint what is inside of me; I paint what I see outside of me. I’m an observer. If I see something and I feel an affinity for it, something just clicks in my head. I’ll make the decision right then and there to paint that particular subject during that particular moment. It’s a perfect moment. Once something has caught my eye and I’ve heard the “perfect” click, it’s like a photograph has been taken in my mind’s eye. I only have a few days of clarity with that image. I have to start the painting quickly or else it will be gone and I will lose that image forever.” Artist: ROBERT KENNETH WHITE...

GOVERT VAN EMMERIK (1808-1882) View on the Governor’s Palace in Paramaribo, Surinam Signed and dated 1856 Oil on canvas, 70 x 90 cm In large gilt...

Traditional English hunt scene, this painting is in a beautifully grained wooden frame. Black and white horses are running with the hounds in a green landscape with blue sky. Sign...

New York City artist Eliot Candee Clark was well known for his impressionist landscapes. He was the son of painter Walter Clark. Many of his paintin...

An excellent example of Doragh's best work. The scene is believed to be New Castle, Delaware circa 1920. The painting has been professionally restored. The ...