FEA Home Urns

This is a pair of Sevres hand painted porcelain turquoise lidded urns. Both of them are depicting in the front a sea shore fishermen scenes. In one, a group of fishermen are preparing a sailboat and in the other one, they are pulling the net. The back are adorned with some gilt fishing tools and baskets with foliages. Both scenes are golden framed with scrolls of acanthus and flowers beside them. Gilt white concave long oval shaped rings alternated with gilt foliages and shamrocks decorate the necks of the urns. The same pattern are repeated in the lids, but no white color in the center. The bell shaped lids ended with pinecones finials. A mix of scrolls and Greek keys serve as handles. The round bases are also decorated with gilt foliages. The Sevres hallmark appears in the lids and below the bases. One of the urn’s painting...

A gorgeous Chinese monochrome red flambé glazed bottle vase, called a tianqiuping, Qing Dynasty, late 19th century. The voluptuous body o...

Moroccan ceramic urn with lid, blue with copper color. Modern form with clean lines, textured design. Great to use in the kitchen or in the bath...

"Antique Chinese (Late 19th Century) large white, porcelain urn depicting a blue scene of a village along the water, and finished with two dark blue scrolled handles along the neck. ...

A large antique early 19th century Indian brass votive oil lamp modeled as the Hindu deity, Lord Ganesha, circa 1800. A finely cast brass figure of Lord ...

This Pickling Jar was once used to pickle eggs and features a wonderful array of hand-painted motifs which include birds, foliage and other subtle symbols and patterning. The hand-pa...

Antique 19th century decorative beautiful and unusual Middle Eastern Islamic Moorish brass inlaid decorative vase with flared lip engraved and inlaid with silver and copper compound. Engraved and decorated with very fine Moorish Islamic designs in Arabic script, floral and organic designs in silver, copper and brass inlay with medallions inscription-filled surrounded by vegetal interlace and a band of foliate Arabesque patterns. Mamluke Persian Revival style, Islamic inlay...

20th century rare Qing dynasty crackled (GE) glazed vase with molded three dimensional dragon forms. This very fine quality vase is particularly interesting by the presence of a kiln...

A gorgeous Chinese flambe glazed vase with molded deer head handles, Qing dynasty, 19th century. The vase of pear shaped archaistic "hu" fo...

Pair of Blue and White Chinese Porcelain Jars with Foo Dog Finials. Jars feature dragon motifs. Jars are in the traditional baluster shape and lids have a do...

Faux bamboo Chinese vases were a type of decorative art that emerged during the Qing Dynasty (1644-1912) in China. These porcelain vases were designed to mimic the appearance of bamboo, a plant highly regarded in Chinese culture for its resilience, elegance, and symbolism. Bamboo is associated with attributes such as flexibility, strength, and modesty, making it a popular motif in Chinese art. In the Qing Dynasty the color yellow held significant symbolism and represented imperial authority, power, and the emperor himself. Yellow was considered the most sacred and prestigious color in Chinese culture, and it had strong associations with the emperor's position as the Son of Heaven and the ruler of all under heaven. The marks at the bottom of the vases indicate that these were crafted more specifically during the Tongzhi period – an emperor who reigned from 1861 to 1875, which effectively lasted nthrough his adolescence and was largly overshadowed by the rule of his mother, Empress Dowager Cixi. Although he had little influence over state affairs, the events of his reign gave rise to what historians call the “Tongzhi Restoration”, an unsuccessful modernization program. The polychrome enamels representing on one vase a traditional Chinese kite...

A pair of blue and white triple-gourd 'Taotie' vases, Qing Dynasty, 19th century. A pair of blue and white triple-gourd 'taotie' vases. The base of each with an apocryphal Kangxi six...