FOMOBOY

Amazing ca. 1950 illustration of children by American artist, Florence Kroger (1897-1980). Oil on canvas measures 20 x 24 inches. Signed lower right. Unframed. An illustrator, Fl...

Beautiful Ashcan School era cityscape painting. Seventh Avenue at Night, ca. 1920. Oil on canvas, 8.75 x 12 inches. On small patch repair on back. The piece is unsigned and unatt...

David Lax (1910-1990) Surrealist Antiquity Theme, ca. 1965, Ink on paper, cut and mounted to brown textured illustration board. Panel measures 10 x 18 inches. Framed measurement 1...

Stunning abstract expressionist painting, ca. 1955. Oil on Canvas, measuring 36 x 40 inches. Some natural cracking and paint loss due to heavy impasto technique. Unsigned. Art su...

Untitled Abstract Expressionist painting, 1957 Oil on canvas measuring 18 x 30 inches. Signed with monogram and dated lower right. Two repair patches on back on painting. Artist...

Fabulous ca. 1960 mid-century modern painting of four fashion models. Oil on panel measuring 18 x 24 inches. Unsigned and unattributed.

Constructivist abstract painting, ca. 1940 Oil on canvas, 20 x 24 inches. Unframed, unsigned. In all likelihood, the painting is American, not European or Russian. Marking on ver...

PORTRAIT of a young woman, 1967 Giuseppe Cavaliere (b.1932) Conte crayon on paper, sheet measuring 11 x 14 inches. Signed and dated lower left. Unframed.

Beautiful ca. 1960-70 abstract painting in the style of Vietnamese artist, Hoi Lebadang (1921-2015) Oil on canvas measures 22 x 28 inches. Framed measurement 29.5 x 33.5 inches. Un...

Beautiful Parisian street scene depicts Place de Clichy. Watercolor and pencil on paper. Sheet measures 14 x 20 inches. Signed illegibly lower right and on back.

Original Exhibition Poster Paul Klee, Berggruen and Cie, Paris 1955. Measuring This poster is an original print, not a reproduction. The poster is in very good vintage condition wi...

WILLIAM WEGMAN (b. 1943) 'La Fille du Régiment', 2007 SIGNED Vintage Oversized Artist's Photography Poster Commissioned for the Metropolitan Opera's 2007-2008 season, renowned arti...

An original signed offset-lithograph poster on Arches paper by American artist Jim Dine (1935-) titled "A Heart at the Opera (Signed)", 1983. Hand pencil signed and numbered by Dine ...

William Hogarth (1697-1764). Character vs. Charicature, 1743. Engraving on laid paper, plate measuring 8.25 x 9.25 inches. Framed measurement: 16.25 x 20.25 inches. Characters and...

Robert Rauschenberg (1925-2008). "Arts for Act (1994)." Original offset lithograph poster created for the "Arts for Act." 1994. Signed in the plate (Bold Yellow), Additionally si...

Portrait of a Genovese Sailor, ca. 1890. Watercolor on cardboard measuring 4 x 5.5 inches; 9 x 11 inches framed.

Beautiful original Folk Art painting by American artist, Arthur Glazier (1928-2015). Oil on canvas, measuring 14 x 18 inches. Signed lower bottom. Arthur was born May 29, 1928, ...

Waylande Gregory (1905-1971). Nude Reclining, ca. 1950's. Painted composite cast from original sculpted in 1930's. Casting sanctioned and approved by the artist during his lifetime in partnership with MPI, Museum Pieces Incorporated. Very few examples were produced and even fewer survive. Waylande Gregory was considered a major American sculptor during the 1930's, although he worked in ceramics, rather than in the more traditional bronze or marble. Exhibiting his ceramic works at such significant American venues for sculpture as the Whitney Museum of American Art in New York City and at the venerable Pennsylvania Academy of the Fine Arts in Philadelphia, he also showed his ceramic sculptures at leading New York City galleries. Gregory was the first modern ceramist to create large scale ceramic sculptures, some measuring more than 70 inches in height. Similar to the technique developed by the ancient Etruscans, he fired his monumental ceramic sculptures only once. Gregory was born in 1905 in Baxter Springs, Kansas and was something of a prodigy. Growing up on a ranch near a Cherokee reservation, Gregory first became interested in ceramics as a child during a native American burial that he had witnessed. He was also musically inclined. In fact, his mother had been a concert pianist and had given her son lessons. At eleven, he was enrolled as a student at the Kansas State Teacher's College, where he studied carpentry and crafts, including ceramics. Gregory's early development as a sculptor was shaped by the encouragement and instruction of Lorado Taft, who was considered both a major American sculptor as well as a leading American sculpture instructor. In fact, Taft's earlier students included such significant sculptors as Bessie Potter Vonnoh and Janet Scudder. But, Taft and his students had primarily worked in bronze or stone, not in clay; and, Gregory's earliest sculptural works were also not in ceramics. In 1924, Gregory moved to Chicago where he caught the attention of Taft. Gregory was invited by Taft to study with him privately for 18 months and to live and work with him at his famed "Midway Studios." The elegant studio was a complex of 13 rooms that overlooked a courtyard. Taft may have been responsible for getting the young man interested in creating large scale sculpture. However, by the 1920's, Taft's brand of academic sculpture was no longer considered progressive. Instead, Gregory was attracted to the latest trends appearing in the United States and Europe. In 1928 he visited Europe with Taft and other students. "Kid Gregory," as he was called, was soon hired by Guy Cowan, the founder of the Cowan Pottery in Cleveland, Ohio, to become the company's only full time employee. From 1928 to 1932, Gregory served as the chief designer and sculptor at the Cowan Pottery. Just as Gregory learned about the process of creating sculpture from Taft, he literally learned about ceramics from Cowan. Cowan was one of the first graduates of Alfred, the New York School of Clayworking and Ceramics. Alfred had one of the first programs in production pottery. Cowan may have known about pottery production, but he had limited sculptural skills, as he was lacking training in sculpture. The focus of the Cowan Pottery would be on limited edition, table top or mantle sculptures. Two of the most successful of these were Gregory's Nautch Dancer, and his Burlesque Dancer. He based both sculptures on the dancing of Gilda Gray, a Ziegfield Follies girl. Gilda Gray was of Polish origin and came to the United States as a child. By 1922, she would become one of the most popular stars in the Follies. After losing her assets in the stock market crash of 1929, she accepted other bookings outside of New York, including Cleveland, which was where Gregory first saw her onstage. She allowed Gregory to make sketches of her performances from the wings of the theatre. She explained to Gregory, "I'm too restless to pose." Gray became noted for her nautch dance, an East Indian folk dance. A nautch is a tight, fitted dress that would curl at the bottom and act like a hoop. This sculpture does not focus on Gray's face at all, but is more of a portrait of her nautch dance. It is very curvilinear, really made of a series of arches that connect in a most feminine way. Gregory created his Burlesque Dancer at about the same time as Nautch Dancer. As with the Nautch Dancer, he focused on the movements of the body rather than on a facial portrait of Gray. Although Gregory never revealed the identity of his model for Burlesque Dancer, a clue to her identity is revealed in the sculpture's earlier title, Shimmy Dance. The dancer who was credited for creating the shimmy dance was also Gilda Gray. According to dance legend, Gray introduced the shimmy when she sang the Star Spangled Banner and forgot some of the lyrics, so, in her embarrassment, started shaking her shoulders and hips but she did not move her legs. Such movement seems to relate to the Burlesque Dancer sculpture, where repeated triangular forms extend from the upper torso and hips. This rapid movement suggests the influence of Italian Futurism, as well as the planar motion of Alexander Archipenko, a sculptor whom Gregory much admired. The Cowan Pottery was a victim of the great depression, and in 1932, Gregory changed careers as a sculptor in the ceramics industry to that of an instructor at the Cranbrook Academy in Bloomfield Hills, Michigan. Cranbrook was perhaps the most prestigious place to study modern design in America. Its faculty included the architect Eliel Saarinen and sculptor Carl Milles. Although Gregory was only at Cranbrook for one and one half years, he created some of his finest works there, including his Kansas Madonna. But, after arriving at Cranbrook, the Gregory's had to face emerging financial pressures. Although Gregory and his wife were provided with complimentary lodgings, all other income had to stem from the sale of artworks and tuition from students that he, himself, had to solicit. Gregory had many people assisting him with production methods at the Cowan Pottery, but now worked largely by himself. And although he still used molds, especially in creating porcelain works, many of his major new sculptures would be unique and sculpted by hand, as is true of Kansas Madonna. The scale of Gregory's works were getting notably larger at Cranbrook than at Cowan. Gregory left the surface of Kansas Madonna totally unglazed. Although some might object to using a religious title to depict a horse nursing its colt, it was considered one of Gregory's most successful works. In fact, it had a whole color page illustration in an article about ceramic sculpture titled, "The Art with the Inferiority Complex," Fortune Magazine, December, 1937. The article notes the sculpture was romantic and expressive and the sculpture was priced at $1,500.00; the most expensive sculpture...

Abram Tromka (1895-1964) City at Night, ca. 1940. Oil on canvas, 16 x 20 inches; 20 x 24 inches in antique oak frame. Signed lower right. Frame is of the period, but probably not ...

Earl Hill (1927-1985). Gas Station Attendant, 1966. Oil on masonite panel, 10.5 x 13.5 inches, 15 x 18 inches framed. Signed and dated lower right. Inscribed...

Bedrich Fritta (1906-1944). Portrait of a Young Woman in Profile, ca. 1930. Pencil on irregular paper sheet measuring 6 x 6.75 inches. Mounted on thin backing measuring 9 x 12 in...

Bedrich Fritta (1906-1944). Portrait of a Young Woman in Profile, ca. 1930. Pencil on irregular paper sheet measuring 3.25 x 7 inches. Mounted on thin backing measuring 9 x 12 inc...

Patrick Terenchin (b.1970). When I Was Away, 2014. Oil on cradled wood panel, 36 x 36 inches. Excellent condition. Signed and dated en verso. Artist statement: The irony: landsc...

Victor Arimondi (1942-2001). Portrait of male model Ingolf wearing Torben Hardernberg, ca. 1975. Period print measures 9 x 11 inches. Artist studio stamp on verso. Victor Arimondi ...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 9 x 11 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italia...

Patrick Terenchin (b.1970). Brendan (Hammock), 2024. Oil, acrylic on wood panel. Panel measures 24 x 30 inches. Signed, titled, dated on verso.

Patrick Terenchin (b.1970). Angel I, 2024. Oil, acrylic, color pencil on wood panel. Image measuring 12 x 12 inches. Signed, titled, dated on verso.

Patrick Terenchin (b.1970). Angel II, 2024. Oil, acrylic, color pencil on wood panel. Image measuring 12 x 12 inches. Signed, titled, dated on verso.

Patrick Terenchin (b.1970). Angel III, 2024. Oil, acrylic, color pencil on wood panel. Image measuring 12 x 12 inches. Signed, titled, dated on verso.

Patrick Terenchin (b.1970). Angel IV, 2024. Oil, acrylic, color pencil on wood panel. Image measuring 12 x 12 inches. Signed, titled, dated on verso.

Gerry Gersten (1927-2017). Ernest Hemingway, ca. 1980. Pencil on vellum sheets mounted to illustration board. Panel measures 16 x 20 inches. Gerry Gersten (October 17, 1927 – Janu...

Gerry Gersten (1927-2017). Sylvester Stallone (as Rocky), ca. 1970's. Pencil on vellum paper, image measures 15 x 20 inches. Gerry Gersten (October 17, 1927 – January 12, 2017) wa...

Gerry Gersten (1927-2017). Ronald Reagan, 1983. Pencil on vellum paper, image measures 9 x 12 inches. Gerry Gersten (October 17, 1927 – January 12, 2017) was a political caricatur...

Gerry Gersten (1927-2017). Philip Johnson, ca. 1984. Gouache, watercolor and pencil on vellum paper, image measures 6 5/8 x 10 3/4 inches. Studio stamp on verso. Vellum sheet glue...

Gerry Gersten (1927-2017). Mick Jagger, 1977. Pencil on vellum paper. Sheet measures 10.25 x 13.75 inches, Vellum sheet glued down to backing board measuring 10.75 x 16 inches. M...

Gerry Gersten (1927-2017). Dian Fossey, ca. 1980. Gouache, watercolor and pencil on vellum paper, image measures 9 x 11 inches. Studio stamp on verso. Vellum sheet glued down to b...

Beautiful portrait of a young woman in the manner of Peter Paul Rubens. Oil on oval canvas measuring 12 7/8 x 16 inches. Unsigned. Canvas was originally painted for rectangular for...

Roland Ayers (1932-2014). Ancestor Worship, 1971. Pen and ink drawing. 4 w. x 6 h. inches, Signed and dated lower right. Artist and art educator, Roland Ayers was born on Jul...

Roland Ayers (1932-2014). Readiness, 1971. Pen and ink drawing. 4 w. x 6 h. inches, Signed and dated lower right. Artist and art educator, Roland Ayers was born on July 2, 19...

Roland Ayers (1932-2014). Ancestor Worship II, 1971 Ink on paper, 4 × 5.5 inches. Signed and dated. Artist and art educator, Roland Ayers was born on July 2, 1932, the only c...

Gerry Gersten (1927-2017). Liberace, 1984. Gouache, watercolor and pencil on vellum paper. Imabe measures 17 x 19 inches. Signed and dated in pencil, lower right. Unframed and hin...

Roland Ayers (1932-2014). Land’s End, 1971 Ink on paper, 3.25 × 5 inches Signed and dated. Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Ali...

Roland Ayers (1932-2014). Anthem, 1972. Ink on Paper, 4.75 × 7 inches. Signed and dated. Measuring 12 × 16 inches in acid-free matting. Artist and art educator, Roland Ayers...

Roland Ayers (1932-2014). Pleasure Function, 1972. Ink on paper, 7 × 7 inches (image). Sheet measures an irregular 10 × 10 inches. Signed and dated. Acid-free matting measuring ...

Roland Ayers (1932-2014). Hesitation Blues, 1968. Ink on paper, 12 × 8.5 inches. Signed and dated. Measuring 14 × 18 inches in acid-free matting. Artist and art educator, Ro...

Roland Ayers (1932-2014). Family Tree, 1968 Ink on paper. 10.5 × 8 inches; 14 × 18 inches in acid-free matting. Signed and dated. Artist and art educator, Roland Ayers was bor...

Beautiful painting of a ballet dancer. Oil on masonite panel, measuring 9 x 12 inches. Titled and dated 2/54 on verso. Signed "Degas" lower right.

Beautiful Khmer head of Buddha. Angkor period, style of the post-Bayon. 14th century. Carved sandstone. Height 12 5/8 inches, width 5 5/8 inches, profile 5 ...

Roland Ayers (1932-2014). Homecoming, 1971. Ink on paper, 4 1/8 × 6 7/8 inches. Signed and dated. Small toning stain left margin. Artist and art educator, Roland Ayers was ...

Roland Ayers (1932-2014). The Bird Told Me (Who Told You?), 1972. Ink on paper, 5 × 7 inches. Signed and dated. Artist and art educator, Roland Ayers was born on July 2, 1932, ...

Roland Ayers (1932-2014). Our Home, 1971. Ink on paper. 4.5 × 6 7/8 inches. Signed and dated. Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of ...

Roland Ayers (1932-2014). Pyramid Mysteries, 1970. Ink on illustration board, 13.5 × 9.75 inches. Signed and dated. Titled on verso. Artist and art educator, Roland Ayers was ...

Roland Ayers (1932-2014). Untitled (Sad Shit), 1969. Ink on illustration board. Panel measures 15 × 13 inches. Unfinished composition on verso. Artist and art educator, Roland ...

Roland Ayers (1932-2014). Aerial Circus Series (Ed Henderson), 1971. Ink on paper, 11.75 × 16.5 inches. Signed and dated. Artist and art educator, Roland Ayers was born on July ...

Roland Ayers (1932-2014). Spring, 1972. Ink on paper, 9.75 × 13.5 inches. Signed and dated. Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Ali...

Beautiful ca. 1970s Pop Art painting of a reclining nude woman based on Tom Wesselmann's 1968 screenprint, Nude with Still Life. Oil on canvas, 30 x 36 inches. Custom welded stee...

Mary Ann Robertson (1923-1911). Persian Morning II, 1964. Oil and paper on canvas. 25 x 36 1/2 inches. overall frame size 37 1/2 x 26 inches. notes: Nashville, IN woman artist....

Roland Ayers (1932-2014). Untited (From Aerial Circus Series), 1972. Ink on paper, 4.5 inches diameter. Signed and dated. Artist and art educator, Roland Ayers was born on July ...

Roland Ayers (1932-2014). Interior, 1973. Ink on paper, 7.5 inches diameter. Signed and dated. Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of ...

Roland Ayers (1932-2014). Aery Kingdom, WIngs of Cloud, 1971 Ink on illustration board, panel measuring 19.5 × 25.5 inches. Artist label on verso. Signed and dated. Artist and a...