Fratelli Tosi Commodes and Chests of Drawers

This exquisite Empire chest of drawers boasts a timeless design and is crafted from rich mahogany, reflecting the elegance of the 1840s. With its stately presence and intricate deta...

American Art Deco highboy dresser with Machine-Age lines in its tiered appearance and curved edge drawers. Produced circa 1947 by R-Way Furnit...

1960s James Mont style small sideboard, cabinet or credenza shown in original grey / charcoal finish with gilt exuberant Hollywood Regency medallions ...

Stunning mid-century French Riviera chest of drawers fully made in rattan and bamboo and completed by a crystal glass top. This stylish organic dresser was handcrafted in Italy durin...

The solid wood chest of drawers IMARI expresses e15’s refined simplicity coupled with quality craftsmanship in its furniture. IMARI blends superbly with the beds MO or NOAH. Pleas...

Introducing the Spectacular Blue Pantry Cabinet, a masterpiece of Italian craftsmanship that brings the timeless elegance of Murano glass into your home. This unique piece is not jus...

Beautiful Italian 1940s chest of drawers or sideboard, credenza, buffet with elegant and classic wood worked according its natural graining on the 4 frontal drawers with the front d...

Beautiful Italian 1940s chest of drawers or sideboard, credenza, buffet with elegant and classic wood worked according its natural graining on the top and the 4 frontal drawers with...

Bureau / chest of drawers in pine. Produced in Sweden, 1960s. Global front door shipping available.

Booleanos Dresser 3 Drawers, Chest of Drawers in Warm Wood Veneer, Joel Escalona Each piece of the Booleanos collection recreates an optical illusion that blurs the line between two...

For Maxalto Layered wood sides cut to reveal ebonised layers and dot details, with leather-fronted drawers and pulls (leather pulls replaced). This slender chest of drawers is a ...

A stunning, rare, and very fine quality French Transitional Louis XV - Louis XVI style mahogany inlaid marble-top chest after Jean-François Oeben / Jean-Henri Riesener. Exquisitely hand-crafted in France, born in the late 19th / early 20th century, exceptionally executed Parisian work, retaining the original shaped marble top with contoured molded edge, over conforming solid mahogany case extensively inlaid with rich floral decoration and geometric trompe l'oeil marquetry-work. Embellished with finely sculpted and chisled gilt bronze ormolu mounts, the case fitted with three high quality locking bar mounted cabinet doors, each adorned with matched ornate escutcheon and opening thanks to the original keys, revealing a mahogany finished interior with single shelf. Featuring rare and exotic woods inlaid, all rising on bronze mounted transitional cabriole legs, ending in the finest quality patinated bronze sabots. Its three doors do not interfere with its delicate marquetry with decorations of geometric cubes and beautiful flowers on gilt gold ground, its two flat uprights with cut sides inviting finesse and harmony, while its bronzes, with antique motifs indicate the return to refined classic taste. A fine example of the Transition style, this chest subtly combines Louis XV marquetry with shapes that are already more rectilinear. From the middle of the 18th century, certain French artists, at the head of which the architects Blondel and Contant d'Ivry as well as the painter Louis-Joseph Le Lorrain, rose up against the excesses of the rococo style and advocated a calming of lines by the use of classical or even ancient principles. If the "Greek" style was too categorical a response to these requests, the Transition style, soon launched by the Marquis de Marigny, brother of Madame de Pompadour and Minister of the Arts, was much more measured and appreciated. Dutch cabinetmaker Matthijs Horrix was also front and center, a leader a Transition style. Celebrated ebanista Jean-François Oeben was one of the leaders of this new taste, with Jean-Henri Riesener following in the 19th century. Oeben a genius with inlay, he gave birth to several patterns, both sober and elegant, such as the marquetry of bottomless cubes, which was adopted by many of his colleagues including Jacques Dautriche and Charles Chevallier. Jean-François Oeben was particularly known for his "Louis XV or Transition furniture, adorned with leaf veneers, flower inlays or geometric patterns", according to Pierre Kjellberg (Le Mobilier français du XVIIIe, éditions de l'Amateur, 1989). A small secretary in the Transition cabinet...