Front Room Gallery Still-life Photography

29 Dreams (29 Palms, CA) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Artist inventory ...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Archival pigment print Signed and numbered, verso 20 x 24 inches 30 x 40 inches 40 x 53 inches 48 x 65 inches (Total edition of 15) This artwork is offered by ClampArt, located in ...

'Rosegarden' - part 1, (Suburbia) - 2013 20x24cm, Edition of 10, Archival C-Print based on the Polaroid Certificate and signature label, artist inventory number: 403.11 Not mounted Stefanie Schneider...

This is a proof print. Stamped with the Muse X stamp and marked NFS. This is a single print from 1998 Birds. Suite of eight Cibachromes. Edition of fifteen. 10″ × 10″ (sheet size). Muse [X] Editions. Taxidermy Bird. Brenda Zlamany has shown widely in the United States and Europe. Her work has been reproduced in The New York Times Magazine, Artforum, Flashart, Art in America, Art and Antiques, and The New Yorker. She was born in New York City in 1959. 1976 - 77 Yale College Before College Program, New Haven, Conn. 1981 Wesleyan University, Middletown, Conn. (BA) Stanley William Hayter s Atelier 17, Paris. Tyler School of Art, Rome. 1984 Skowhegan School of Painting and Sculpture, Maine. Select Museums: Museum of Contemporary Art, Taipei; the National Portrait Gallery of the Smithsonian Institution; the National Museum, Gdansk; Museum voor Schone Kunsten, Ghent. Select Collections: Cincinnati Art Museum; Deutsche Bank; the Museum of Modern Art, Houston; the Neuberger Museum of Art; the Virginia Museum of Fine Art; the World Bank; the Yale University Art Gallery. Select Commissions the World Bank, Memorial Sloan-Kettering Cancer Center the New York Times Magazine (Marian Anderson for an article by Jessye Norman, Osama bin Laden for the September 11, 2005, cover, Jeffrey Dahmer) Select Grants and Awards: Fulbright Fellowship (2011), Pollock-Krasner Foundation grant (2006–07), New York Foundation for the Arts Artists’ Fellowship in Painting (1994). MacDowell Colony (1995, 1992, 1986) Yaddo (1997). For many years, Brenda Zlamany has painted portraits of other artists, including Chuck Close, Alex Katz, and David Hockney. She has also been a subject for them; as she puts it, “we are professional posers.” Recently, however, she has worked to paint portraits of those whose gaze is more internal—monks and nomads in Tibet, aboriginal people in Taiwan—creating large bodies of portraits that investigate the limits of the genre. She returned, with her daughter, to Hockney’s studio in 2014, not only to sit for him but to paint him once again. Her practice involves the long sittings and intense looking required of traditional portrait-making. Muse X Editions. An (now defunct) LA based innovative publisher of limited-edition prints, Muse X has launched its first group of prints and is just beginning to make itself known to artists, curators, dealers and collectors. Among works just off the press are otherworldly landscapes by Barbara Kasten and Oliver Wasow...

Flora 2, 2015 - Seasonal Floral Arrangement with Daisy and Snapdragon Print Flora 2 is a Giclée print on Ultra Bright Hahnemuehle paper, available in this size only from a Limited E...

LETTER H by Christian Stoll large scale conceptual photography playing with viewer's perspective incredible details in this body of work, a series of environmental stills playing w...

H-O-P-E by Christian Stoll large scale conceptual photography playing with viewer's perspective 4 individual photographs individual artwork size 21.6 x 32 inches (55 x 81cm) horiz...

Parallel Love (29 Palms, CA) - 1999 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Certificate and signature label. Artist inven...

Archival pigment print Signed and numbered, verso 20 x 24 inches 30 x 40 inches 40 x 53 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. In 1999, Lori Nix and Kathleen Gerber transplanted themselves to New York City, bringing an urban feel to their photos. In the series, "Some Other Place" (2000-2002), neighborhood sidewalks, city parks, and forays into the wilderness were reconstructed, but with a darker sensibility than their earlier series. Nix and Gerber’s subdued color palette and increasingly complex compositions also reflect this change. Lori Nix and Kathleen Gerber have been making art collaboratively for over sixteen years. Originally from the American Midwest, now based in Brooklyn, they construct meticulously detailed model environments and photograph the results. For the last decade they have found inspiration in their urban surroundings, imagining a future mysteriously devoid of mankind. Their miniature fake landscapes and interiors reflect a love of science fiction and dystopian entertainment (think “Blade Runner,” “Planet of the Apes,” “Logan’s Run...

Untitled (Nr. 7201) Landscape Photography 36" x 44" Edition of 12 by Ben Cope Unframed - ships rolled in a tube Signed and numbered by the artist. Comes with COA issued by the arti...

Aluminum mounted giclee archival print. Ltd Ed 3/20. Sits about an inch off the wall. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...