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Dresser in the Style of Donald Deskey
By Donald Deskey
Located in West Palm Beach, FL
Burled Wood 4 Drawer Dresser after Donald Deskey
Great choice of veneer with bronze and wood handles
Deep large drawers
Refinished
Category
Vintage 1940s American Dressers
Materials
Walnut
Karl Springer Goatskin and Steel Chest of Drawers
By Karl Springer
Located in West Palm Beach, FL
An extremely rare cabinet by Karl springer
Goatskin and steel
Subtle recessed drawer surrounds
A good selection of cream colored goatskin
Category
Vintage 1970s North American Dressers
Materials
Goatskin
Paul McCobb Miniature 3 Drawer Dresser / Jewelry Chest
By Paul McCobb
Located in West Palm Beach, FL
Paul McCobb 3 drawer walnut miniature cabinet.
Tear drop brass pulls.
Category
Vintage 1960s American Dressers
Materials
Walnut
Tommi Parzinger Armoire
By Tommi Parzinger
Located in West Palm Beach, FL
An extraordinary example from Tommi Parzinger.
In 1951 Tommi Parzinger established a relationship with Hofstatter and Sons.
Hofstatter manufactured furniture and had a branch devoted to interior design.
The armoire (1 of 2 manufactured) was a commission for Cielito Lindo, the Woolworth Family home in Palm Beach.
The two armoires...
Category
Vintage 1950s American Dressers
Materials
Wood
$45,000
George Nelson Rosewood Thin Edge Dressers
By George Nelson
Located in West Palm Beach, FL
Thin edge dressers by George Nelson for Herman Miller
Porcelain handles and metal legs.
Dressers have been refinished.
Category
Vintage 1950s American Dressers
Materials
Aluminum
$13,500 / set
Pair of Gilbert Rohde Matching Dressers
By Gilbert Rohde
Located in West Palm Beach, FL
A matching pair of Dresser's by Gilbert Rohde, using book matched brazilian rosewood veneer, model # 3770
Three huge drawers in each cabinet make this a very useful
design.
Category
Vintage 1940s American Dressers
Materials
Brass
$14,500 / set
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________________________________________
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Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle.
In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...
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