Galeria Katarzyna Napiorkowska Portrait Prints

Hand signed and numbered in pencil. From the series La Conquete du Cosmos (Conquest of Cosmos). Authenticated by Albert Field on verso. Sheet siz...

Hand signed and numbered by the artist. First edition engraving with color. Edition 97/150. Sheet size: 14 x 12.25 inches. Image size 10.43 x 7.95 inches. Custom framed as pictured...

"Thirsty: the appearance of a town geisha in the Ansei era" - Woodblock on Paper From the series "Thirty-two Aspects of Customs and Manners" (Fuzoku sanjuniso) Lively woodblock of a...

Delicate drypoint etching of two girls by Dorian Krausz (American, b. 1948). Signed "Dorian Krausz" in the lower right corner. Numbered "196/300" in the lower left corner. Presented ...

Costume of a Finnish Girl in 1768 is an original hand-watercolored etching on ivory paper realized by Jean-Baptiste Le Prince in the late 18th Century. In excellent conditions: As ...

"Conception" - Portrait of a Native American on a Vision Quest Large scale and fine detailed work by the artist. Detailed and evocative depiction of a Native American elder by Frank Howell...

Screen print & hand-finished watercolor on paper. Hand signed and numbered by the artist. Pest Control included. Banksy’s Dumbo is an extremely rare Ban...

Bold print of "Death Takes the Children" by Kathe Kollwitz (German, 1867-1945). This piece is one of the Lithographic reproductions of the original lithographs, plate 9 from a series...

Rare print handsigned by surrealist artist Leonor Fini, inscreasingly esteemed with the movement of rediscovering art by women. This silkscreen is in perfect condition and from a ver...

From Historia de Don Quichotte de la Mancha. Edition: 73/300. Authenticated by Albert Field on verso. Sheet size: 29.875 x 22.125 inches. Image Size: 15.75 x 17.5 inches. Frame size...

Leonor Fini, Rogomelec (rare original print on Rives paper) Texte : Rare lithograph on Rives paper, handsigned and numered by surrealist artist Leonor Fini, now rediscovered and inscreasingly esteemed with the movement of rediscovering art by women. Leonor Fini was actually the life of the party during the Surrealist movement like Leonora Carrington, Remedios Varo, Jacqueline Lamba and Claude Lalanne. Many consider her to be the most fiercely independent female artist of the 20th centuryThis rare lithograph was made after the painting untitled Rogomelec, which was sold by Christie's on october 9th 2024 at GBP 907,200. Created in 1978, Rogomelec is an arresting example of Leonor Fini’s fantastical visions. Within a barren land stands a king dressed in an elaborate coat of peacock feathers. Light glints off his dazzling crown. He is magisterial, imperious, royalty incarnated. The painting shares its title with that of Fini’s third novella, first published in 1979; Rogomelec means ‘he who stones the king’. Written in the first person, the story tells of a traveller in a faraway land, home to a decaying monastery-turned-sanatorium, where monks proffer hallucinatory herbal cures, and culminates in an unsettling discovery during a ritual celebration of the king, the subject of the present work. Born in Buenos Aires, Fini moved to Trieste as a young child. There, she developed an early interest in Renaissance and Mannerist art – the latter’s influence is evident in the elongated figure of Rogomelec – as well as Gustav Klimt, the Pre-Raphaelites, and the German and French Romantics, artists she discovered while riffling through her uncle’s extensive library. Largely self-taught, she moved to Paris in 1931 where she befriended René Magritte, Paul Éluard, Max Ernst, and Victor Brauner. Through them, Fini grew close with the Surrealists and participated in their exhibitions, including Peggy Guggenheim’s landmark show 31 Women at her eponymous gallery on West 57 Street in New York. Like her contemporaries, Fini’s paintings too seem wrenched from a dream and across her works she sought to reconcile the world that she experienced with that of her subconscious mind. In Rogomelec, the king’s clothing is meticulous, and the drama of the ensemble was likely influenced by Fini’s work outside the studio. She created sets and costumes for the ballet, stage, and film; collaborated on performances for the Paris Opéra and La Scala in Milan; and conceived of the bottle and packaging for Elsa Schiaparelli’s perfume...

A mischievous tableau with sexual overtones. Tokyo: Shuei-Sha, 1768. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 inches (273 x 200 mm), full margins. I...