Galerie Canavese Candle Holders
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Pair of LXVI candlestick-cassolettes, France, circa 1800
Located in Paris, FR
Pair of ormolu candlestick- cassolettes in the form of covered pedestal pots with neo-classical laurel garland decoration, on shafts in the form of sections of antique columns on a q...
Category
Antique Early 1800s French Louis XVI Candlesticks
Materials
Bronze
Pair of large brass church candelabra in patinated brass, France circa 1880
By Eugène Emmanuel Viollet Le Duc
Located in Paris, FR
Impressive pair of large neo-Gothic church candelabras with eleven candle holders on three levels, in finely cut brass and bronze, decorated with leaves, flowers, scrolls, lily flowers and glass beads. Lion claw feet. In the spirit of Viollet Le Duc...
Category
Antique 1880s French Gothic Revival Candelabras
Materials
Brass, Bronze
Pair of Large Candelabra-Candlesticks in Gilded Wood, France Directoire Period
Located in Paris, FR
Two large candelabra-candlesticksdecorated with lion claw and cherub heads on the on the visible side .
They are turned wood and are decorated, engraved and gilded only on one side ...
Category
Antique Early 1800s French Directoire Candelabras
Materials
Gold Leaf
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Ferdinand Barbedienne (* August 6, 1810 in Saint-Martin-de-Fresnay, Calvados department, France; † March 21, 1892 in Paris) was a French sculptor, bronze ware manufacturer, and gallery owner. One of the most important and popular Éditeurs d'art, or publishers of art articles, he had most of the French sculptors of his time under contract.
Life and work
Ferdinand Barbedienne was the son of a farmer. At the age of 13, he learned the Craft of saddlery.
In 1822 he moved to Paris, where he first worked as a clerk in a wallpaper shop. He received start-up capital from his employer to open his own store, which he set up on Rue Notre-Dame-de-Lorette in 1834. He pursued the idea of exhibiting bronze statues in addition to his core business and mass producing them in small format.
In 1838, he joined forces with the mechanic Achille Collas, who had developed the machine á reduction (réducteur for short); a device based on the principles of the pantograph that could reproduce three-dimensional objects in any size - reduced or enlarged. On November 29, 1838, both signed the founding contract for the company Société Ferdinand Barbedienne et Achille Collas, which aimed to commercially exploit the mechanized production of sculptural works for an initial 20 years. Barbedienne took care of the commercial management of the company, while Collas contributed the patent on his invention and seven existing machines, and with his profound knowledge of machinery was responsible for the production processes. Together they decided on the subject matter of the objects, the selling prices, and all other financial matters.
In 1841, they produced casts of the Apollo of Belvedere, the Spinario, and 21 pieces with the motif of a bas-relief of the Parthenon. These were followed by versions of the Laocoon group, the Venus of Arles, and the Borghese Fencer, among others. Special interest was initially shown in works from antiquity, for which casts from the Atelier de Moulage in the Louvre served as models. The company continued to produce works by representatives of the Renaissance such as Michelangelo, Donatello, Giovanni Bologna or by French sculptors such as Jean Goujon, Jean-François Flamand, Pierre Puget, François Girardon, Antoine Coysevox...
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Pair of Iron Candelabras with Phoenix Decor, France, circa 1880s
Located in Isle Sur La Sorgue, Vaucluse
Pair of solid, wrought iron candleholders, with three arms each, decorated with scrolling acanthus leaves, raised on a twisted iron stem. The three-sided bases rest on claw feet and ...
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Pair of Very Large French Brass Candelabra in the Gothic Revival Style
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