Galerie Clement Cividino Ent Wall Decorations

This original and authentic Mid-Century Modern French stone lithograph designed by Jean Cocteau from the 1950s is for a ceramic exhibition of his pieces at Galerie Pont de Arts in th...

Striking large plaster 3-D wall sculpture of a neoclassical style head, perhaps of Apollo or other God with handsome chiseled physiognamy.  

Made circa 1930, molded in relief with a Bacchanalian scene in an oak frame. Measures: 53 cm x 81 cm. Chip to lower right of frame with smaller chips and losses to edges.

A large 20th century neoclassical style plaster wall roundel after renowned Italian sculptor, Antonio Canova (1757 – 1822). Sculpted in relief, this wall plaque is one of three sim...

Original midcentury Raoul Dufy art poster from the 1950s printed by Mourlot, Paris, France. Raoul Dufy was a renowned artist that created excellent works of...

This remarkable scene depicting the moment when Bellerophon was about to lasso the flying figure of Pegasus after the creature paused for a drink below was painted in 1926 by Bryson ...

A large vintage rectangular wall relief in French Plaster, from the Parthenon to Neoclassical style, in good condition. Hand crafted bas-relief of the Parthenon temple, on the Athen...

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

19th c., Americana, a large scale gilt and forest green painted cast plaster eagle, depicted spread-wing, with crisply detailed overlapping feathers. With mounting bracket on reverse. This is a very handsome example of an iconic form. The combination of the gilt and forest green paint is striking. Depictions of eagles can be seen across American art. The national bird of the United States, the eagle has been used as a symbol of American freedom for centuries. This is a fine example in the style of John Haley Bellamy...

A vintage French wall relief in plaster depicting the Greek God Dionysus and the Greek princess Ariadne riding in a chariot pulled by two lions, in...

An early 19th Century, antique French wall or bas relief of the Roman God Neptune made of hand crafted Plaster, in good condition. The detailed Parisian wall panel is depicting on th...

A vintage wall fragment of the Areopagus, which in pre-classical times dates back to a selective council of elders for the city of Athens. The membership was favored to those who had...