Galerie Karin Carton Landscape Paintings

The Close of Day by Henry Jacques Delpy (French 1877-1957) signed lower corner oil on panel, framed framed: 23 x 34 inches panel: 21 x 31 inches Provenance: private collection, Pari...

Bold composition of two people on a porch by Majel McHugh Logan (American, 1916-1982). Two people sit facing each other on a porch, backlit by warm sun. The piece is sketchy but confident, with thick brushstrokes adding high contrast shadows and highlights. Although the subjects' faces are undefined, there is nonetheless an expressive quality in their body language. Signed "Majel Logan" in the lower right corner.\ Artist's tag on verso with title. Presented in a wood frame with a gold accent. Frame size: 14.75"H x 16.75"W Canvas size: 14"H x 16"W Majel Logan (nee McHugh) (American, 1916-1982) was born in Utah. After graduation from St. Mary of the Wasatch College in Utah, she studied at the Pennsylvania Academy of Fine Arts. She continued to study at Idaho State University before eventually settling in Santa Clara, CA. Although she was a professional artist at the time, she nonetheless continued her studies at San Jose State University in the 1970s. By the mid-70s, she had won 43 awards in state, regional, and local competitions, including Fiesta des Artes (Los Gatos...

A whimsical oil painting depicting a Parisian Flower Market scene in Paris, France by Luigi Cagliani. As an Italian Impressionist artist Cagliani most of his works were produced in t...

Gilbert Munger Near Bourron, France, circa 1886 Signed lower left Oil on panel 13 x 18 inches Gilbert Munger was born on April 14, 1837 in Madison, Connecticut. He showed interest ...

A vibrant Bermuda seascape depicting the rocky shoreline with turquoise waters breaking against sunlit boulders beneath a sweeping tree. Mears uses bold, textured brushstrokes and a ...

Jules Herve (French, 1887 - 1981) Bassin des Tuilleries and the Louvre, Paris, n.d. Oil on canvas 18 1/2 x 21 3/4 inches Signed lower left; signed on the reverse Provenance: Dominio...

This artwork titled "Along the Shore, Staten Island, New York" 1937, is an oil painting on canvas board by Italian/American artist Xavier Barile, 1891-1981. It is signed and dated at the lower right corner by the artist. Also signed, dated, and titled on the back. The canvas board size is 12 x 16 inches, framed size is 16.25 x 20.25 inches. Framed in a wooden gold frame, with gold bevel and fabric liner. It is in excellent condition, especially considering the age. About the artist: Xavier J Barile was a Social Realist painter, teacher, lecturer, graphic artist, and writer. He was born March 18, 1891, in Tufo, Italy. His love of beauty manifested itself at a very early age. During his early teens, he used to design monograms for the young girls of his home town, Tufo, Italy, to embroider on their most precious possession, their hope chest and trousseau. In 1907, his mother brought him, his two younger brothers and two sisters to New York, to join their father who had been in New York for several years, preparing the way. He quickly learned English and spent some time helping his father, who was earning a living for the family as a tailor. Having learned English well, Barile then enrolled in the Evening Art Classes at Cooper Union Institute in New York. In due course he enrolled in the Art Students League, New York City. Here he came under the influence of John Sloan, Reginald Marsh and Victor Perard as teachers and George Luks, Robert Henri and Everett Shinn of "the Eight" as friends and colleagues. In 1939 John Sloan dedicated his book, Gist of Art as follows, "To my old friend, first monitor of my first class at the Art Students League 1914." This friendship and mutual regard lasted until Sloan's death in 1951. Of course, it was only natural that Barile should be a part of the "Ashcan School," painting the New York Scene. During this time that he was on his own he worked with all mediums - oil, watercolor, pastel, casein, charcoal, etc. - and he did some fine work with monotypes. It was during these years, the 20's and 30's, that he began to exhibit in such places as the Whitney Studio Club (forerunner of the Whitney Museum of American Art), The Kit Kat Club, The Anderson Gallery, The Cincinnati Museum, The New Mexico Museum, National Society of Painters in Casein, The Salmagundi Club and many other exhibits throughout the United States. He is currently represented in The National Collection of Fine Arts (NCFA) Smithsonian Institution, Washington, D.C. In the mid 30's, like many another struggling artist, XJB worked on the WPA Art Project. One of the murals he worked on is in the U.S. Customs House, Bowling Green, N.Y.C. In this project he collaborated with Reginald Marsh who was the supervisor of this phase of the work. The years until 1939 were spent working in all parts of the United States and in conducting his own classes for aspiring artists. In 1939, on the recommendation of John Sloan, he became the founder, first teacher and Chairman of The Department of Fine Arts, Pueblo Junior College, Pueblo Colorado...

A beautiful coastal painting by Massachusetts artist Joseph H. Greenwood, known for his evocative New England landscapes. This work captures the quiet charm of the Dartmouth coast ne...

An atmospheric sunset after the rain. The light reflected on the still-wet street is creating the most beautifully shimmering light. Two village women carrying baskets are chatting, ...

Very finely painted early 1900s American impressionist beach scene. Oil on board. Framed. Signed verso. Great colors and very well painted. Excellent ready to hang condition.

This striking oil landscape is dominated by a vast, cinematic sky, rendered with the rapid, "plein air" brushwork that defined the late 19th-century French school. Rather than a stat...

Famous Edinburgh scene with the foggy Castle on the Mount from the North Bridge, and a bustling city scene below. Impressionist style, dating to mid 1920s/1930s, presenting a glimps...